Style是以描述时尚界的华丽职业的世界中隐藏的人类欲望的同名小说为原著,述说主角们的工作和爱情,服装界的激烈竞争,公司内权力关系等

テレビ朝日初の本格シットコムとなる本作は、さびれた温泉旅館・虹の屋の玄関とロビー、従業員室、大浴場の入口、エレベーターという限られた空間で繰り広げられる群像劇。主人公は虹の屋の3代目である父親に反発し家を飛び出すも、うだつの上がらない日々を送っていた柿丘哲郎だ。劇中では哲郎が実家の窮地を救うため10年ぶりの帰宅を果たすも、虹の屋は100年の伝統を誇る老舗旅館の品格やサービスが完全に消え失せ、一筋縄ではいかない従業員の吹き溜まりと化していた。

テレビ朝日初の本格シットコムとなる本作は、さびれた温泉旅館・虹の屋の玄関とロビー、従業員室、大浴場の入口、エレベーターという限られた空間で繰り広げられる群像劇。主人公は虹の屋の3代目である父親に反発し家を飛び出すも、うだつの上がらない日々を送っていた柿丘哲郎だ。劇中では哲郎が実家の窮地を救うため10年ぶりの帰宅を果たすも、虹の屋は100年の伝統を誇る老舗旅館の品格やサービスが完全に消え失せ、一筋縄ではいかない従業員の吹き溜まりと化していた。

CINEMATOGRAPHER STYLE is about the Art and Craft of Cinematography. It is about how everything, from life experiences to technology, influences and shapes an individual's visual style. Because of the powerful impact that the visual style of a movie can have, this documentary may offer contemporaries valuable insights into the dramatic choices Cinematographers make. And, it is expected that the material will have significant historic value as well.

胡恩威錄像作品 　　散步香港城市與建築空間 　　香港風格是來自胡恩威2005年出版的同名原著為藍本的錄像作品。 　　一部關於香港都市文化和形象建築風格的書，大戲院、老社區、天橋、霓虹招牌、竹棚建築、街市等等，解讀香港正在消失的獨有都市和建築美學。 　　我是一九六八年於香港出世，我的父母和當時很多香港人一樣，都是一九四九年從中國跑到香港尋找新生活，建立家庭。我在香港這個城市成長，體會香港這個城市這些年來的變化，看著香港的老房子老社區老店老戲院消失，看著街邊小販大排檔被消滅，看著一幢一幢的高樓，一個一個的大型商場像太空船一樣空降在香港的不同地方。我們說睹物思人，觸景生情，年青時代的香港成了我的記憶，成為了我對香港的情感，它不可能也不能夠像電腦Delete all 指令一樣，在彈指之間消失。 　　香港風格是一部我的香港影像音樂文字(Image – Music – Text)，散步香港空間和情感，不是理性也不是感性，是非常由「我」出發的香港經驗。 　　胡恩威 　　香港出生，於香港及倫敦修讀建築設計，相信建築可以改變世界的現代主義精神，在劇場、文字、影像實踐建築精神。1988年加入進念二十面體，劇場作品包括：Looking for Mies、東宮西宮、半生緣、萬曆十五年等等。被台灣《表演藝術》雜誌形容為「用入世精神製造劇場風暴」。2004年，胡恩威聯同雅砌建築設計有限公司所設計的汕頭大學學生活動中心《789》第一期，獲香港建築師學會頒發《2004年度會員香港境外作品獎》。

Brooklyn-based Ella Richards does freelance work as a seamstress to pay the bills, but is also a struggling fashion designer, her talent which her friend Max, who often gets her her sewing work, can see. She specializes in designs for plus sized women such as herself in knowing that the high end fashion industry largely ignores this majority segment of the population in she herself having felt that exclusion all her life. Katie, her best friend and roommate, has her own fashion industry aspirations in wanting to be a fashion editor, although she admits the environment at Look, the high end fashion magazine where she works as an assistant, is not a pleasant one in the Editor-in-Chief Claudia Davenport and her assistant Liza, Katie's boss, treating people in general, including staff, like garbage unless it otherwise serves their needs. The first day that Ella helps Katie with an important fashion shoot at the magazine coincides with Derek Colby's first day there, Colby Publishing, his father Roger Colby's company, the magazine's parent company, assigning him to deal with the magazine's declining revenues, both in advertising and subscriptions, work he has done with other magazines under the Colby banner. Derek secretly asks Ella for a crash course in fashion design to assist in this task at the magazine, she his choice of teacher due to her knowledge of fashion in general, and she seemingly not being intimidated by him which most people tend to be in being a Colby in combination with his good looks resulting in he placing number seven of the most eligible bachelors in New York City. In spending time with Ella, Derek can see the revenue potential of the magazine expanding into the plus sized market and seemingly starts to fall for her in the process in wanting to do one of the first articles in this vein on her design career, much against the wishes of both Claudia and Liza. Beyond whether Derek is able to change the magazine's fortunes with this new direction, what happens between Ella and Derek will depend on whether Ella herself is confident enough in herself and Derek, who generally can have any woman he wants on his arm.—Huggo

