Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 　　Author: TimothyFarrell from Worcester, MA 　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. 　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10) 　　-from imdb

Aspiring model Alena dreams of conquering Moscow. Once at a party, she meets Yegor, who offers to fly on his plane to Nice. However, instead of a premium resort, they fly to Yakutsk. Egor does not remember the details of yesterday evening, but he remembers that he has an important meeting in Yakutsk. He promises Alena to send her home tomorrow, but for now he will show her the beauties of nature on the banks of the Lena, which you will not see in Nice. They go on a boat to wild places, where Egor jumps from a cliff into the water. And it doesn't float. Alena is left alone in the middle of a river in the Yakut taiga.

一个自称“嘻哈之光”的中年男人频繁踢馆江都市说唱会馆，他用嘶哑的嗓音跟年轻人比拼着，然而没有人把他当回事，唯一一个学员是一紧张就结巴的男孩小飞。小飞对他深入了解后，发现了他的一段二十年前的说唱往事。

一个自称“嘻哈之光”的中年男人频繁踢馆江都市说唱会馆，他用嘶哑的嗓音跟年轻人比拼着，然而没有人把他当回事，唯一一个学员是一紧张就结巴的男孩小飞。小飞对他深入了解后，发现了他的一段二十年前的说唱往事。

在出车祸前的圆谷则夫（下野紘 配音）绝对不会想到，自己生存的世界原来完全不是他之前看到的那个样子。自从从车祸中生还的他，在路上看到的人不在是原来的模样，而是一群群的动物，这让圆谷惊讶不已，而更让他烦恼的是，他突然成了抢手货，对他展开追求的不分男女，而其中最强势的莫过于斑目国政（川原庆久 配音）。从国政那，圆谷了解到原来人种分为猿人和斑人，圆谷所看到的动物是他们的本来形态。国政的一席话颠覆了圆谷的三观，而随着他和斑人接触的加深，各类稀奇古怪的事和组合接踵出现。另一边，国政的哥哥米国（杉田智和 配音）和他的同学藤原白（羽多野涉 配音）的关系也发生着转变…… 　　本片改编自漫画家寿たらこ的同名漫画。

在出车祸前的圆谷则夫（下野紘 配音）绝对不会想到，自己生存的世界原来完全不是他之前看到的那个样子。自从从车祸中生还的他，在路上看到的人不在是原来的模样，而是一群群的动物，这让圆谷惊讶不已，而更让他烦恼的是，他突然成了抢手货，对他展开追求的不分男女，而其中最强势的莫过于斑目国政（川原庆久 配音）。从国政那，圆谷了解到原来人种分为猿人和斑人，圆谷所看到的动物是他们的本来形态。国政的一席话颠覆了圆谷的三观，而随着他和斑人接触的加深，各类稀奇古怪的事和组合接踵出现。另一边，国政的哥哥米国（杉田智和 配音）和他的同学藤原白（羽多野涉 配音）的关系也发生着转变…… 　　本片改编自漫画家寿たらこ的同名漫画。

在一个人类已经不再做梦的世界里，有一个怪物依然整日沉迷于梦的幻觉中，他迷失了。而一个女人可以看清幻觉，于是她潜入了他的梦中去寻找……

这里有最壮丽最秀美的风景，这里有数量庞大的野生动物。季节更替，季风带来雨水，也带来勃勃生机。 　　动物们在这里繁衍、成长，面对洪水、忍受干旱。这里是一片充满活力的大陆，这里是它们的家。 　　让我们跟着镜头一起，进入这个神奇的国度。领略自然的魅力，感受野性的巴西。

一个工薪阶层的爱尔兰女孩，参加了一个英国贵族的花展，这个花展世界闻名。于是女孩以她充满激情与灵感的风格，在这个以经典传统为重的花展中独树一帜，鹤立鸡群

一个工薪阶层的爱尔兰女孩，参加了一个英国贵族的花展，这个花展世界闻名。于是女孩以她充满激情与灵感的风格，在这个以经典传统为重的花展中独树一帜，鹤立鸡群