高雄两广醒狮团在台湾颇具盛名，曾多次於戏狮甲大赛夺冠。然而早期团员多数离团后，目前转型以国高中生为主力。这些少年团员们多来自单亲、经济弱势家庭的背景，他们半工半读，一起住在团内宿舍的大通铺里。本片记录了少年团员们在舞狮团精彩表演的背后，有血也有汗的故事。从桩上跌落的伤、累积的疤不计其数，小小年纪的他们，靠不为人知的努力和坚持，渴求不只在自食其力的物质成就，还有换来的掌声、自尊以及团员彼此之间建立起来的情感依赖。

《不怕死》描写了一位美国植物学家（罗克饰）受聘在旧金山中国城稽查绑票贩毒集团的故事，片中出现了诸多中国人形象，然这些形象多为形貌猥琐之辈，女为小脚，男抽鸦片，干着贩毒、偷窃、抢劫、绑票等等勾当，尤其以贩卖鸦片的情节为多，贩毒机关就设在唐人街中国人开的花店里。片中还有这样的镜头，罗克出现在一群小脚华人妇女群中，扭住一个戴瓜皮帽的华人老头的小辫子，并且戏弄他的长指甲……

伍天南（刘一帆饰）经常在外嫖妓，伍太太（汪萍饰）觉察到丈夫有外遇，苦于没有证据，只好找到侦探包恭藏（伊雷饰）来调查天南的行踪。而天南觉得妻子性冷感，找到邱先生（郑少秋饰）跟自己太太认识，来找伍太太敏感部位。后来被伍太太识破，邱也跟天南不愉快，包侦探被邱发现，包告诉了实情，两人一拍即合，调查天南。但又屈服于天南的金元政策，两人又成了天南偷情时最好的打手。伍太太每次找上门最后无功而返。最后邱给了天南一张她太太敏感部位图，天南与太太的关系也变好起来。

伍天南（刘一帆饰）经常在外嫖妓，伍太太（汪萍饰）觉察到丈夫有外遇，苦于没有证据，只好找到侦探包恭藏（伊雷饰）来调查天南的行踪。而天南觉得妻子性冷感，找到邱先生（郑少秋饰）跟自己太太认识，来找伍太太敏感部位。后来被伍太太识破，邱也跟天南不愉快，包侦探被邱发现，包告诉了实情，两人一拍即合，调查天南。但又屈服于天南的金元政策，两人又成了天南偷情时最好的打手。伍太太每次找上门最后无功而返。最后邱给了天南一张她太太敏感部位图，天南与太太的关系也变好起来。

雪狮子张牙舞爪，抓咬小猫小狗，老爷爷冷静地看到了雪狮子的弱点，凭机智勇敢巧妙地惩治了它。

This short documentary by Ozu was intended to present the artistry of kabuki dancer Kikugoro Onoe IV to both Japanese and foreign audiences. A voice-over narration introduces Kikugoro as well as the dance he performs in the film's second half, in which a young girl is transformed into a resplendent lion (the imagery of which apparently inspired Jean Cocteau as he conceived his own BEAUTY AND THE BEAST). Watching Kikugoro imitate the gestures of a demure maiden you see how he deserved his fame. Ozu shoots the performance in three simple set-ups: a roving frontal shot of the performers on stage, an angled shot from the side of the stage, and an angled longshot that acknowledges the presence of the audience in a way that is unmistakably Ozu.

This short documentary by Ozu was intended to present the artistry of kabuki dancer Kikugoro Onoe IV to both Japanese and foreign audiences. A voice-over narration introduces Kikugoro as well as the dance he performs in the film's second half, in which a young girl is transformed into a resplendent lion (the imagery of which apparently inspired Jean Cocteau as he conceived his own BEAUTY AND THE BEAST). Watching Kikugoro imitate the gestures of a demure maiden you see how he deserved his fame. Ozu shoots the performance in three simple set-ups: a roving frontal shot of the performers on stage, an angled shot from the side of the stage, and an angled longshot that acknowledges the presence of the audience in a way that is unmistakably Ozu.

在线观看网址：https://vimeo.com/33518886

在线观看网址：https://vimeo.com/33518886