Brooklyn-based Ella Richards does freelance work as a seamstress to pay the bills, but is also a struggling fashion designer, her talent which her friend Max, who often gets her her sewing work, can see. She specializes in designs for plus sized women such as herself in knowing that the high end fashion industry largely ignores this majority segment of the population in she herself having felt that exclusion all her life. Katie, her best friend and roommate, has her own fashion industry aspirations in wanting to be a fashion editor, although she admits the environment at Look, the high end fashion magazine where she works as an assistant, is not a pleasant one in the Editor-in-Chief Claudia Davenport and her assistant Liza, Katie's boss, treating people in general, including staff, like garbage unless it otherwise serves their needs. The first day that Ella helps Katie with an important fashion shoot at the magazine coincides with Derek Colby's first day there, Colby Publishing, his father Roger Colby's company, the magazine's parent company, assigning him to deal with the magazine's declining revenues, both in advertising and subscriptions, work he has done with other magazines under the Colby banner. Derek secretly asks Ella for a crash course in fashion design to assist in this task at the magazine, she his choice of teacher due to her knowledge of fashion in general, and she seemingly not being intimidated by him which most people tend to be in being a Colby in combination with his good looks resulting in he placing number seven of the most eligible bachelors in New York City. In spending time with Ella, Derek can see the revenue potential of the magazine expanding into the plus sized market and seemingly starts to fall for her in the process in wanting to do one of the first articles in this vein on her design career, much against the wishes of both Claudia and Liza. Beyond whether Derek is able to change the magazine's fortunes with this new direction, what happens between Ella and Derek will depend on whether Ella herself is confident enough in herself and Derek, who generally can have any woman he wants on his arm.—Huggo

夫の死をきっかけに婚家を追われたますは、子どもたちと無心に手毬を突いて遊ぶ良寛を見かけ、その温かい微笑みに目を奪われた。その後、ますは良寛の歌に感銘を受け、自分自身の生き方を見つめ直すために出家を決意する。当時、良寛は国上山にある国上寺のこじんまりした五合庵を定住の地としながら、立派な寺の住職になることを薦められても、「余分なものは何一ついらない」と全国を托鉢して歩いていた。行脚の途中、彼は自分の実家の没落ぶりを目の当たりにする。彼の家は越後の国出雲崎で代々名主をつとめ、幕府御用達金を扱う両替商の大店を営んでいた。嫡男であった良寛は、名主代理として罪人の処刑に立ち会ったり、理不尽なことを強いられる辛さに耐え兼ね、18歳で出家したのである。立ち去ろうとした良寛が泥棒と間違えられて村人に殴られているところへ、弟嫁のやすが通りかかった。久しぶりに対面した弟の由之は、家業没落や道楽息子・馬の助のことを嘆くが、良寛は馬の助に会うと過去の自分を重ねあわせ、「辛かろう」と涙をこぼす。一方、ますは貞心尼という法名を与えられ、小さな閻魔堂で良寛と会える日を想いつつ手毬を作っていた。彼女に想いを寄せる行商の左吉は、良寛の詩や逸話を聞かせて気を引こうとするが、貞心尼はさらに良寛に傾倒していく。ようやく良寛と対面できた貞心尼は、ふたりで無邪気に毬つきを楽しみ、良寛は彼女とのめぐり合わせに不思議なものを感じていた。2年後、良寛は床に伏せ、知らせを受けた貞心尼は彼を献身的に介抱する。そして良寛は彼を慕う人々に見守られ、安らかに息を引き取った。

正在播出第六季的《良医》，去年夏天首度披露衍生剧——《良律》（The Good Lawyer）的开发；时隔半年，这个项目公开（潜在的新剧）的领衔主演以及后门试映集的播出日期，让该项目正式于剧集成型的轨道起跑。 　　CW《神探南茜》女主Kennedy McMann与《绝望的主妇》“Lynette” Felicity Huffman将领衔这个衍生剧企划；其中值得注意的是，这是此前身陷大学招生丑闻最终入狱的后者，时隔三年多的回归。按照一般衍生剧的惯例，两人会参与3月7日播出的《良医》一集，作为客串演员出现；电视网会通过这集，引入新剧的背景介绍，提前向观众测试反应。 　　这部律政题材的衍生剧会以一名二十多岁、有着强迫症却十分出色的律师“Joni”（Kennedy饰演）展开故事；Joni与“Shaun”的交集来自于有一次让他陷入麻烦的官司里，Joni作为辩护律师出现。后门试映集将介绍这个角色以及她隶属律所的合伙人“Janet”（Felicity饰演）出场。 　　Joni是自己任职的高端律师事务所的旅人，她风趣、热心、有着自我意识偶尔会有些焦虑，她是Shaun法律辩护团队的一员。尽管通过了法学院的学习以及律师考试，但Joni的强迫症依然对她的个人和职业生活造成了严重影响。她不希望因为自己的病情而被区别对待，但也经常为自己的症状感到尴尬。Joni是位伟大的律师，利用自己对细节的关注、强迫性的过度思考和分析能力作为独特的杀手锏行事。但律所试图因为她的种种奇怪行为而考虑解雇她时，Joni又胁迫用残疾人法案起诉律所。 　　陪伴Joni在侧的，是“Janet”；她是母剧里Richard Schiff饰演的“Dr.Glassman”，长期的法务代表，两人有着长达三十多年的交情。作为律所备受尊敬的合伙人，Janet是位经验丰富的资深人士；在收到自己老朋友希望她帮助Shaun的要求后，她一度想要将Joni解雇。然而当Shaun表达了希望由其代表自己时，Janet被迫再给了Joni一次机会（但也有可能让两人都陷于不利的境地）。比之于母剧两名演员的师徒关系，Janet和Joni两人的角色关系会有些不一样，也有着不同的发展。 　　考虑到《良医》本身就改编自韩剧，再加上如今的剧情企划，这部衍生剧此前曾被指与通过Netflix全球范围走红的《非常律师禹英禑》有着很相近的调性；不过《良律》早在该剧开播前就已经策划。