作为暹罗族最后一位幸存的战士，他冲入敌人的领地，心中只有一个目标：为自己的父亲报仇。

作为暹罗族最后一位幸存的战士，他冲入敌人的领地，心中只有一个目标：为自己的父亲报仇。

秀兰·邓波儿在这幕令人发笑的音乐喜剧片中饰演一个卷发的小女孩，她喜欢唱歌跳舞，从穷家女一跃而至明星的地位。向来开朗活泼的小秀兰靠唱歌赚钱，她的小偷祖父在被秀兰歌声吸引的人群中做扒手。当秀兰被一名女士收养后，她的歌唱才能被发掘出来，被邀请参演“汤姆叔叔的小屋”。在这出戏里秀兰即将带给你美妙的歌声和愉快的时光。

秀兰·邓波儿在这幕令人发笑的音乐喜剧片中饰演一个卷发的小女孩，她喜欢唱歌跳舞，从穷家女一跃而至明星的地位。向来开朗活泼的小秀兰靠唱歌赚钱，她的…

A modern villa in the dry Portuguese summer landscape. The sun scorching bright high in the sky, four well-built bodies - three male, one female - hanging out by the pool, on the porch, in the bedrooms. All seem to be waiting for something, or as it soon turns out - someone. Scene by scene we are revealed the complex interpersonal relations and the most important, the relation of all the characters with the one who is being waited for. Who is that mythical person and what will happen when he finally arrives? 　　Director Vicente Alves do Ó and his team have succeeded, with an enjoyably beguiling directorial style and visual style, to load dramatic and emotional tension into one of the most tedious of all activities - waiting. Four people waiting for the fifth one, someone who has left and unforgettable mark on the souls and hearts of all of them, in some cases the scar tissue almost visible to the plain eye. As the day gradually turns into night and our knowledge of the group and the mysterious guest that is en route grows, inserting the viewers at the same time with the awe and wonder - who is this devilish person that possesses so much psychological impact on people? 　　Hannes Aava

A modern villa in the dry Portuguese summer landscape. The sun scorching bright high in the sky, four well-built bodies - three male, one female - hanging out by the pool, on the porch, in the bedrooms. All seem to be waiting for something, or as it soon turns out - someone. Scene by scene we are revealed the complex interpersonal relations and the most important, the relation of all the characters with the one who is being waited for. Who is that mythical person and what will happen when he finally arrives? 　　Director Vicente Alves do Ó and his team have succeeded, with an enjoyably beguiling directorial style and visual style, to load dramatic and emotional tension into one of the most tedious of all activities - waiting. Four people waiting for the fifth one, someone who has left and unforgettable mark on the souls and hearts of all of them, in some cases the scar tissue almost visible to the plain eye. As the day gradually turns into night and our knowledge of the group and the mysterious guest that is en route grows, inserting the viewers at the same time with the awe and wonder - who is this devilish person that possesses so much psychological impact on people? 　　Hannes Aava