唐冠华在中国福州建立了现实中的理想国“南部生活共识社区”，艺术家于伯公来到这里，实施了一件与社区居民们（音乐人、诗人、导演、僧人、设计师、种植者、建筑师等）一起徒步露营穿越北京,名曰“移動的營地”的作品，一行人从北京朝阳区黑桥村的小树林进发向长城，继而抵达关外的内蒙古希拉穆仁草原。 　　一路办展览、搞派对、思索生活。与北京从事艺术、商业、文化的理想主义者们握手，离开乡村的温床，与硕大的城市温柔的拥抱。试图接近全体人类的底层共识。

After the death of his brother Georg, John Vanderheit expects to inherit his fortune. Unfortunately, just before he died Georg made a will in which he bequeathed his entire estate to his wife, Irmgard. Unwilling to yield to John, Irmgard takes flight and undertakes a hazardous journey into the mountains. Here, she meets a kindly hermit who offers her shelter. John is not far behind, however, and when Imrgard repulses him he causes an avalanche in an attempt to kill her. Trapped in the hermit’s shelter, Irmgard’s new friend removes his hood – and reveals that he is her husband Georg... 　　Das Wandernde Bild marked the beginning of the fruitful collaboration of director Fritz Lang with writer Thea von Harbou. They married in 1922 and the couple would become the creative force behind some of the greatest German films of the pre-WWII era, works such as Dr. Mabuse, der Spieler (1922), Metropolis (1927) and M (1931). 　　Until quite recently, Das Wandernde Bild was thought to have been lost, the fate suffered by the majority of films made in the silent era. Fortunately, an incomplete print surfaced in Brazil and the film was partially restored in the late 1980s. Around a third of the film is missing, along with the script and inter-titles. Despite this, the restored film is surprisingly coherent and the lacuna are hardly noticed. 　　Das Wandernde Bild may not be Lang at his best (its main weaknesses being its slightly ludicrous plot and some embarrassing Perils of Pauline moments), but it amply demonstrates the director’s mastery of technique and flair for expression through the silent image. The film is most memorable for its beautifully realised location sequences, which appear to show the influence of Lang’s contemporaries, notably D.W. Griffith. (© James Travers 2009 )

丧尸末日爆发前，我被男友二筒和闺蜜背叛，并得到了几十万的分手费，于是并拿着这笔钱盘下了一家超市，并在超市地下密室里囤了大量物资，用摆烂的姿态住进地下室，并且每天打开手机监控观察着外面的境况。突然有一天一大批人通过丧尸撞破的一个破洞爬进了超市，快速的进来抢夺物资，打斗的声音吸引了很多丧尸涌来，让超市变得一片狼藉。经过几天的测试后，我发现音乐可以控制丧尸的情绪，为了防止更多的人来超市抢夺物资，于是我通过音响来操控丧尸，把丧尸吸引到超市里，之后并没有人再敢靠近超市。

丧尸末日爆发前，我被男友二筒和闺蜜背叛，并得到了几十万的分手费，于是并拿着这笔钱盘下了一家超市，并在超市地下密室里囤了大量物资，用摆烂的姿态住进地下室，并且每天打开手机监控观察着外面的境况。突然有一天一大批人通过丧尸撞破的一个破洞爬进了超市，快速的进来抢夺物资，打斗的声音吸引了很多丧尸涌来，让超市变得一片狼藉。经过几天的测试后，我发现音乐可以控制丧尸的情绪，为了防止更多的人来超市抢夺物资，于是我通过音响来操控丧尸，把丧尸吸引到超市里，之后并没有人再敢靠近超市。

上一世，婆婆一条带定位的囤货视频，把我家变成了难民的自助餐厅，导致我和女儿惨死刀下！我猛然间惊醒，大热天开着空调，我都出了一身的冷汗，我梦到全球极寒降临，缺衣少食，我是开超市的，极寒天气来的太突然了.....

为找便宜房租去郊区的他，路过新建小区时，被一家超市的招工启事吸引 —— 招夜班店员，要求胆子大、能熬夜，月工资 6000 还包食宿。他胆子不差，熬夜更是常事，从没见过夜班店员有这么高的工资，觉得机会难得，没多犹豫就走进了超市。超市老板是位打扮时尚、容貌靓丽的俏女人，看不出具体年龄，正坐在收银台里修指甲。见他进来，女人抬头浅笑问：“你是来应聘夜班店员的？” 他赶紧上前说明来意、做了自我介绍，还问起工作的具体要求，俏老板却干脆回答：“没啥要求，只要能熬夜就行。”

你是否正在超市为挑选完美的“超级产品”而忙于购物？那些包装上极具诱惑力的宣传暗示，正怂恿着我们去购买他们的产品。然而这些超市产品真的就如此“超级”么？本次探秘之旅将由莱斯利·里根教授带领你一起抽丝剥茧，去验证这些宣传噱头背后的科学真实性。里根教授一直致力于食品安全的研究，有机食品就更健康么？超市产品包装上的功效就准确无误么？……里根教授正试图结束这场争论，她将用科学依据为衡量准则，一探究竟。

清晨，喧嚣都市内一户普通人家的家中，正在收拾家中杂物的主妇发现冰箱中空空如也，便驱车去超市购物。没料想到这日正值超市的狂欢大促销，全镇的人都来到超市准备大杀四方。主妇不敌亢奋的人群，被挤到超市的一角。蜷缩在一角的主妇面对乱象仿佛被洗了脑，片刻也起身加入促销抢购的大军中......

拍攝男性身體的主流手法當然值得尊重，但今次「偽紀錄片」的不真實美麗標準所呈現出來的濃厚文化色彩又會是怎麼不一樣的效果？ 　　Through a “net found footage” in tribute to the mainstream representation of the male body, our cultural obsession with unrealistic beauty standards is put into question.