取材于小说《水浒传》。 西门庆在王婆的帮助下，与潘金莲勾搭成奸。天长日久，怕事情败露，于是将武大郎毒害致死。当武松从外地出公差回来的时候，西门庆慌忙躲进了狮子楼。武松发现其兄暴卒，访问街邻，得悉恶棍西门庆奸占其嫂，并与王婆合谋毒杀其兄，遂告官鸣冤，不料反受刑杖，他怒不可遏，寻至狮子楼，杀死西门庆；又回到家中，杀死潘金莲，为兄报了仇。

取材于小说《水浒传》。 西门庆在王婆的帮助下，与潘金莲勾搭成奸。天长日久，怕事情败露，于是将武大郎毒害致死。当武松从外地出公差回来的时候，西门庆慌忙躲进了狮子楼。武松发现其兄暴卒，访问街邻，得悉恶棍西门庆奸占其嫂，并与王婆合谋毒杀其兄，遂告官鸣冤，不料反受刑杖，他怒不可遏，寻至狮子楼，杀死西门庆；又回到家中，杀死潘金莲，为兄报了仇。

西门庆贪图潘金莲的美貌，利诱王婆帮他得到潘金莲。武大郎捉奸时被踹中吐血倒地不起。潘金莲在王婆和西门庆的唆使下，联手灌毒害死了武大郎。武松为给哥哥报仇，杀了潘金莲血祭兄长，并砍下西门庆的头颅手刃亲仇

西门庆贪图潘金莲的美貌，利诱王婆帮他得到潘金莲。武大郎捉奸时被踹中吐血倒地不起。潘金莲在王婆和西门庆的唆使下，联手灌毒害死了武大郎。武松为给哥哥报仇，杀了潘金莲血祭兄长，并砍下西门庆的头颅手刃亲仇

高雄两广醒狮团在台湾颇具盛名，曾多次於戏狮甲大赛夺冠。然而早期团员多数离团后，目前转型以国高中生为主力。这些少年团员们多来自单亲、经济弱势家庭的背景，他们半工半读，一起住在团内宿舍的大通铺里。本片记录了少年团员们在舞狮团精彩表演的背后，有血也有汗的故事。从桩上跌落的伤、累积的疤不计其数，小小年纪的他们，靠不为人知的努力和坚持，渴求不只在自食其力的物质成就，还有换来的掌声、自尊以及团员彼此之间建立起来的情感依赖。

雪狮子张牙舞爪，抓咬小猫小狗，老爷爷冷静地看到了雪狮子的弱点，凭机智勇敢巧妙地惩治了它。

This short documentary by Ozu was intended to present the artistry of kabuki dancer Kikugoro Onoe IV to both Japanese and foreign audiences. A voice-over narration introduces Kikugoro as well as the dance he performs in the film's second half, in which a young girl is transformed into a resplendent lion (the imagery of which apparently inspired Jean Cocteau as he conceived his own BEAUTY AND THE BEAST). Watching Kikugoro imitate the gestures of a demure maiden you see how he deserved his fame. Ozu shoots the performance in three simple set-ups: a roving frontal shot of the performers on stage, an angled shot from the side of the stage, and an angled longshot that acknowledges the presence of the audience in a way that is unmistakably Ozu.

This short documentary by Ozu was intended to present the artistry of kabuki dancer Kikugoro Onoe IV to both Japanese and foreign audiences. A voice-over narration introduces Kikugoro as well as the dance he performs in the film's second half, in which a young girl is transformed into a resplendent lion (the imagery of which apparently inspired Jean Cocteau as he conceived his own BEAUTY AND THE BEAST). Watching Kikugoro imitate the gestures of a demure maiden you see how he deserved his fame. Ozu shoots the performance in three simple set-ups: a roving frontal shot of the performers on stage, an angled shot from the side of the stage, and an angled longshot that acknowledges the presence of the audience in a way that is unmistakably Ozu.

在线观看网址：https://vimeo.com/33518886

在线观看网址：https://vimeo.com/33518886