一位爱斯基摩人受了受了族长的委托，来到了繁华的纽约，要告诉大家：如果人类再不改变自己的行为，那么世界将会毁灭。女孩克洛伊被他的真诚善良打动，决定帮助他。城市与质朴的碰撞，就此开始。

The happy life of an Eskimo is disastrously changed when he mingles with an unscrupulous white trader.

导演加文·欧康诺有望执导华纳犯罪新片《父女时间》，马特·达蒙、本·阿弗莱克任制片。影片自2011年华纳购得马修·奥德里奇撰写的剧本后便开始了筹备工作。故事讲述一对父女屡屡作案、穿越多州、逍遥法外。目前新片演员尚未确定。

导演加文·欧康诺有望执导华纳犯罪新片《父女时间》，马特·达蒙、本·阿弗莱克任制片。影片自2011年华纳购得马修·奥德里奇撰写的剧本后便开始了筹备工作。故事讲述一对父女屡屡作案、穿越多州、逍遥法外。目前新片演员尚未确定。

Plot Keywords: Raven | Owl | Inuit | Mythological | Igloo 　　Production Co: Canadian Department of Indian Affairs and Northern Development, National Film Board of Canada (NFB) 　　This short re-tells the old Inuit myth about how the Raven came to have its black feather colour as a result of a disagreement with the Owl.

An academically gifted teen, her model-beautiful older sister and their newly single mother leave small town New Mexico in search of a new life in New York City. After their father runs off with his teenage mistress, SOPHIE and KAREN KERR decide their family needs a fresh start. They convince their mother, LYNN, that the big city holds promise for all of them. Sophie has gotten a scholarship to a prestigious Manhattan private school, Karen can pursue her dreams of modeling, and Lynn can leave the painful memories of her failed marriage behind her, while reviving the ambitions of becoming a fashion designer she put on hold to raise a family. The Kerr women arrive in New York ready to build a new life, as they try their hand at making it in this rarified place that promises as many challenges as it does possibilities. Manhattan. Global big shots, CEOs, diplomats, and the self-important social elite all make their homes there, and they send their precious children to the Brighton school. When Sophie enters this world she realizes she has no idea how to fit in with the privileged, posturing social climbers at her new school, the so-called "BPs," aka "Beautiful People." It's nothing like her old life, where she was able to rise to the top of the academic heap without effort. Not so at Brighton, where everyone is above average and her fellow students think nothing of a lunchtime shopping trip to Prada or of using their parents' helicopter for their morning commute. Sophie's adorable charm and refreshing lack of pretension attract two very different boys to her; GIDEON, a sensitive artist and an outsider in spite of his wealth, and NICHOLAS, the sexy, self-assured leader of the "BPs". Because of her stunning beauty, things always came easily for Sophie's older sister, Karen. But in the big city, she quickly encounters the harsh realities of the cut-throat modeling business and quickly discovers that in New York, the competition is always a little bit taller or a little bit thinner. It will force Karen to take risks in order to succeed and decide just how much of a sacrifice she's willing to make. After a series of frustrating jobs, Lynn manages to land a position in the fashion industry, working for a hot designer. Making the situation more complicated is that the job puts her in daily contact with her old college flame, married millionaire JULIAN FISKE, the one great love of her life. Julian still has feelings for Lynn, and she wrestles with her own emotions, and morals, as their relationship threatens to turn romantic. Helicopter rides, high-rises, and hedonistic parties - the Kerrs are definitely not in New Mexico anymore. No matter what challenges the City throws their way, or what temptations may lead them astray, these three women are a family, and will always be there for each other. For all three Kerr women New York will be an incredible adventure, and challenge working to stay together as a family while pursuing life and love in the greatest city on earth, as they realize what the true meaning of what beautiful people really is. Written by Noel Eisenberg

