Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

金判秀被戏院开除后，为了儿子的学费而不得不去行窃，不料却失风被抓，被盗的主人正巧是朝鲜语学会的代表柳正焕。判秀阴错阳差地获得在朝鲜语学会工作的机会，处在母语被禁止的时代，两人于所剩不多的时间中，必须在日本帝国高层的监视下完成属于朝鲜的字典……

影片讲述日本殖民统治时期，为了编制朝鲜语词典走遍全国，秘密搜集朝鲜语的两个男人的故事。

故事发生在文革期间，牛红梅（蒋勤勤 饰）的母亲抛弃了她和她的两个弟弟青松、翠柏，改嫁他人。照顾弟弟的重担全部落在了牛红梅的肩上，牛红梅和镇上的医生冯奇才相爱了，她的腹中怀上了后者的孩子。然而，一天，牛红梅被镇上的小混混给强暴了，冯奇才不确定恋人腹中的孩子到底是不是他的，最终，两人的感情以分手告终。 　　之后，牛红梅认识了名为杨春光的游泳教练，虽然两人最终携手步入了婚姻的殿堂，但他们的家庭生活却非常的不和睦，花心的杨春光一直背着牛红梅和自己手下的学生交往。在牛红梅流产后，杨春光提出了离婚。

Brilliant but emotionally guarded Caro Drake arrives in Oxford with the singular goal of attaining her PhD - but through a turbulent friendship with a charming young man, Caro begins to open herself up to mystery, vulnerability, and love.

Brilliant but emotionally guarded Caro Drake arrives in Oxford with the singular goal of attaining her PhD - but through a turbulent friendship with a charming young man, Caro begins to open herself up to mystery, vulnerability, and love.

本片描述一个美国大学生在驰名四海的大学生城——牛津遇到的厄运。而这一切都归咎于这位美国人在一个注重传统而又保守的国家中仍然保持天真无邪。当然，对于老英国的讽刺是一点也不尖锐的，虽然主人公利·谢里登由于误会而被迫离开了大学。影片结束时，真相大白，谢里登在仇人的情夫受到其丈夫的追踪时，叫她躲在自己的住所。后来他又参加了四对桨划船比赛，帮助牛津的选手战胜了来自剑桥的对手。 　　这部片子使费雯丽摆脱了天真少女的角色框框，扮演了一位有性格的人物，对这种人物来说，外貌并没有多大意义。满头卷发、浓妆艳抹的她，此番不是以美丽取胜，而是以一个轻浮的小市民的鲜艳形象引人注目。这个女人活泼自然，热爱生活，厚颜无耻之中又带有天真无邪。

本片描述一个美国大学生在驰名四海的大学生城——牛津遇到的厄运。而这一切都归咎于这位美国人在一个注重传统而又保守的国家中仍然保持天真无邪。当然，对于老英国的讽刺是一点也不尖锐的，虽然主人公利·谢里登由于误会而被迫离开了大学。影片结束时，真相大白，谢里登在仇人的情夫受到其丈夫的追踪时，叫她躲在自己的住所。后来他又参加了四对桨划船比赛，帮助牛津的选手战胜了来自剑桥的对手。 　　这部片子使费雯丽摆脱了天真少女的角色框框，扮演了一位有性格的人物，对这种人物来说，外貌并没有多大意义。满头卷发、浓妆艳抹的她，此番不是以美丽取胜，而是以一个轻浮的小市民的鲜艳形象引人注目。这个女人活泼自然，热爱生活，厚颜无耻之中又带有天真无邪。

A story about a group of Oxford undergraduate acting students and their troubled lives while producing the play The Duchess of Malfi.

当安娜——一位雄心勃勃的美国年轻女子，为了实现儿时的梦想踏上牛津大学的求学之路时，她的人生一切都在按计划进行，直到她遇到了一位迷人又聪明的当地人，这次相遇深刻地改变了他们两人的人生轨迹。