TRANSMITZVAH is a love story between siblings. They exhibit their wounds, exchange the pieces of each other’s puzzle, and complete (or start) the process of reaffirming their own identity. Rubén –the Singmans’ youngest son– challenges tradition by deciding to have a Bat Mitzvah instead of a Bar Mitzvah. Twenty years later, Rubén –now MUMY SINGER– returns to their hometown as a famous Yiddish singing star. After a sad event in the family, MUMY loses her voice and, with the help of her brother EDUARDO, tries to complete the path to adult life. A comedy with a jolly, playful, and musical dialogue about MUMY SINGER, and her trip to the past to make herself up, avoiding shortcuts and labels. The journey to who we really are can’t be avoided and must necessarily be taken.

娱乐天王

就读于某大学的堤圆（福士苍汰 饰）是一个只相信科学的理科男，迎新的第一天，他遭遇一个奇怪的少女，不过并不以为意。在参加了同学绪川千里（门胁麦 饰）的葬礼后，夜归途中的他突然看到一个穿着兔子人形的家伙和一个老爷子在撕扯，令他难以置信的是，老爷子居然穿过墙壁走掉了。原来老爷子是一个盘桓人间的亡灵，而粉红色兔子则是负责带亡灵前往天国的死神（铃木亮平 饰）。死神发现堤圆能看到自己非常高兴，于是想方设法要将其发展为黄泉路上的引路人。而之前迎新遇到的女孩，正是堤圆的引路人前辈阿熊幸（土屋太凤 饰）。别别扭扭的搭档，就这样半生不熟地上岗就业了…… 　　本片根据田中メカ的同名漫画改编。

就读于某大学的堤圆（福士苍汰 饰）是一个只相信科学的理科男，迎新的第一天，他遭遇一个奇怪的少女，不过并不以为意。在参加了同学绪川千里（门胁麦 饰）的葬礼后，夜归途中的他突然看到一个穿着兔子人形的家伙和一个老爷子在撕扯，令他难以置信的是，老爷子居然穿过墙壁走掉了。原来老爷子是一个盘桓人间的亡灵，而粉红色兔子则是负责带亡灵前往天国的死神（铃木亮平 饰）。死神发现堤圆能看到自己非常高兴，于是想方设法要将其发展为黄泉路上的引路人。而之前迎新遇到的女孩，正是堤圆的引路人前辈阿熊幸（土屋太凤 饰）。别别扭扭的搭档，就这样半生不熟地上岗就业了…… 　　本片根据田中メカ的同名漫画改编。

《敦煌伎乐天》是国内第一部集中展示敦煌古代音乐舞蹈遗存及演变发展的纪录片。该片系统挖掘整理了莫高窟、榆林窟壁画中数以万计的古代乐舞图像，全面展示了中古时期上下1000多年间中原和西域的音乐舞蹈发展历程，生动再现了佛国世界和世俗乐舞的壮丽景象。 　　纪录片《敦煌伎乐天》分集简介 　　第一集《飞天伎乐》 艺术大师常书鸿为什么放弃巴黎的优越生活投身敦煌石窟？他一生追随的敦煌飞天究竟是何方神灵？ 　　莫高窟壁画中的飞天总数接近6000身，为世界飞天之最。敦煌飞天不仅数量庞大，而且年代延续完整，姿态变化万千。每个时期的飞天都带有鲜明的时代特征。 　　那么，来自印度的香音神是怎样变身为中国式飞天的？ 　　千年后的飞天已从莫高窟里破壁而出，翱翔在当代舞蹈创作的天空，延续着她的艺术生命。 　　飞天没有翅膀，却能自由飞翔。天宫伎乐的婀娜舞姿给中国当代舞蹈艺术带来了怎样的启示呢？ 　　第二集《反弹琵琶》 　　一个惊世骇俗的弹奏绝技，一个匪夷所思的舞蹈造型。 　　敦煌壁画里众多的反弹琵琶舞姿让舞蹈家们既欣喜若狂又困惑不解。如此高难度的弹奏舞蹈是凭空想象，还是源于生活？为什么中外舞蹈史料中都找不到记载？ 　　今天的舞者能不能让反弹琵琶舞蹈复活呢？ 　　第三集《胡风唐韵》 　　盛唐时期风靡全国的胡旋舞、西凉乐，因为唐明皇和杨贵妃的爱情悲剧而退出了历史舞台。从此，唐代乐舞的盛大辉煌只能去敦煌石窟里找了。 　　有谁目睹西凉舞，何人耳闻西凉乐？今天，还能不能找到凉州歌舞曲的余响呢？ 　　第四集《仙乐飘飘》 中国最早的交响乐队在哪里？从十六国到元朝连续十个朝代都流行过什么样的乐器？ 　　敦煌壁画上的4500多件乐器囊括了吹拉弹打四大门类，荟萃了中外乐器的精华。 　　两位老人用30年仿制敦煌古乐器，只为复活壁画上的渺渺仙乐。他们的梦想能实现吗？ 　　第五集《霓裳羽衣》 　　从喇叭裤到露脐衫，从超短裙到透视装，莫高窟究竟蕴藏着多少古代服饰流行密码？ 　　莫高窟是一个凝固的千年T台，每一个朝代的流行时尚都在这里轮番上演。 　　千年前的敦煌时装能为现代时装设计提供哪些创作灵感呢? 　　第六集《舞动凡尘》 　　庄严佛国里为何混杂着民间歌舞杂耍？讲究清规戒律的殿堂中为什么会出现婚丧嫁娶的场面？ 　　古人为什么喜欢在佛像面前纵情歌唱？壁画上的民间歌舞反映了怎样的社会习俗呢？ 　　莫高窟，中古时代民间歌舞艺术的画廊，为宏大的历史叙述补充了丰富的细节。 　　第七集《石室绝响》 　　100年前，一纸发黄的敦煌古谱轰动了世界，成为音乐史上的哥德巴赫猜想。 　　此曲只应天上有，人间哪得几回闻？究竟该如何破译敦煌古谱？为什么几位音乐家破译出来的曲子又各不相同呢？ 　　为了破译敦煌古谱，音乐家席臻贯上下求索几十年，直到生命的最后一息…… 　　第八集《敦煌舞魂》 舞剧《丝路花雨》是怎样诞生的？为什么它一经问世就能风靡全球？ 　　《丝路花雨》连续上演33年，古老的敦煌伎乐征服了无数观众。它经久不衰的秘密究竟在哪里呢？ 　　一部来自敦煌的民族舞剧，一个中国舞蹈史上的飞天传奇。

