《妈妈的味道》特别篇OffGun x Nanon

《妈妈的味道》特别篇OffGun x PodKhaotung

《妈妈的味道》特别篇OffGun x Nanon

《妈妈的味道》特别篇OffGun x PodKhaotung

《妈妈的味道》特别篇OffGun x Krist

《妈妈的味道》特别篇OffGun x Krist

为了让儿子许浩辰能够在良好的环境中成长，江秀儿一直隐瞒其父出轨被撞死的丑事。熟料，许浩辰的奶奶，却到处造谣，江秀儿出轨害死了自己的儿子，风言风语也对许浩辰的成长，造成了影响。许浩辰因此对母亲心生嫌隙。

村里金花的一双儿女志强、初八到了适婚年纪。志强在城里打工致同事小敏怀孕，却为回家抢了妹妹初八的工作，抛下小敏。小敏寻来家中，金花百般嫌弃，初八看不惯，一直照料她。与初八交好的老三上门提亲，金花索要高额彩礼，初八气极想和老三私奔，被金花拦下。不久小敏生下孩子，仍遭金花嫌弃，志强更是避而不见，小敏彻底失望，留下孩子离去。爱慕志强的娟子一直不知情，志强为保工作和与娟子的关系，始终不认孩子。初八又气又急，抱走孩子亲自照顾，并将真相告诉娟子和老三，事情败露，志强丢了工作。金花满心愧疚，坦言志强是故人托孤并非亲生。志强幡然醒悟，找回小敏认错，最终初八与老三也如愿走到一起。

In 1968, Silvio Amadio directed L'isola delle svedesi (Island of the Swedes) (1969), the story which bordered on the dramatic and erotic genre about two lesbian women and the arrival of a third party in their menage, a young boy, which leads to tragic consequences. The script was by Roberto Natale, who had already worked with Mario Bava and who went on to write Peccati di gioventu (So Young, So Lovely, So Vicious...) for Amadio where the lesbian theme is tackled in a similar way to the previous film. 　　The female “special love” trend was a reality which was already consolidated in European cinema of this genre, following the huge success of Les biches by Claude Chabrol (1968) and Le salamandre by Alberto Cavallone (1969). This was a popular theme with the audiences and in the case of Peccati di gioventu includes the attraction represented by Gloria Guida, an actress who was rising to stardom and who owed her film debut to Silvio Amadio who discovered her and brought out the best in her more than any other director. Alongside Gloria Guida was the beautiful Dagmar Lassander, who also created a chromatic contrast (the blonde Guida, Lassander the red-head), which in the erotic scenes interpreted by them with the wild and contaminated natural landscape of Sardegna (where the film is set) as background, the fascinating vision of everything (it must be mentioned that the images of their “intimate moments” the actresses experienced together in the film were published in many glamour magazines of that time causing a great stir). 　　Silvio Amadio's film, not only in the formal beauty or the exploitation aspect, disguises the interest because even the structure of the psychological nature of the characters and the game played by them are described in great detail by the script written by Roberto Natale. Invisible for many years, Peccati di gioventu can be seen for the first time in home video format, in the original uncut version.

In 1968, Silvio Amadio directed L'isola delle svedesi (Island of the Swedes) (1969), the story which bordered on the dramatic and erotic genre about two lesbian women and the arrival of a third party in their menage, a young boy, which leads to tragic consequences. The script was by Roberto Natale, who had already worked with Mario Bava and who went on to write Peccati di gioventu (So Young, So Lovely, So Vicious...) for Amadio where the lesbian theme is tackled in a similar way to the previous film. 　　The female “special love” trend was a reality which was already consolidated in European cinema of this genre, following the huge success of Les biches by Claude Chabrol (1968) and Le salamandre by Alberto Cavallone (1969). This was a popular theme with the audiences and in the case of Peccati di gioventu includes the attraction represented by Gloria Guida, an actress who was rising to stardom and who owed her film debut to Silvio Amadio who discovered her and brought out the best in her more than any other director. Alongside Gloria Guida was the beautiful Dagmar Lassander, who also created a chromatic contrast (the blonde Guida, Lassander the red-head), which in the erotic scenes interpreted by them with the wild and contaminated natural landscape of Sardegna (where the film is set) as background, the fascinating vision of everything (it must be mentioned that the images of their “intimate moments” the actresses experienced together in the film were published in many glamour magazines of that time causing a great stir). 　　Silvio Amadio's film, not only in the formal beauty or the exploitation aspect, disguises the interest because even the structure of the psychological nature of the characters and the game played by them are described in great detail by the script written by Roberto Natale. Invisible for many years, Peccati di gioventu can be seen for the first time in home video format, in the original uncut version.