一部名为《Close Up》的伊朗电影即将在意大利上映，意大利导演兼策划人南尼•莫瑞提（Nanni Moretti）全程参与推广，事无巨细，事必躬亲。从报纸上的宣传广告到影院服务电话，从放映机的投射角度到不同类型观众观影心理。紧张忙碌的生活让他茶饭不思，寝食不安，甚至在睡梦中惊醒。然而商业片大制作当道的今天，有谁会去关注一部不知名导演的小作品？《狮子王》、《四个婚礼一个葬礼》赢得票房胜利，南尼似乎也可以安然睡个好觉了……

一部名为《Close Up》的伊朗电影即将在意大利上映，意大利导演兼策划人南尼•莫瑞提（Nanni Moretti）全程参与推广，事无巨细，事必躬亲。从报纸上的宣传广告到影院服务电话，从放映机的投射角度到不同类型观众观影心理。紧张忙碌的生活让他茶饭不思，寝食不安，甚至在睡梦中惊醒。然而商业片大制作当道的今天，有谁会去关注一部不知名导演的小作品？《狮子王》、《四个婚礼一个葬礼》赢得票房胜利，南尼似乎也可以安然睡个好觉了……

这部短片将继续把镜头对准人们被解放的肢体，进而呈现荒诞、诡谲的女性心理世界。

穆森马克马巴夫是伊朗赫赫有名的大导演，因此让一个失业兼影迷的年轻人产生了冒充他的愿望，并以穆森·马克马巴夫的名誉向富翁阿汗赫借了一笔钱。若要人不知除非己莫为，东窗事发后，冒充者很快被逮捕并面临申诉。阿巴斯知道此事后，产生了浓烈兴趣，遂进行了跟踪式调查。在采访中，年轻的冒充者很是后悔，他一方面承认了自己骗钱的行径，另一方面也表达了对电影的热爱。最后，富翁决定不再追求年轻人的责任，撤销了对他的控告。更令人惊喜的是，由于这件事，年轻人居然见到了穆森·马克马巴夫本人。在了解一切之后，阿巴斯为此感叹不已，遂根据这则真人真事改编制作了电影《特写》。

德黑兰，记者法拉兹曼德前去报道年轻人霍塞·萨布齐恩因诈骗被捕的事件。原来，失业的油漆工萨布齐恩是一个影迷，他自称是著名导演穆赫辛·马克马尔巴夫，取得阔绰的阿汉卡赫一家信任，向他们借钱拍片。事发后，萨布齐恩被抓。导演阿巴斯·基亚罗斯塔米就此案展开了纪录片似的跟踪调查，他采访了警察， 阿汉卡赫全家，以及萨布齐恩本人。 　　审讯过程中，萨布齐恩为骗取了阿汉卡赫一家的感情而后悔，但他说之所以这样做是因为对艺术的热爱，如果有钱，他真地会拍摄自己的电影。而且，假扮导演马克马尔巴夫赋予了他自信。最后，原告阿汉卡赫家撤销了起诉，而萨布齐恩也见到了真正的马克马尔巴夫，后者骑小摩托带这个年轻人重访阿汉卡赫。

The French-language film will be shot with close-up camera angles and follow Huppert’s character as she takes on the role of successive female characters through several eras from the 17th century to the modern day. They will include a peasant in 1948, an early 20th-century emigrant, a witch consumed by flames in the late 17th century, a mystic and a woman navigating the challenges of war. 　　Huppert told Screen the origins of the project lie with Medea Miracle, after which Bernardi “wanted to make another film that was just a close up of my face, using the face as a landscape, the face as a mechanism through which to tell a wider story about feminism through the centuries.”

The French-language film will be shot with close-up camera angles and follow Huppert’s character as she takes on the role of successive female characters through several eras from the 17th century to the modern day. They will include a peasant in 1948, an early 20th-century emigrant, a witch consumed by flames in the late 17th century, a mystic and a woman navigating the challenges of war. 　　Huppert told Screen the origins of the project lie with Medea Miracle, after which Bernardi “wanted to make another film that was just a close up of my face, using the face as a landscape, the face as a mechanism through which to tell a wider story about feminism through the centuries.”

国际电影节深度报道、热门影片超级展播、顶级影人巅峰对话、最新大片首映庆典！文化北京，大有可观！

国际电影节深度报道、热门影片超级展播、顶级影人巅峰对话、最新大片首映庆典！文化北京，大有可观！

A high school teenager navigates the final minutes before his first stage performance, which includes experiencing his first kiss - unfortunately, in front of a live audience. Despite his rising anxiety, he finds comfort in a fellow classmate as they share a romantic moment.