《敦煌伎乐天》是国内第一部集中展示敦煌古代音乐舞蹈遗存及演变发展的纪录片。该片系统挖掘整理了莫高窟、榆林窟壁画中数以万计的古代乐舞图像，全面展示了中古时期上下1000多年间中原和西域的音乐舞蹈发展历程，生动再现了佛国世界和世俗乐舞的壮丽景象。 　　纪录片《敦煌伎乐天》分集简介 　　第一集《飞天伎乐》 艺术大师常书鸿为什么放弃巴黎的优越生活投身敦煌石窟？他一生追随的敦煌飞天究竟是何方神灵？ 　　莫高窟壁画中的飞天总数接近6000身，为世界飞天之最。敦煌飞天不仅数量庞大，而且年代延续完整，姿态变化万千。每个时期的飞天都带有鲜明的时代特征。 　　那么，来自印度的香音神是怎样变身为中国式飞天的？ 　　千年后的飞天已从莫高窟里破壁而出，翱翔在当代舞蹈创作的天空，延续着她的艺术生命。 　　飞天没有翅膀，却能自由飞翔。天宫伎乐的婀娜舞姿给中国当代舞蹈艺术带来了怎样的启示呢？ 　　第二集《反弹琵琶》 　　一个惊世骇俗的弹奏绝技，一个匪夷所思的舞蹈造型。 　　敦煌壁画里众多的反弹琵琶舞姿让舞蹈家们既欣喜若狂又困惑不解。如此高难度的弹奏舞蹈是凭空想象，还是源于生活？为什么中外舞蹈史料中都找不到记载？ 　　今天的舞者能不能让反弹琵琶舞蹈复活呢？ 　　第三集《胡风唐韵》 　　盛唐时期风靡全国的胡旋舞、西凉乐，因为唐明皇和杨贵妃的爱情悲剧而退出了历史舞台。从此，唐代乐舞的盛大辉煌只能去敦煌石窟里找了。 　　有谁目睹西凉舞，何人耳闻西凉乐？今天，还能不能找到凉州歌舞曲的余响呢？ 　　第四集《仙乐飘飘》 中国最早的交响乐队在哪里？从十六国到元朝连续十个朝代都流行过什么样的乐器？ 　　敦煌壁画上的4500多件乐器囊括了吹拉弹打四大门类，荟萃了中外乐器的精华。 　　两位老人用30年仿制敦煌古乐器，只为复活壁画上的渺渺仙乐。他们的梦想能实现吗？ 　　第五集《霓裳羽衣》 　　从喇叭裤到露脐衫，从超短裙到透视装，莫高窟究竟蕴藏着多少古代服饰流行密码？ 　　莫高窟是一个凝固的千年T台，每一个朝代的流行时尚都在这里轮番上演。 　　千年前的敦煌时装能为现代时装设计提供哪些创作灵感呢? 　　第六集《舞动凡尘》 　　庄严佛国里为何混杂着民间歌舞杂耍？讲究清规戒律的殿堂中为什么会出现婚丧嫁娶的场面？ 　　古人为什么喜欢在佛像面前纵情歌唱？壁画上的民间歌舞反映了怎样的社会习俗呢？ 　　莫高窟，中古时代民间歌舞艺术的画廊，为宏大的历史叙述补充了丰富的细节。 　　第七集《石室绝响》 　　100年前，一纸发黄的敦煌古谱轰动了世界，成为音乐史上的哥德巴赫猜想。 　　此曲只应天上有，人间哪得几回闻？究竟该如何破译敦煌古谱？为什么几位音乐家破译出来的曲子又各不相同呢？ 　　为了破译敦煌古谱，音乐家席臻贯上下求索几十年，直到生命的最后一息…… 　　第八集《敦煌舞魂》 舞剧《丝路花雨》是怎样诞生的？为什么它一经问世就能风靡全球？ 　　《丝路花雨》连续上演33年，古老的敦煌伎乐征服了无数观众。它经久不衰的秘密究竟在哪里呢？ 　　一部来自敦煌的民族舞剧，一个中国舞蹈史上的飞天传奇。

