"Futurism" was an avant-garde artistic movement, created in 1909 ( as you can see your grandfathers were long haired and dangerous youngsters for a while ) that demands a rejection of tradition and the past while exalting technical innovations, especially the mechanical ones, present and future. This avant-garde artistic movement ( literature and music genres) found great acceptance in Italy where many artists developed the Futurism postulates. 　　Herr Anton Giulio Bragaglia was a notable Italian Futurist who began experimenting with photography and published an important manifesto as a theoretical basis for Futurist photography, "Fotodinamismo Futurista". In addition to his career as set designer Herr Bragaglia had a short but intense film career, "Thais" being his debut as a Futurist director. 　　In any case "Thais" is a film that combines in a strange way classicism and the ( Futurist ) modernism, a paradox since we know that the Futurists were people who rejected tradition and the"Thais" story is a very conventional one. It tells of a "femme fatale" who toys with and uses her admirers for her capricious purposes with the expected tragic ending. Classicism can be seen too in the beautiful images from evocative landscapes sequences as the ferry at the river or Bianca's race to the abyss ( "Naturalism" reminiscences?... ) or Herr Charles Baudelaire's poems ( "Impressionism" reminiscences? ) Only at the end of the film do we see the "Futurist" influences in the highly stylized and geometrical décors in which our heroine suffers her particular punishment, a sequence in which Herr Bragaglia's talent as a set designer is put to good effect. 　　For those reasons for this German Count "Thais" is a kind of interesting film catalogue of many artistic movements ( curious artistic duality ) strangely mixed, a display of the spirit of those innovative early years that grants the film an artistic and remarkable balance as a whole.

"Futurism" was an avant-garde artistic movement, created in 1909 ( as you can see your grandfathers were long haired and dangerous youngsters for a while ) that demands a rejection of tradition and the past while exalting technical innovations, especially the mechanical ones, present and future. This avant-garde artistic movement ( literature and music genres) found great acceptance in Italy where many artists developed the Futurism postulates. 　　Herr Anton Giulio Bragaglia was a notable Italian Futurist who began experimenting with photography and published an important manifesto as a theoretical basis for Futurist photography, "Fotodinamismo Futurista". In addition to his career as set designer Herr Bragaglia had a short but intense film career, "Thais" being his debut as a Futurist director. 　　In any case "Thais" is a film that combines in a strange way classicism and the ( Futurist ) modernism, a paradox since we know that the Futurists were people who rejected tradition and the"Thais" story is a very conventional one. It tells of a "femme fatale" who toys with and uses her admirers for her capricious purposes with the expected tragic ending. Classicism can be seen too in the beautiful images from evocative landscapes sequences as the ferry at the river or Bianca's race to the abyss ( "Naturalism" reminiscences?... ) or Herr Charles Baudelaire's poems ( "Impressionism" reminiscences? ) Only at the end of the film do we see the "Futurist" influences in the highly stylized and geometrical décors in which our heroine suffers her particular punishment, a sequence in which Herr Bragaglia's talent as a set designer is put to good effect. 　　For those reasons for this German Count "Thais" is a kind of interesting film catalogue of many artistic movements ( curious artistic duality ) strangely mixed, a display of the spirit of those innovative early years that grants the film an artistic and remarkable balance as a whole.

这里曾经是繁华的大都会，许多中产阶级在郊区构筑了自己完美幸福的生活。但是城市衰退了，四下里罕见人烟。一度欢声笑语的郊区变得寂静破败，人去楼空。房屋破旧不堪，许多房子都挂起了出售的牌子。有一间蓝色的小木屋不愿坐以待毙，它扔掉出售的木牌子，笨重地挪动自己的身体，缓缓离开了萧索凄凉的城市。不知不觉他来到另一片社区，在那里遇到一栋更加老旧的房子。同是天涯沦落屋，相逢何必曾相识。两间老屋子结伴上路，期间经历了久违的快乐，当然悲伤的事情也在所难免。 　　这对忘年交的朋友经历了点点滴滴，寻找久违的幸福感觉……

这里曾经是繁华的大都会，许多中产阶级在郊区构筑了自己完美幸福的生活。但是城市衰退了，四下里罕见人烟。一度欢声笑语的郊区变得寂静破败，人去楼空。房屋破旧不堪，许多房子都挂起了出售的牌子。有一间蓝色的小木屋不愿坐以待毙，它扔掉出售的木牌子，笨重地挪动自己的身体，缓缓离开了萧索凄凉的城市。不知不觉他来到另一片社区，在那里遇到一栋更加老旧的房子。同是天涯沦落屋，相逢何必曾相识。两间老屋子结伴上路，期间经历了久违的快乐，当然悲伤的事情也在所难免。 　　这对忘年交的朋友经历了点点滴滴，寻找久违的幸福感觉……

讲述一个青少年和母亲(Piercey Dalton饰)搬进新家，却发现被一股邪恶的力量所围绕。

在纷乱的城市家庭的悲剧之后，克里斯和Maggie康利，在最后的努力来挽救垂死的婚姻，在森林的最深处购买一个孤立的家庭，使他们很快发现邪恶的关键。

在纷乱的城市家庭的悲剧之后，克里斯和Maggie康利，在最后的努力来挽救垂死的婚姻，在森林的最深处购买一个孤立的家庭，使他们很快发现邪恶的关键。

An unflinching chronicle of Charles Manson, the ex-con who was able to amass a dedicated following of young people in the late 1960s. The era of peace and love was ultimately brought to its knees following his orchestration of the notorious Sharon Tate and LaBianca murders, which sent a shockwave throughout the U.S.A and the world. To this very day, Manson remains a fascinating figure in today's world and remains incarcerated... Prepare to enter the mental and depraved world of Charles Manson.