The film is set in a modern day ‘Berlin Republic’ liberated from all irrelevancies. It’s about artistic production, the creative industries and above all film and cinema – a political manifesto in feature film format. It centres on Asta, tough, hardened by theory and immaculately styled right down to the emblems on her leather jacket, with current art scene jargon flowing elegantly from her lips. She’s no hippie broad, but rather a modern-day warrior, verbally sparring with legendary actress Hannelore Hoger, her ‘film mother’, about her hobby of urban gardening. After the relentless competition between curators over the funding for her exhibition ‘The Cinema! The Art’, for which Hannelore Hoger even whispers inaudible recommendations into the ear of the German President, Asta ultimately plumps for international backing from an Indian friend. He luckily happens to be with her out in the country when she bumps into her arch-enemy Ms Top Cultural Department Brass, a meeting with far-reaching consequences. The film is an entertaining dissection of the current state of the cultural industry, for which ‘left-wing’ and ‘right-wing’ are relevant, yet oddly obsolete categories. (Berlinale 2014)

An ensemble comedy about the meaning of matrimony@HD1TJ

调香师沈清芜为了给植物人姐姐复仇，刻意去接近权势滔天的贺妄，借助着贺妄的权势，沈清芜完成复仇后悄然消失。贺妄因爱而陷入疯狂，全力追妻。最终沈清芜终于被他的一片深情打动，二人化解误会，甜蜜相拥，开启了新生活。

调香师沈清芜为了给植物人姐姐复仇，刻意去接近权势滔天的贺妄，借助着贺妄的权势，沈清芜完成复仇后悄然消失。贺妄因爱而陷入疯狂，全力追妻。最终沈清芜终于被他的一片深情打动，二人化解误会，甜蜜相拥，开启了新生活。

十五年前，奶奶惨死，顾朝雨被人贩子抢走，哑巴爷爷将耳聋的顾朝雨捡回家，爷孙两相依为命。十五年后，顾朝雨被纨绔子弟顾盼朝欺负，爷爷为了保护顾朝雨受尽屈辱，生不如死。直到顾母出现在顾朝雨面前，她才发现，那个声称一直在寻找她的妈妈，收养了与她容貌相似的儿子作为替代品，而替代品，正是想要将她羞辱至死的弟弟，顾盼朝……那一刻，顾朝雨宁愿自己是没有妈妈的……

山坳溪村的阿生，在竹林救下腿受箭伤的白狐，不顾奶奶 “狐有灵性” 的劝阻，将其藏于柴房照料。白狐伤愈后引阿生至后山老松树下，挖出村中流传的祖传宝藏。可当晚奶奶昏迷不醒，妻子阿花夜里穿旧嫁衣机械起舞，村邻牲口也接连暴毙。村民皆传是阿生触怒狐仙。阿生怀疑曾撞见自己挖宝的发小阿贵，暗中观察发现其往阿花汤里加料、在牲口棚外撒粉。拆穿后阿贵承认，为夺宝藏，他迷晕奶奶、药控阿花、毒杀牲口，伪装狐仙作祟。阿生将宝藏埋回原处，次日奶奶苏醒，白狐现身竹林后离去。溪村恢复平静，阿生也懂了，德行庇佑远胜横财，人心贪念才是真祸。

被赶出家门后，我不装了

被赶出家门后，我不装了

被赶出家门后，我不装了

摩根·弗里曼、阿尔法·伍达德([宽宥])、特雷沃·杰克逊(《成长不容易》)、科曼([成为查理])、比尔·伯尔([僵尸海狸])加盟天启影业新片[不愿你离开](Hate to See You Go，暂译)。该片由本·提斯勒自编自导，罗伯·斯通共同参与编剧工作。 　　故事灵感源自斯通与布鲁斯音乐中最受尊敬的艺术家们一起巡演并且演奏口琴的经历。芝加哥一位年老的蓝调音乐家桑尼·贝尔(弗里曼饰)不愿退休，勇敢地和乐队一起走下去，这是他生命中最后的希冀，演奏蓝调音乐是唯一一件能让他感受到自己真正活着的事情。