顾宁儿因姨娘陷害，被批“百尸劫”克亲，自幼养于义庄，需与百名男子结缘破劫。第十八岁替妹嫁入晋王府冲喜，发现晋王沈君行装病中毒。两人表面合作，实则各怀身份——她是鬼谷传人，他是情报首领离语楼主。他们联手复仇，揭露姨娘罪行，扳倒政敌，过程中情愫暗生。最终真相大白：顾宁儿实为龙渊国公主之女，而沈君行竟是当年义庄中她第一个遇见、赠她半块玉珏的“尸君”。二人共渡生死，破解身世与剧毒之谜，在尘埃落定后相认，约定相守余生.

现代的甜萌少女摇身一变，成了古代的楚家小姐，却是小姐身子丫鬟命，上来就要嫁给冰冷克妻的“丑”王爷。为求自保，她一心想逃，可没想到却直接逃到了王府，自此与王爷展开了一段轻松甜蜜的婚前生活，而王爷的真实面目以及其克妻的真相也得以揭开。

现代的甜萌少女摇身一变，成了古代的楚家小姐，却是小姐身子丫鬟命，上来就要嫁给冰冷克妻的“丑”王爷。为求自保，她一心想逃，可没想到却直接逃到了王府，自此与王爷展开了一段轻松甜蜜的婚前生活，而王爷的真实面目以及其克妻的真相也得以揭开。

孽缘之神苏念雪下凡附身于枉死少女，救下遭刺杀的陆以霆，被迫卷入豪门阴谋。她既要应对苏欣妍的追杀，又要与陆以霆斗嘴合作，却在法力失控时发现彼此竟是命定孽缘。婚礼上苏欣妍施法搅局，月老破咒助其复仇。谢波疯狂反扑，陆以霆舍命相护，苏念雪以法力换他重生。当孽缘石再次指引，她选择为爱放弃任务，最终为陆以霆挡枪濒死，方知这段孽缘早已修成正果。天界重逢月老，苏念雪终得圆满，与陆以霆在人间相守.

霍明宇爱妻如命，举世皆知。为了娶到姜舒然，他曾经闯进火场，连命都不顾。可后来，姜舒然和秘书同时出车祸。生死一瞬，他下意识用自己的身体挡在秘书身前。这一刻，他忘了有孕在身的妻子，忘了曾经的誓言。后座上，奄奄一息的姜舒然看着相拥的两人，心如死灰。在手术室抢救三天三夜后，她留下一纸离婚协议，决绝离开，而从温柔乡回来的霍明宇看到后，彻底疯了。

云舒窈前世首辅嫡长女，因被逼嫁傻子太子自尽，重生为现代豪门真千金，初回家不受待见，假千金受宠。 她酒吧遇萧明轩，一面之缘引其兴趣，萧不知娃娃亲对象是她，还去云家退亲，她也有意，便未点破。订婚宴上，二人逃婚撞一起，云舒窈谎称为帮萧逃婚，萧更钟情，坚定退婚。 之后，云舒窈隐身份进云家公司，遭刁难，众人捧假千金云小禾。萧明轩发现神秘女郎在公司，接云舒窈时引发误会。云舒窈勤勉工作，成果遭云小禾嫉妒，被恶人先告状，她凭武功解决麻烦后酒吧遇萧，感情升温，萧又现身集团年会助她出彩，云小禾越发视她为眼中钉。

姜鱼刚回国就收到母亲送来的结婚证，据说结婚对象人品德行都很烂，姜鱼为了离婚当晚阴差阳错的睡了一个男模，没想到这个假男模就是自己的老公。

姜鱼刚回国就收到母亲送来的结婚证，据说结婚对象人品德行都很烂，姜鱼为了离婚当晚阴差阳错的睡了一个男模，没想到这个假男模就是自己的老公。

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.

Caetano Gotardo, whose contribution to the omnibus film Neverquiet (Film of Wonders) was screened in 2011 at IFFR, stays close to home in his second feature. He writes, directs, edits and also plays the leading role. The story is set in the Brazilian artists’ milieu. 　　Joao has extensive conversations with friends, strangers and himself. For instance with his best friend Irene, who cannot let go of memories of her ex; and the boy he meets in the metro, with whom he wants to have sex. Beside life and love, the creative process is a recurring theme in the conversations, in the best traditions of filmmakers like Éric Rohmer or Hong Sang-soo. Piece by piece, the encounters, conversations and monologues have a great influence on Joao, who literally wrestles with his attitude to life. A puzzle unfolds within which time, narrative, character and perspective are all jumbled up in an intriguing way.