《湖湘文化入画来》每集邀请一位独具风格的画家，和我们的镜头一道，共同探寻湖南独特的文化和知名历史人物的故事。本片将解读历史画卷下的“幕后故事”，在文化探索之旅中寻找创作灵感，最终为观众展现当代画艺与湖湘历史的碰撞成果。

一个暴徒发觉自己具备召唤黑暗邪恶灵魂的能力。此故事根据同名漫画改编。

一个暴徒发现他有能力召唤黑暗邪恶的灵魂。根据同名漫画改编

影片讲述了一个有关政府在进行秘密的化学和药品实验的恐怖故事。卡蒂亚·温特在影片中扮演了一个记者，她的一个好朋友突然间失踪了。于是她便踏上了寻找…

After years abroad, Ena returns to Venezuela with a fragmented sense of self. At home, she finds her grandmother losing her grasp of reality. Meanwhile, her father spends his days looking for rare books in an attempt to safeguard the country’s literary past. When Ena discovers a mysterious postcard inside a book, she embarks on a search across Caracas to uncover a forgotten writer. Her search gradually interweaves with her grandmother’s memory loss and her father’s quixotic dreams.

Episode of the Sea Lonnie van Brummelen, Siebren de Haan, the inhabitants of Urk, Netherlands World Premiere Episode of the Sea is the result of a two-year collaboration with the fishing community of a former island in the Netherlands. Rendered in black and white to echo neorealist drama and early documentary styles, the film evokes fishing and filmmaking as practices that have been passed on by ancestors.

When Ena returns to Venezuela, after spending several years abroad, she discovers a postcard in her father’s bookshop and sets off in search of the forgotten writer.

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music, with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. 　　Júlio Bressane, a major exponent of Brazilian avant-garde cinema and IFFR Film Maker in Focus in 2000, derived his material from the famous novel Dom Casmurro (1899) by Machado de Assis, who, like Casmurro, was tormented by epilepsy. Bressane composed this film in the form of a frank exploration of visual and theatrical possibilities; during a musical interlude, the violinist appears in the shot. Capitu and the Chapter is interspersed with fragments of Bressane’s previous works and leaves itself open to many interpretations.

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music, with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. 　　Júlio Bressane, a major exponent of Brazilian avant-garde cinema and IFFR Film Maker in Focus in 2000, derived his material from the famous novel Dom Casmurro (1899) by Machado de Assis, who, like Casmurro, was tormented by epilepsy. Bressane composed this film in the form of a frank exploration of visual and theatrical possibilities; during a musical interlude, the violinist appears in the shot. Capitu and the Chapter is interspersed with fragments of Bressane’s previous works and leaves itself open to many interpretations.

JEUXhttp://www.mtime.com/my/100233神野是个初中教师，在自己的母校教书。正值暑假，神野因为要辅导课外活动来到学校。突然有个自称叫岛崎的侦探前来拜访。岛崎以前和神野是一个学校的，但神野对他根本没有印象。岛崎此行的目的是要神野帮忙寻找老同学木村。从初中开始，木村就和神野是好朋友，两人的友谊一直延续至今。今天早晨，神野刚代替忙于工作的木村把他的太太送去医院待产。 岛崎递给神野一张今晨偷拍的照片，照片上木村和一个年轻女子十分亲密。神野大吃一惊，在岛崎的生拉硬拽之下，一同开始侦察木村的行踪。 拜托岛崎寻找木村的是木村所在公司的上司，而这位上司直接受命于社长，他们都和臭名昭著的黑道人士片冈有关。深入调查后，岛崎和神野顺藤摸瓜查到了片冈经营的高级夜总会，获悉在店里工作的步美失踪了。木村的公司经常去这家夜总会招待客户，而步美失踪的那天，木村正好去过那里。岛崎推断，木村和步美一同私奔了。 “木村不是这种人！他人好，做事又认真，从初中起就一直这样没变过！” “你怎么知道他没变。你真的了解朋友的一切么？” 神野无言以对。故事朝着出乎预料的方向发展而去……