米尔科是一名丛林向导，在他即将离开他从小长大的亚马逊时，一个电影摄制组到来，希望在他的帮助下拍摄一部丛林电影。《飞光飞光》是一部具有液体时间感的电影，冥想、反思着电影拍摄的过程，并在郁郁葱葱的丛林中探讨了人类生活创造出的拟象——一种以电影媒介创造出的“新现实”。在影片里，人类语言的声音渐渐融化在了自然的声波中......

《飞》讲述了一个关于理想主义的寓言：山东农民刘百刚由于行为与众不同，从小就被人看成精神上有毛病，连他妈妈也对他极度失望，只有邻居小姑娘李小猜愿意相信他的“胡说八道”。刘百刚最疯狂的行为是要造一架飞机，这成为村里人的笑柄，让母亲蒙羞，也让李小猜离开了他，和别人结了婚。尽管这一切让他痛苦，刘百刚还是尽自己最大的努力去实现梦想。最后他终于飞起来了，尽管这可能是他的第一次也是最后一次飞行…… 　　第七届百合奖“我最喜爱的电视电影十佳演员”特别奖项的评选活动日前正在紧锣密鼓地进行当中，将于4月20日截止。此次评选活动遵照民意，采用了网上投票的方式。赵毅凭借在数字电影《飞》中的上乘表现，入围了该奖项的提名，自此活动开展以来，票数一直平稳上升，现已突破三万大关，排名第二，超过了潘粤明、何润东等众男星。 　　电视电影《飞》改编自夏衍先生创作的文学剧本《飞了》，讲述了一个心怀想飞梦想的农民所遭遇的现实挫折，这部文学剧本曾获得2005年第十一届中国电影华表奖。而这部电影却没有所谓的大牌明星，导演独独只看中了赵毅身上所具备的与男主角刘百刚一样的“愣头青”性格和草根气质。 　　事实证明了导演的独具慧眼，当赵毅饰演的农民青年刘百刚架着自己做的大翅膀，站在高高的黄土坡上，身后是蔚蓝的天空时，所有的这一切都充满了温暖的阳光，也给人希望。这些镜头的塑造，也更加真挚动人。 　　此部影片曾在大学生电影节中展映，获得了满堂的喝彩。许多大学生都连连赞叹该片用简朴的情节完美地诠释了理想与现实所带来的冲击，令人印象深刻，还有一些人特意来到赵毅的博客上献上自己的赞美之词。在2006年的韩国釜山电影节上，《飞》也获得了来自全球的各路评委的褒奖，赵毅也被称为“中国最具潜力和灵气的男演员之一”。

Dust, starring Alan Rickman and Jodie Whittaker, is the short story of a man who follows a young girl and her mum home from school one day. He waits outside their house until nightfall before breaking in. Once inside, events take an unexpected turn...

"Chiri" is the close observation of the end of the life of her foster mother, after she had turned 95. Following her mother's daily life as she lives out her time, steadily approaching death, Kawase contemplates the fundamental themes of her own film productions.

一块神秘玉佩，引发一场人性与亲情的终极较量。普通村民小亮因父亲临终留下的玉佩，意外卷入生死迷局。家中频发诡异事件：鸡死、馒头变黑、寿鞋惊现，恐惧笼罩全家。为揭开玉佩之谜，小亮追查发现，这玉佩竟曾救过父亲挚友的命，暗藏逆天玄机。

小亮父亲离奇身亡，留下一块神秘玉佩。自此家中怪事频发：死鸡、黑馒头、深夜敲门、诡异脚印……妻子行为反常，商人虎视眈眈。当真相揭开，一场围绕“诡玉”的阴谋与背叛浮出水面。是诅咒？还是人为？悬疑惊悚，步步惊心！

该剧改编自晋江文学城团子来袭的小说《逐玉》。讲述了屠户女樊长玉（田曦薇 饰）与落难侯爷谢征（张凌赫 饰）于困境中相遇，一个父母双亡为了保住家产，一个死里逃生隐姓埋名，二人一拍即合决定成婚。先婚后爱日渐生情，后因战乱被迫分开，樊长玉最终拿着杀猪刀上战场，谢征实是战功赫赫的铁血将军，两人于战场重逢，携手共筑拨云见日求真相。

Middle-aged lesbian Manok closes down ‘Rainbow’, the queer bar she’s run for years, and returns to her hometown, Iban-ri, following the death of her mother. But home feels as stifling and unfamiliar as ever. The village, where her ex-husband now serves as headman, greets her return with suspicion, and deep-rooted prejudice and exclusion still linger. Yet Manok refuses to back down. To break down the walls between past and present, village and self, she boldly runs for village chief. It’s a declaration—not of rejection, but of affirmation: to live without denying who she is, and to once again take her place at the center, on her own terms. In Iban-ri, Manok finds new beginnings and reconnects with severed ties. Among them are Guem-ja, an old flame, and Jae-yeon, a high school student hiding his true self in the suffocating atmosphere of the countryside. Manok, who lives openly and without apology, becomes a beacon for Jae-yeon, and he, in turn, finds the courage to finally come out to the world. Even far from the days of Rainbow, Manok is still surrounded by strong, loving women who stand by her side. Manok is a warm and spirited portrait of courage, survival, and community. It gently but powerfully captures how women like Manok challenge societal norms and build new forms of belonging. This isn’t a story of simply 'returning' home—it’s one of boldly beginning again. (Kani KIM)

该片以关注留守儿童的健康成长为切入点，讲述了牛角沟村的留守儿童一静、小宝、铁军、志豪、秀秀和他们的小伙伴们，在党和政府以及社会各界对“留守儿童”的关爱下，团结互助、自强自立、努力学习、快乐生活，为实现各自的愿望的精彩故事。