本剧改编自豆瓣阅读连载小说《不如去野》，作者夏渔。 　　都市女性向野抛弃了看似完美的城市生活，毅然“退”回老家重新创业，找回自己喜欢的生活方式，与乡镇班主任，隐藏的茶企富二代王鹤鸣比邻而居，一场十年前的双向暗恋就此揭开，褪去青涩的二人展开极致推拉。

本剧改编自豆瓣阅读连载小说《不如去野》，作者夏渔。 　　都市女性向野抛弃了看似完美的城市生活，毅然“退”回老家重新创业，找回自己喜欢的生活方式，与乡镇班主任，隐藏的茶企富二代王鹤鸣比邻而居，一场十年前的双向暗恋就此揭开，褪去青涩的二人展开极致推拉。

夏天是毕业的季节，大学毕业生们或摸索着走向社会、或一心向学准备深造、或是还在忙于学业……小敏和她的好姐妹们，也在今年夏天迎来了属于自己的毕业季，一次偶然的机会，小敏和姐妹们想起一起毕业旅行的约定，她们去探索海洋馆、去露营地举办属于自己的派对，留下了最明媚的记忆。

芒果TV首档人宠情感类真人秀，关注到了退役的工作犬，节目里的中途之家“去野吧”将会帮助养成工作习惯的职业犬适应社会化生活，拥抱天性、找到温暖的家。中途之家家长白举纲 、陈艾森、一浩，将开启和退役工作犬的治愈之旅!

4位嘉宾带着3只不同类型的“职业犬”与一只“社交达猫”组成全新大家庭，共同居住15天。通过对狗狗进行不同层次不同方面的社会化训练，一同出发，去大自然溜达，让狗狗释放天性，找到幸福的领养家庭，也让人类回归本心。

芒果TV首档人宠情感类真人秀，关注到了退役的工作犬，节目里的中途之家“去野吧”将会帮助养成工作习惯的职业犬适应社会化生活，拥抱天性、找到温暖的家…

钦天监罪臣之子根据父亲留下的笔记线索，携手擅长医术的九公主，揭开巫蛊作祟、雷公显灵、天崩地裂的奇案秘术，发现幕后真相竟指向神秘天书“双鱼祸国”的预言。

钦天监遗孤顾与卿，因破获连环蛊毒命案，被卷入一场横跨南滇与雷城的惊天阴谋。追查途中，他与偷跑出宫的九公主李令月携手缉凶，却意外揭开“双鱼组织”谋反复国的惊天密谋，两人在查案的过程中彼此信任、互生情愫。然而，当真相逼近，顾与卿惊觉父亲之死的真相指向皇宫深处。至亲成仇，挚爱难舍，他陷入亲情与爱情的撕裂中。一场关乎家国命数的较量悄然展开，爱与信念的抉择，将决定天下归属。

Minimalist in resources and filmed from the unusual vantage point of a second-floor apartment window, Malintzin 17 portrays two parallel expressions of parental care. For seven days and seven nights filmmaker Eugenio Polgovsky and his five-year-old daughter, Milena, contemplate a nurturing dove nesting her chick on a hazardous entanglement of electric cables situated right outside their balcony. The dove endures the cold and torrential rain, while Milena makes puzzled inquiries to her father about the bird’s location, its stillness, the meaning – and perils – of filming it, its true nature (is it a robot?), and potential ways to assist it (does she need food? Will the chick learn to fly?). Wielding a handheld camera from this elevated point of view, which parallels the bird’s, the film constructs a microscopic yet powerful environmental critique of nature’s entrapment within the aggressive infrastructures of modernity.

Minimalist in resources and filmed from the unusual vantage point of a second-floor apartment window, Malintzin 17 portrays two parallel expressions of parental care. For seven days and seven nights filmmaker Eugenio Polgovsky and his five-year-old daughter, Milena, contemplate a nurturing dove nesting her chick on a hazardous entanglement of electric cables situated right outside their balcony. The dove endures the cold and torrential rain, while Milena makes puzzled inquiries to her father about the bird’s location, its stillness, the meaning – and perils – of filming it, its true nature (is it a robot?), and potential ways to assist it (does she need food? Will the chick learn to fly?). Wielding a handheld camera from this elevated point of view, which parallels the bird’s, the film constructs a microscopic yet powerful environmental critique of nature’s entrapment within the aggressive infrastructures of modernity.