本系列讲述聪明的十五岁双胞胎姐妹丽芙和玛蒂的故事，她们和弟弟乔伊、父母皮特和凯伦欢乐地住在一起。作为学校优等生和篮球队的骄傲，玛蒂的受欢迎程度正在直线上升……直到丽芙完成了她火爆的电视节目，在这所威斯康辛州的中学闪亮登场。加上父母就在这所学校工作，他们的复杂校园生活才刚刚开始。

BBC电视电影，本片根据真实故事改编，剧情基于大量事实，并得到了当事人及其亲属的合作与支持，尽力还原了整个事件。 　　2007年八月，Sophie Lancaster和男友Robert Maltby在公园被一群青少年地痞袭击，21岁的Robert重伤，20岁的Sophie被暴力殴打致死，而这一切仅仅是因为他们与众不同的哥特打扮，Sophie死于独特。 　　从头到尾让人心碎的电影，恰到好处的插叙叙事，由Nico Mirallegro、Abigail Lawrie和Chanel Cresswell主演。Robert爱绘画，Sophie爱读哈利波特，两个相爱的年轻人，在血泊中奄奄一息的时候还试图伸手保护对方，而这宗谋杀案的两位主犯分别为15和16岁。

BBC电视电影，本片根据真实故事改编，剧情基于大量事实，并得到了当事人及其亲属的合作与支持，尽力还原了整个事件。 　　2007年八月，Sophie Lancaster和男友Robert Maltby在公园被一群青少年地痞袭击，21岁的Robert重伤，20岁的Sophie被暴力殴打致死，而这一切仅仅是因为他们与众不同的哥特打扮，Sophie死于独特。 　　从头到尾让人心碎的电影，恰到好处的插叙叙事，由Nico Mirallegro、Abigail Lawrie和Chanel Cresswell主演。Robert爱绘画，Sophie爱读哈利波特，两个相爱的年轻人，在血泊中奄奄一息的时候还试图伸手保护对方，而这宗谋杀案的两位主犯分别为15和16岁。

本作是以东京都内某栋独户住宅为舞台的"纯粹社会派深刻喜剧"。曜子在丈夫工作期间，既在一楼照料公公，又在二楼经营非法风俗店。对政治与社会保持敏感、同时竭力兼顾看护工作与风俗营业的曜子，其开朗勤勉的身影折射出善恶的彼岸与这个国家的矛盾。

本作是以东京都内某栋独户住宅为舞台的"纯粹社会派深刻喜剧"。曜子在丈夫工作期间，既在一楼照料公公，又在二楼经营非法风俗店。对政治与社会保持敏感、同时竭力兼顾看护工作与风俗营业的曜子，其开朗勤勉的身影折射出善恶的彼岸与这个国家的矛盾。

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

罗曼菲，自大学时期翩然起舞、赴纽约学习现代舞、返台于舞蹈系培育提拔年轻舞者、担任云门舞集二总监、以迄学生布拉瑞扬在台东设立舞团。她的现代舞独树一帜，桃李天下、处处舞踏，「为了让多一点人跳，她为学生创作了多支大型舞作」。病痛临终她仍在彩排最后一支舞作，既是白蛇也是黑天鹅，一袭舞衣从黑褪淡至灰；当年一鸣惊人的《挽歌》里，她已永恒独舞，旋转不止。继两部文学纪录片之后，陈怀恩执导了此部舞蹈纪录片，呈现其对罗曼菲这位早逝的台湾舞者的不舍与呼唤，诉说她文学出身、翩然旋舞的一生。

Middle-aged lesbian Manok closes down ‘Rainbow’, the queer bar she’s run for years, and returns to her hometown, Iban-ri, following the death of her mother. But home feels as stifling and unfamiliar as ever. The village, where her ex-husband now serves as headman, greets her return with suspicion, and deep-rooted prejudice and exclusion still linger. Yet Manok refuses to back down. To break down the walls between past and present, village and self, she boldly runs for village chief. It’s a declaration—not of rejection, but of affirmation: to live without denying who she is, and to once again take her place at the center, on her own terms. In Iban-ri, Manok finds new beginnings and reconnects with severed ties. Among them are Guem-ja, an old flame, and Jae-yeon, a high school student hiding his true self in the suffocating atmosphere of the countryside. Manok, who lives openly and without apology, becomes a beacon for Jae-yeon, and he, in turn, finds the courage to finally come out to the world. Even far from the days of Rainbow, Manok is still surrounded by strong, loving women who stand by her side. Manok is a warm and spirited portrait of courage, survival, and community. It gently but powerfully captures how women like Manok challenge societal norms and build new forms of belonging. This isn’t a story of simply 'returning' home—it’s one of boldly beginning again. (Kani KIM)

Manting, a Chinese woman in her early 60s, reconnects with the lesbian lover from her adolescence when one of her old classmates passes away. After classmates’ reunion event in a karaoke bar, they end up spending a night together roaming in the city.

Manting, a Chinese woman in her early 60s, reconnects with the lesbian lover from her adolescence when one of her old classmates passes away. After classmates’ reunion event in a karaoke bar, they end up spending a night together roaming in the city.