"Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better."

Story follows the divergent agendas of criminals, cops and lawyers as they collide over a shipment of illegal firearms and a double homicide. Earl Pike, a criminal, tries to get his family's illegal gun collection to a safe haven.

"Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better."

Civil War veteran Josiah Grey comes to a small town to be a gospel minister. In time he has a family and many friends, but he also finds friction with a few of his parishioners. A young doctor grates at what he feels is the parson's interference in the scientific treatment of patients, and a mine owner resents Grey's protection of an old sharecropper whose small plot of land stands in the way of his continued mining. Grey must face a public health crisis and a lynch mob as a result, all seen and described through the eyes and memory of Grey's young nephew John.

Civil War veteran Josiah Grey comes to a small town to be a gospel minister. In time he has a family and many friends, but he also finds friction with a few of his parishioners. A young doctor grates at what he feels is the parson's interference in the scientific treatment of patients, and a mine owner resents Grey's protection of an old sharecropper whose small plot of land stands in the way of his continued mining. Grey must face a public health crisis and a lynch mob as a result, all seen and described through the eyes and memory of Grey's young nephew John.

老手与菜鸟飞机师驾驶的是中央情报秘密行机，运载东西更是包罗万有，从难民到军阀，从手榴弹到小猪，真是无奇不有。

纪录片《传道人》 　　‘Preachers’ 　　Documentary 　　内容简介： 　　Summary: 　　这是一部关于信仰的纪录片，讲述了陕西省铜川市十多位基督徒的故事。影片通过老中青四代传道人的生活和信仰之路，反映了五十年来社会变革对当地教会的深远影响。无论是个人在侍奉道路上遇到的拦阻、软弱和成长，还是教会内部的纷争，均成为这个信仰缺失的时代中，关于传道人群体以及教会历史和信仰现状的忠实、中立的写照。 　　This is a documentary about faith, narrating the stories of a dozen or so Christians in the city of Tongchuan, in Shaanxi Province. Through the lives and beliefs of four generations of preachers, the film reflects on the profound influence of 50 years of social change on the local church. Whether recounting personal setbacks encountered on the serving path or people’s weaknesses, growth, or disputes within the church community, the film becomes a neutral and faithful portrayal of a group of preachers, of the history of the church community and of the status-quo of belief in this faithless era. 　　导演阐释： 　　Director’s commentary: 　　完成了生存三部曲之后，开始拍基督教。随着拍摄的不断深入，原先对信仰的纯粹想象完全被颠覆。或许只有上帝是全备的，人都有缺憾和软弱，传道人一样要面对复杂的社会现实和生存压力。因此，也使得纪录下来的传道人群像更为真实和鲜活，离我们并不遥远。 　　After completing the “Survival Trilogy”, I started to shoot material on the Christian religion. As my interest in the subject deepened through the filming, the original and clear-cut image I had about faith became completely overturned. Perhaps it is only God who is fully equipped and all people have shortcomings and weaknesses, and so the preachers, in the same way, have to face a complex social reality and the pressures to survive. Consequently, the characters of the group come through as more real and dynamic, and not so far-flung from us.

纪录片《传道人》 　　‘Preachers’ 　　Documentary 　　内容简介： 　　Summary: 　　这是一部关于信仰的纪录片，讲述了陕西省铜川市十多位基督徒的故事。影片通过老中青四代传道人的生活和信仰之路，反映了五十年来社会变革对当地教会的深远影响。无论是个人在侍奉道路上遇到的拦阻、软弱和成长，还是教会内部的纷争，均成为这个信仰缺失的时代中，关于传道人群体以及教会历史和信仰现状的忠实、中立的写照。 　　This is a documentary about faith, narrating the stories of a dozen or so Christians in the city of Tongchuan, in Shaanxi Province. Through the lives and beliefs of four generations of preachers, the film reflects on the profound influence of 50 years of social change on the local church. Whether recounting personal setbacks encountered on the serving path or people’s weaknesses, growth, or disputes within the church community, the film becomes a neutral and faithful portrayal of a group of preachers, of the history of the church community and of the status-quo of belief in this faithless era. 　　导演阐释： 　　Director’s commentary: 　　完成了生存三部曲之后，开始拍基督教。随着拍摄的不断深入，原先对信仰的纯粹想象完全被颠覆。或许只有上帝是全备的，人都有缺憾和软弱，传道人一样要面对复杂的社会现实和生存压力。因此，也使得纪录下来的传道人群像更为真实和鲜活，离我们并不遥远。 　　After completing the “Survival Trilogy”, I started to shoot material on the Christian religion. As my interest in the subject deepened through the filming, the original and clear-cut image I had about faith became completely overturned. Perhaps it is only God who is fully equipped and all people have shortcomings and weaknesses, and so the preachers, in the same way, have to face a complex social reality and the pressures to survive. Consequently, the characters of the group come through as more real and dynamic, and not so far-flung from us.

神秘灵异的世界里，调皮的小云凡迷失在树林中，危险悄然降临。关键时刻，道士家族的许子义与许梓童出现，他们道法高强，成功击败幽兰，救下了云凡。此后几天，小镇内民众接连遇害，恐慌在小镇蔓延。叶大帅得知此事，决定与道士家族的许震英联手，共同对抗女鬼幽兰，经过一番激烈战斗，他们凭借智慧和勇气，最终诛杀了幽兰，成功救出云凡。

十八年前一场灾变席卷皇宫，道医林萧临危受命，解除磨难，拯救百姓。不料，十八年后，恐怖的神秘病毒再次侵袭，林萧携两徒弟田小邪、大壮寻找破解之法。几次和尸人恶战，田小邪发现了自己的身世之谜，并卷入了一场惊天阴谋。眼看着人间即将变成炼狱，田小邪体内的病毒也被激发，即将满十八岁的田小邪成人还是成魔？正邪只在一念之间……