A young test subject named Chell awakes from a stasis in the Aperture Science Research Facility by a mysterious voice. Asked to perform certain "tests", Chell makes her way through various rooms and test chambers using the Aperture Science Handheld Portal Device, or the "Portal Gun". The tests challenge her wit and her skill and she is able to overcome various obstacles. In one test, she is asked to use a cube known as the Companion Cube to solve the tests. During the test, Chell grew attached to it but was asked to burn it in the end in order to progress. This proved to be a tough feat for Chell. Later, she learns she is being tested by a demonic robot with evil intentions who killed everyone in the facility using a deadly neurotoxin. After nearly being baked into a cake, Chell manages to escape and she works her way through various office rooms to find her mysterious perpetrator, GLaDOS (Genetic Life and Disk Operating System). After a violent battle in which Chell burns the morality cores put on GLaDOS, the super computer is defeated and Chell goes unconscious due to a violent explosion. Years pass, and Chell wakes up again and is greeted by Wheatley, who is a morality core. He isn't exactly the smartest of all the cores. He goes with her as they plan to escape the facility, which has fallen into complete disrepair. However, during their journey, Wheatley wakes GLaDOS who devises revenge. She makes Chell test once again with the "Portal Gun" and she destroys Wheatley, or so she thought. Wheatley came back to save the day and rescued Chell from the test chambers as they fled out of her reach in the older areas of Aperture. After devising a plan to foil her plans, Wheatley and Chell confront GLaDOS and eventually win by taking her out of control of the facility and putting Wheatley in charge. Little did she know, he was just as corrupt as she was and he sends Chell and GLaDOS in the form of a potato battery into the depths of Aperture down an elevator shaft. Down there, Chell learns about Old Aperture in the 1960's, 70's, and 80's up until Cave Johnson's, the owner, death. GLaDOS also learns as her previous life as Caroline, or Cave's wife. They work their way back up to the top levels and fight Wheatley and ultimately regain control of the facility. Pleased with Chell, GLaDOS decides to let her go free and sends her up to a corn field in the middle of nowhere where she is reunited with the Companion Cube.

《传送门》沿着西班牙加的斯省的瓜达莱特河展开，呈现了一部隐藏着其他景观的景观目录。这是一部跨维度门户（和明信片）的集合，实拍与动画相融合，创造出一个充满不可能的动植物群的世界。

A young test subject named Chell awakes from a stasis in the Aperture Science Research Facility by a mysterious voice. Asked to perform certain "tests", Chell makes her way through various rooms and test chambers using the Aperture Science Handheld Portal Device, or the "Portal Gun". The tests challenge her wit and her skill and she is able to overcome various obstacles. In one test, she is asked to use a cube known as the Companion Cube to solve the tests. During the test, Chell grew attached to it but was asked to burn it in the end in order to progress. This proved to be a tough feat for Chell. Later, she learns she is being tested by a demonic robot with evil intentions who killed everyone in the facility using a deadly neurotoxin. After nearly being baked into a cake, Chell manages to escape and she works her way through various office rooms to find her mysterious perpetrator, GLaDOS (Genetic Life and Disk Operating System). After a violent battle in which Chell burns the morality cores put on GLaDOS, the super computer is defeated and Chell goes unconscious due to a violent explosion. Years pass, and Chell wakes up again and is greeted by Wheatley, who is a morality core. He isn't exactly the smartest of all the cores. He goes with her as they plan to escape the facility, which has fallen into complete disrepair. However, during their journey, Wheatley wakes GLaDOS who devises revenge. She makes Chell test once again with the "Portal Gun" and she destroys Wheatley, or so she thought. Wheatley came back to save the day and rescued Chell from the test chambers as they fled out of her reach in the older areas of Aperture. After devising a plan to foil her plans, Wheatley and Chell confront GLaDOS and eventually win by taking her out of control of the facility and putting Wheatley in charge. Little did she know, he was just as corrupt as she was and he sends Chell and GLaDOS in the form of a potato battery into the depths of Aperture down an elevator shaft. Down there, Chell learns about Old Aperture in the 1960's, 70's, and 80's up until Cave Johnson's, the owner, death. GLaDOS also learns as her previous life as Caroline, or Cave's wife. They work their way back up to the top levels and fight Wheatley and ultimately regain control of the facility. Pleased with Chell, GLaDOS decides to let her go free and sends her up to a corn field in the middle of nowhere where she is reunited with the Companion Cube.