在洛桑大学医院的培训中心，“假”病人和“真”医护人员通过模拟医疗咨询来学习如何展现关怀。然而，在一个越来越自由化的医院系统中，医疗人员本身也面临着巨大的压力和挑战，这种理想化的医患关系真的能实现吗？

19岁的墨西哥裔美国少年加布里埃尔在洛杉矶一家高级餐厅做泊车服务员。当他发现他的非法移民母亲伊内兹生病亟需医保时，他开始想尽一切办法帮她治病。

One of the first films of Alexander Sokurov, shot him in the period at the Gorky television, even before the receipt of the Film Institute. The film tells about agriculture Gorky region, its achievements and problems. The director asks of it as ordinary workers and managers, shows the first results of automation, high raw-material potential of the region and its future prospe

Sundeok是Itaewon的一名歌手，有一天，她切断了联系的母亲不请自来，坚持要找到她的第二个孩子。第二个孩子偷了母亲和桑德克的一些钱跑掉了。他们开始彻…

钦天监罪臣之子根据父亲留下的笔记线索，携手擅长医术的九公主，揭开巫蛊作祟、雷公显灵、天崩地裂的奇案秘术，发现幕后真相竟指向神秘天书“双鱼祸国”的预言。

钦天监遗孤顾与卿，因破获连环蛊毒命案，被卷入一场横跨南滇与雷城的惊天阴谋。追查途中，他与偷跑出宫的九公主李令月携手缉凶，却意外揭开“双鱼组织”谋反复国的惊天密谋，两人在查案的过程中彼此信任、互生情愫。然而，当真相逼近，顾与卿惊觉父亲之死的真相指向皇宫深处。至亲成仇，挚爱难舍，他陷入亲情与爱情的撕裂中。一场关乎家国命数的较量悄然展开，爱与信念的抉择，将决定天下归属。

Minimalist in resources and filmed from the unusual vantage point of a second-floor apartment window, Malintzin 17 portrays two parallel expressions of parental care. For seven days and seven nights filmmaker Eugenio Polgovsky and his five-year-old daughter, Milena, contemplate a nurturing dove nesting her chick on a hazardous entanglement of electric cables situated right outside their balcony. The dove endures the cold and torrential rain, while Milena makes puzzled inquiries to her father about the bird’s location, its stillness, the meaning – and perils – of filming it, its true nature (is it a robot?), and potential ways to assist it (does she need food? Will the chick learn to fly?). Wielding a handheld camera from this elevated point of view, which parallels the bird’s, the film constructs a microscopic yet powerful environmental critique of nature’s entrapment within the aggressive infrastructures of modernity.

Minimalist in resources and filmed from the unusual vantage point of a second-floor apartment window, Malintzin 17 portrays two parallel expressions of parental care. For seven days and seven nights filmmaker Eugenio Polgovsky and his five-year-old daughter, Milena, contemplate a nurturing dove nesting her chick on a hazardous entanglement of electric cables situated right outside their balcony. The dove endures the cold and torrential rain, while Milena makes puzzled inquiries to her father about the bird’s location, its stillness, the meaning – and perils – of filming it, its true nature (is it a robot?), and potential ways to assist it (does she need food? Will the chick learn to fly?). Wielding a handheld camera from this elevated point of view, which parallels the bird’s, the film constructs a microscopic yet powerful environmental critique of nature’s entrapment within the aggressive infrastructures of modernity.

今年的SP剧将讲述24小时电视第一代综合主持萩本和妻子澄子的夫妻故事。作为喜剧演员，萩本从未公开谈论过自己的私生活，此次将揭开他不为人知的一面。反映出对萩本来说，澄子是怎样的存在，澄子是怎样看待萩本的。

今年的SP剧将讲述24小时电视第一代综合主持萩本和妻子澄子的夫妻故事。作为喜剧演员，萩本从未公开谈论过自己的私生活，此次将揭开他不为人知的一面。反映出对萩本来说，澄子是怎样的存在，澄子是怎样看待萩本的。