When the doctor tells him that his mother, in her nineties, does not have long left, Sylvain Biegeleisen visits her everyday. Against all the odds, the venerable lady "decides" to hang around for a while - The director chronicles this uncertain and mysterious time in this luminous film on tenderness as a possible source of youth and full of an innocence regained every day.

When the doctor tells him that his mother, in her nineties, does not have long left, Sylvain Biegeleisen visits her everyday. Against all the odds, the venerable lady "decides" to hang around for a while - The director chronicles this uncertain and mysterious time in this luminous film on tenderness as a possible source of youth and full of an innocence regained every day.

故事发生在1964年，已婚的梁家辉因台风逗留大屿山，邂逅了两星期后出嫁的袁永仪，两人一见钟情，二人同处一室终于情不自禁发生了关系。此后二人更相约每年同一天重回此地，从此展开一段有趣情缘……

故事发生在1964年，已婚的梁家辉因台风逗留大屿山，邂逅了两星期后出嫁的袁永仪，两人一见钟情，二人同处一室终于情不自禁发生了关系。此后二人更相约每年同一天重回此地，从此展开一段有趣情缘……

强红线仙组合强势回归，帮助“下沙篇”主角梵云飞、厉雪扬寻找失落的记忆。

强红线仙组合强势回归，帮助“下沙篇”主角梵云飞、厉雪扬寻找失落的记忆。

90多岁的老夫妻安东尼奥和贝莎所在的国家发生了严重的社会和经济危机，导致老夫妻的养老金停发、生活陷入困境。无奈，两个儿子已消失多年，为了生存，老夫妻只能变卖家当，依靠当街售卖玉米粉蒸肉来维持生计。出乎意料的是，陷入困境的生活突然发生了转变：儿子，带着孙子回来了。

90多岁的老夫妻安东尼奥和贝莎所在的国家发生了严重的社会和经济危机，导致老夫妻的养老金停发、生活陷入困境。无奈，两个儿子已消失多年，为了生存，老夫妻只能变卖家当，依靠当街售卖玉米粉蒸肉来维持生计。出乎意料的是，陷入困境的生活突然发生了转变：儿子，带着孙子回来了。

A woman gives voice to “The years” by Annie Ernaux, a few collected fragments on the shores of a timeless Sardinia.

A German police state of the past is the setting for the pulsating short film thriller Es gibt keine Angst (Afraid Doesn’t Exist). In it, Anna Zett collages video and audio material from the Berlin Archive of the GDR Opposition, partially taking the perspective of a sensitive child. Based on her own intimate involvement, the artist traces a successful, yet mostly unknown act of resistance at the very end of the GDR, while at the same time opening up an associative space for connecting with experiences of violence that are otherwise difficult to access today. Vocally highly condensed voices from a 1986 East Berlin poetry reading support the voiceless narrator – “an adult child” – in the reconstruction of her own emotional world, as does the multi-layered musical score. From footage of the environmental library to private videos and journalistic material, the film leads to the second occupation of the Stasi headquarters in Berlin-Lichtenberg in September 1990, where it settles into a very different mood. 　　源自：https://www.berlinale.de/en/2023/programme/202312726.html