桥梁建筑工人尼克•莫德（James Gandolfini 饰）人过中年，对现有一成不变且枯燥乏味的生活逐渐感到厌倦。性感奔放的红发女郎图拉（Kate Winslet 凯特•温斯莱特 饰）适时闯入尼克的世界，他的激情被重新点燃，并疯狂迷恋上这个令人捉摸不定的尤物。尼克的妻子凯蒂（Susan Sarandon 饰）是个坚忍的贤妻良母，她靠剪裁衣服贴补家用，还要照顾丈夫和三个叛逆的女儿。尼克的出轨令凯蒂大为失望，随之而来的争吵更将他们的婚姻推向破裂的边缘。兜兜转转，走走停停，在露水姻缘消逝无踪之际，尼克才幡然醒悟，怀念起家的温暖……

タバコと灰（1965年10月1日、3分50秒、モノクロ） 　　magnet:?xt=urn:btih:7a5795e21c669df061c84bb9897f696eb760579d

A Parisian museum director believes his wife has lost interest in him and so places a poisoned cigarette in the box on his desk - thus allowing chance to decide the moment of his death.

A Parisian museum director believes his wife has lost interest in him and so places a poisoned cigarette in the box on his desk - thus allowing chance to decide the moment of his death.

Cigarette Girl (2023), which has garnered significant attention due to the couple Kamila Andini and Ifa Isfansyah, delves into the life of a female protagonist entwined with the 1960s Indonesian cigarette industry.

20世纪60年代，一名才华横溢的女匠人在印尼丁香烟产业中挑战传统，并展开了她的爱情和自我发现之旅。

Muratti was a German brand of cigarettes. Fischinger transforms bunches of standing cigarettes into things that resemble human beings. At first they walk daintily around packages of Muratti tins. Gradually as the film progresses their motions become more graceful, as they do "slides" and other motions and formations associated with dance. The apotheosis of the film is remarkable: Dozens and dozens of cigarettes, arranged in Busby Berkeley-like fashion, repeatedly bow to the horizon, where a giant sun labeled "Muratti" rises in response to to their worshiping activity.

A major portion of "Cigarettes and Coffee" was later adapted, expanded and basically re-made into p.t. Anderson's first feature film, "Hard Eight". The most interesting part of "Cigarettes" was later used as the first scene for "Hard Eight"--in both Phillip Baker Hall's character interrogates a young drifter in a roadside diner and explains a few things about life and the art of conversation to him. In "Hard Eight" the two then go on to have a father-son type relationship in a fairly straightforward narrative (the most straightforward of any of p.t.'s later films). Here in the seminal "Cigarettes and Coffee", however, Baker Hall's conversation with the young man is only one of three happening simultaneously in the diner. P.T. cuts between the three, and we soon learn that the lives of the three seemingly-unrelated sets of characters do actually intersect in unexpectd ways. In this way, the short film is much more like the director's recent Altman-inspired "Magnolia" than it it either "Hard Eight" or "Boogie Nights." "Cigarettes and Coffee" has played on The Sundance Channel (or was it The Independent Film Channel?) quite frequently.

A major portion of "Cigarettes and Coffee" was later adapted, expanded and basically re-made into p.t. Anderson's first feature film, "Hard Eight". The most interesting part of "Cigarettes" was later used as the first scene for "Hard Eight"--in both Phillip Baker Hall's character interrogates a young drifter in a roadside diner and explains a few things about life and the art of conversation to him. In "Hard Eight" the two then go on to have a father-son type relationship in a fairly straightforward narrative (the most straightforward of any of p.t.'s later films). Here in the seminal "Cigarettes and Coffee", however, Baker Hall's conversation with the young man is only one of three happening simultaneously in the diner. P.T. cuts between the three, and we soon learn that the lives of the three seemingly-unrelated sets of characters do actually intersect in unexpectd ways. In this way, the short film is much more like the director's recent Altman-inspired "Magnolia" than it it either "Hard Eight" or "Boogie Nights." "Cigarettes and Coffee" has played on The Sundance Channel (or was it The Independent Film Channel?) quite frequently.