Spider-Ham: Caught in a Ham follows Spider-Ham as he faces off against bad guys, chows down on hot dogs, and makes plenty of food-based puns.

侠猪布塔一部搞笑宠物电影，新人作画培育计划2011年的4个作品之一。 “布塔”是一只猪，身无分文，为挣饭钱给人当保镖，到雇主的所在地之后，才发现雇佣自己的是海盗。在船舱中，关着一只和传家之宝一起被抓的小狐狸，由于小狐狸的机智聪明，布塔不得不帮它一起逃走，经过激烈的打斗之后，布塔和小狐狸终于从海盗虎豚手中逃脱。一个是忠实于自己内心欲望的江湖老手——布塔，一个是拥有一颗纯真之心却不谙世事的小孩子——狐狸，他们的逃亡故事正式上演了。围绕着藏宝图之迷这一主线，女海盗团孔雀鱼一伙也加入其中，故事正向着大混乱方向发展。

传奇五灵锁拥有可以保护世界的神奇力量，却阴差阳错地选中了“一无是处”的猪猪侠 （ 张子琨 声演）作为它的主人，此时出现了一个可怕的黑衣人 （ 易烊千玺 声演），他的目标竟是要毁掉所有的五灵锁。初出茅庐的猪猪侠迎难而上，经历重重较量，猪猪侠发现，黑衣人竟然是十三年后的自己。

作为猪猪侠系列的第四部大电影，一直秉持着匠心的幕后创作团队这一次在《猪猪侠之英雄猪少年》里也对影片的主题、故事进行了全面升级，在坚持猪猪侠…

在郊外的小房子里，住着猪先生一家。小猪们在草地上做游戏，只有汉姆霍克面带忧郁。原来他天生好吃，永远处于饥饿状态，为了填饱肚子，他甚至把妈妈刚烤好的馅饼投过来塞进嘴里，结果自然遭到妈妈的训斥。吃饭时间到了，汉姆霍克风一样地最先冲入餐厅，他刚伸出手就遭到妈妈的责打。祈祷期间，他又偷偷将兄弟姐妹的面条系在一起，结果所有的面条都跑到他的嘴里。夜深人静，汉姆霍克躺在床上辗转反侧。突然，他发现自己置身一个奇怪的房子内。在恐怖的科学家的带领下，汉姆霍克走入房间，却被科学家强迫吃掉了很多东西…… 　　本片根据Ellis Parker Butler.的原著改编。

The presence of a couple of guinea pigs at the Westcote railroad station create countless offspring as well as a load of paperwork for administrative bureaucrats including by-the-book agent Flannery when their owner won't pay the rate for standard pigs on them. Adapted from Ellis Parker Butler's story, this is one of the oddest shorts on the set, but it is certainly entertaining with its fast-paced, rhyming Irish-jig-like music.

A group of animals hook up a power grid to the socket-shaped snout of a large, sleeping pig. The animals use the pig’s energy for simple things at first, but they are soon dependent on a city where everything is automated...

一个在沙漠上带着黑色头巾的男人迷路了，在强烈的阳光下，他的身体开始慢慢变得虚弱，并产生了幻觉，在死亡之门来临时，他看到了一个女人朝他走来，后来意识越来越模糊，他忘记了自己是谁，为什么来到这里。究竟在他身上发生了什么事情？

A young man journeys through a desert, where he is kidnapped by a sadistic stranger clad in a pig mask. The stranger proceeds to brutally torture the young man, who then finds himself escaping into his imagination, with fantasy and reality intersecting. Written by Phasmatrope.

"Psy" translates from Polish into dogs. The English title is "Pigs." Both titles are intended as slang references to the police. 　　In 1990 a group of former Communist Security Service officers after a verification get hired by the police. Franciszek "Franz" Maruer is one of them. His friend, Olgier "Olo" Zwirski, is not. Franz leads a new group of cops from crime unit on an operation against an international crime group. The operation goes wrong when they're attacked by thugs, who - as Franz believes - are also old Security Service officers, like them. He doesn't know which side is Olo on yet. 　　What is 'Dogs' about? 'About a dog's world, about the fact that freedom also engenders filth and stupidity while destroying ideals. Everything has been debased, sullied in mud, thrown into the cesspool,' wrote a reviewer. Such extreme critical reactions were elicited by the film's subject matter and its portrayal of the world as fundamentally castrated of positives and saturated with cynicism, moral dirt and cruelty. A world that is simultaneously hardly abstract, and in fact present in the here and now (i.e. in Poland in 1989), one that is additionally portrayed in an iconoclastic and provocative manner, derisive of all things sacred, be they related to nation or religion. Behind this façade of scoffing and anti-martyrological blasphemies, there was something more - a morality tale, a painful diagnosis of contemporary Poland. Was this 'cinema of immoral anxiety'? Opinions were divided. Only viewers succeeded in 'expressing themselves' clearly, demonstrating their fascination by lining up in front of the box office and rendering 'Dogs' a commercial hit. 　　Polish cinema went through a relatively quick and much needed transition in the late 80s that mirrored political changes. As Poland became a democratic country the state let go of its monopoly of the film industry and censorship was lifted. This not only gave freedom to Polish movie making but also allowed foreign films to be screened. These new film policies were well received among new audiences who were too young to remember the solidarity movements and became tired of watching movies about it. In a new market economy for film audiences started to choose what they wanted to watch. This meant classic Polish films struggled to capture audiences as foreign Hollywood-like films gained popularity. As some feared the end of Polish cinema others saw it as a chance to catch up with the rest of Europe and the world. It is through the Americanization of a very Polish story that Pigs expresses controversial and previously restricted topics. Issues of political instability with a lack of a real national hero are raised. Inequalities and corruption in the state ranging from a social to personal level are also looked at. Finally large scale criminal activity is recognized as a reality, presented through taboo subtopics of violence, vulgar language and drugs. 　　Polish Film Festival 　　1992 Won Best Actor Boguslaw Linda 　　1992 Won Best Director Wladyslaw Pasikowski 　　1992 Won Best Editing Zbigniew Nicinski Wanda Zeman 　　1992 Won Best Score Michal Lorenc 　　1992 Won Best Supporting Actress Agnieszka Jaskólka