An academically gifted teen, her model-beautiful older sister and their newly single mother leave small town New Mexico in search of a new life in New York City. After their father runs off with his teenage mistress, SOPHIE and KAREN KERR decide their family needs a fresh start. They convince their mother, LYNN, that the big city holds promise for all of them. Sophie has gotten a scholarship to a prestigious Manhattan private school, Karen can pursue her dreams of modeling, and Lynn can leave the painful memories of her failed marriage behind her, while reviving the ambitions of becoming a fashion designer she put on hold to raise a family. The Kerr women arrive in New York ready to build a new life, as they try their hand at making it in this rarified place that promises as many challenges as it does possibilities. Manhattan. Global big shots, CEOs, diplomats, and the self-important social elite all make their homes there, and they send their precious children to the Brighton school. When Sophie enters this world she realizes she has no idea how to fit in with the privileged, posturing social climbers at her new school, the so-called "BPs," aka "Beautiful People." It's nothing like her old life, where she was able to rise to the top of the academic heap without effort. Not so at Brighton, where everyone is above average and her fellow students think nothing of a lunchtime shopping trip to Prada or of using their parents' helicopter for their morning commute. Sophie's adorable charm and refreshing lack of pretension attract two very different boys to her; GIDEON, a sensitive artist and an outsider in spite of his wealth, and NICHOLAS, the sexy, self-assured leader of the "BPs". Because of her stunning beauty, things always came easily for Sophie's older sister, Karen. But in the big city, she quickly encounters the harsh realities of the cut-throat modeling business and quickly discovers that in New York, the competition is always a little bit taller or a little bit thinner. It will force Karen to take risks in order to succeed and decide just how much of a sacrifice she's willing to make. After a series of frustrating jobs, Lynn manages to land a position in the fashion industry, working for a hot designer. Making the situation more complicated is that the job puts her in daily contact with her old college flame, married millionaire JULIAN FISKE, the one great love of her life. Julian still has feelings for Lynn, and she wrestles with her own emotions, and morals, as their relationship threatens to turn romantic. Helicopter rides, high-rises, and hedonistic parties - the Kerrs are definitely not in New Mexico anymore. No matter what challenges the City throws their way, or what temptations may lead them astray, these three women are a family, and will always be there for each other. For all three Kerr women New York will be an incredible adventure, and challenge working to stay together as a family while pursuing life and love in the greatest city on earth, as they realize what the true meaning of what beautiful people really is. Written by Noel Eisenberg

"Futurism" was an avant-garde artistic movement, created in 1909 ( as you can see your grandfathers were long haired and dangerous youngsters for a while ) that demands a rejection of tradition and the past while exalting technical innovations, especially the mechanical ones, present and future. This avant-garde artistic movement ( literature and music genres) found great acceptance in Italy where many artists developed the Futurism postulates. 　　Herr Anton Giulio Bragaglia was a notable Italian Futurist who began experimenting with photography and published an important manifesto as a theoretical basis for Futurist photography, "Fotodinamismo Futurista". In addition to his career as set designer Herr Bragaglia had a short but intense film career, "Thais" being his debut as a Futurist director. 　　In any case "Thais" is a film that combines in a strange way classicism and the ( Futurist ) modernism, a paradox since we know that the Futurists were people who rejected tradition and the"Thais" story is a very conventional one. It tells of a "femme fatale" who toys with and uses her admirers for her capricious purposes with the expected tragic ending. Classicism can be seen too in the beautiful images from evocative landscapes sequences as the ferry at the river or Bianca's race to the abyss ( "Naturalism" reminiscences?... ) or Herr Charles Baudelaire's poems ( "Impressionism" reminiscences? ) Only at the end of the film do we see the "Futurist" influences in the highly stylized and geometrical décors in which our heroine suffers her particular punishment, a sequence in which Herr Bragaglia's talent as a set designer is put to good effect. 　　For those reasons for this German Count "Thais" is a kind of interesting film catalogue of many artistic movements ( curious artistic duality ) strangely mixed, a display of the spirit of those innovative early years that grants the film an artistic and remarkable balance as a whole.

本片以过三十年代的大乐队时代为故事背景，描述一名萨克斯爵士乐手与一名女歌手之间爱恨交缠的情感，充满着人生的困惑和奈，跟一般好莱坞歌舞片的明亮轻快大异其趣