高雄两广醒狮团在台湾颇具盛名，曾多次於戏狮甲大赛夺冠。然而早期团员多数离团后，目前转型以国高中生为主力。这些少年团员们多来自单亲、经济弱势家庭的背景，他们半工半读，一起住在团内宿舍的大通铺里。本片记录了少年团员们在舞狮团精彩表演的背后，有血也有汗的故事。从桩上跌落的伤、累积的疤不计其数，小小年纪的他们，靠不为人知的努力和坚持，渴求不只在自食其力的物质成就，还有换来的掌声、自尊以及团员彼此之间建立起来的情感依赖。

老二是个普通工人，每日在工厂和家庭之间奔波，过着一种惯性、麻木的生活，唯一与众不同并令他产生某种执着的就是他的宠物狗卡拉，虽然卡拉完全是条普通的不能再普通的杂种狗，但它却是老二生活中全部欢乐的源泉，他对于卡拉的依恋与喜爱，很难说不比对他那总是对着干的儿子亮亮少。老二媳妇玉兰是个对生活无奈但也颇有些霸道的女人，她对老二对狗的态度却没有太过干涉，因为至少有了这条狗后老二不再与一帮牌友通宵打麻将，也就不会再与叫杨丽的女牌友有太多的接触。但是，意外突然降临，某天晚上，玉兰出去遛狗，没有办狗证的卡拉被警察抓走了，并且，如果第二天下午四点前不补办好证件，卡拉就要被彻底的拉走。老二下班回家得知这个消息后，如同造了雷辟，他要么拿出五千元钱办狗证，要么任由卡拉永远离开他的生活，五千元钱对于收入微薄的他是不可能了，玉兰也不会答应，他找到了杨丽，看着杨丽家那条与卡拉几乎一模一样的狗，心里有了主意……

老二是个普通工人，每日在工厂和家庭之间奔波，过着一种惯性、麻木的生活，唯一与众不同并令他产生某种执着的就是他的宠物狗卡拉，虽然卡拉完全是条普通的不能再普通的杂种狗，但它却是老二生活中全部欢乐的源泉，他对于卡拉的依恋与喜爱，很难说不比对他那总是对着干的儿子亮亮少。老二媳妇玉兰是个对生活无奈但也颇有些霸道的女人，她对老二对狗的态度却没有太过干涉，因为至少有了这条狗后老二不再与一帮牌友通宵打麻将，也就不会再与叫杨丽的女牌友有太多的接触。但是，意外突然降临，某天晚上，玉兰出去遛狗，没有办狗证的卡拉被警察抓走了，并且，如果第二天下午四点前不补办好证件，卡拉就要被彻底的拉走。老二下班回家得知这个消息后，如同造了雷辟，他要么拿出五千元钱办狗证，要么任由卡拉永远离开他的生活，五千元钱对于收入微薄的他是不可能了，玉兰也不会答应，他找到了杨丽，看着杨丽家那条与卡拉几乎一模一样的狗，心里有了主意……

雪狮子张牙舞爪，抓咬小猫小狗，老爷爷冷静地看到了雪狮子的弱点，凭机智勇敢巧妙地惩治了它。

This short documentary by Ozu was intended to present the artistry of kabuki dancer Kikugoro Onoe IV to both Japanese and foreign audiences. A voice-over narration introduces Kikugoro as well as the dance he performs in the film's second half, in which a young girl is transformed into a resplendent lion (the imagery of which apparently inspired Jean Cocteau as he conceived his own BEAUTY AND THE BEAST). Watching Kikugoro imitate the gestures of a demure maiden you see how he deserved his fame. Ozu shoots the performance in three simple set-ups: a roving frontal shot of the performers on stage, an angled shot from the side of the stage, and an angled longshot that acknowledges the presence of the audience in a way that is unmistakably Ozu.

This short documentary by Ozu was intended to present the artistry of kabuki dancer Kikugoro Onoe IV to both Japanese and foreign audiences. A voice-over narration introduces Kikugoro as well as the dance he performs in the film's second half, in which a young girl is transformed into a resplendent lion (the imagery of which apparently inspired Jean Cocteau as he conceived his own BEAUTY AND THE BEAST). Watching Kikugoro imitate the gestures of a demure maiden you see how he deserved his fame. Ozu shoots the performance in three simple set-ups: a roving frontal shot of the performers on stage, an angled shot from the side of the stage, and an angled longshot that acknowledges the presence of the audience in a way that is unmistakably Ozu.

在线观看网址：https://vimeo.com/33518886

在线观看网址：https://vimeo.com/33518886