苏联大举入侵阿富汗，一坦克车队歼灭某部落，并将其首领辗死轮下，英勇的阿富汗勇士为报父兄之仇，率领该族勇士穷追坦克，并诱使陷入迷径，直至油粮枯竭。坦克兵柯佛奇克不满长官残酷冷血，而被弃于荒漠中，最后却协助阿富汗勇士围攻坦克，掳获苏俄兵……

《阿富汗之旅》1939年，世界第一位女冒险作家安玛莉和人类学博士艾拉一同踏上到喀布尔旅游的路，同行的两人心中却埋藏著各自追寻的目标。这两名同样从人生中逃跑的女人，一路上始终不停在相互为自己的观点而辩论，并享受棋逢对手的乐趣。在相濡以沫的旅程中，进而谱出一段温暖的友谊之爱。在她们到达阿富汗之时，正巧爆发二次世界大战，她们原本的计划也就此终结，但这趟旅程，是否就此结束了呢？

1985年，一位阿富汗难民少女的照片，出现在国家地理杂志的封面;慑人的海绿色双眸，仿佛道尽了阿富汗人民在常年战乱下，所遭受的苦难与恐惧，这张照片业同时深深撼动世人的心。十七年后，战地摄影师史提夫麦凯瑞，凭着这张他当年所拍的照片与些微的线索，前往难民营寻找这位女孩；经由联邦调查局的虹膜对比分析及面部辨识技术，阿富汗少女的身份之谜终于解开，她将再度透过深遂的眼神，代表阿富汗同胞向全世界诉说对和平的渴望……（清真书局）

After 30 years of war and a ban on music and dancing under Taliban rule, pop culture is back in Afghanistan. Millions are watching Afghan Star, an American Idol-style vocal competition. You know the drill: thousands audition, a dozen make the finals, then viewers whittle down the roster of contestants until only one is left. But this is more than a glossy copycat show. Music holds special cultural import to Afghans, who have gone decades without art or public performance. So although Afghan Star is entertaining TV first and foremost, it also symbolizes freedom of expression and peace. Voting by cell phone is a novelty to many-their first encounter with the democratic process. When a female competitor dances on stage and drops her headscarf, there's talk of retribution and threats of an honour killing. In Afghanistan, you risk more than YouTube humiliation when you sing; you risk your life.

After 30 years of war and a ban on music and dancing under Taliban rule, pop culture is back in Afghanistan. Millions are watching Afghan Star, an American Idol-style vocal competition. You know the drill: thousands audition, a dozen make the finals, then viewers whittle down the roster of contestants until only one is left. But this is more than a glossy copycat show. Music holds special cultural import to Afghans, who have gone decades without art or public performance. So although Afghan Star is entertaining TV first and foremost, it also symbolizes freedom of expression and peace. Voting by cell phone is a novelty to many-their first encounter with the democratic process. When a female competitor dances on stage and drops her headscarf, there's talk of retribution and threats of an honour killing. In Afghanistan, you risk more than YouTube humiliation when you sing; you risk your life.

Ross Kemp returns to Afghanistan in this sequel to the award-winning and critically acclaimed documentary series Ross Kemp in Afghanistan. Regarded as one of the most significant pieces of television on the conflict so far, Ross Kemp - Return to Afghanistan continues to be an eye-opening account of a soldier's life on Britain's frontline. 　　In the hot summer of 2008 Ross is embedded with British troops in the recently captured town of Musa Qaleh. It's the centre of some of the fiercest fighting of the conflict. Here, in the densely vegetated, claustrophobic green zone the Taliban mount ambush after ambush. Graphic, high definition images capture every moment of each battle as the troops push the Taliban back defending the town from enemy occupation. Off the battlefield the soldiers have time to reflect on their enemy, life as a soldier and losing friends under enemy fire. 　　In the final programme of the series Ross meets the unsung heroes of the conflict, young soldiers who have lost limbs to mine strikes who now face an uncertain future. And, in the winter months of 2009 Ross travels back to Afghanistan, first to Kabul and then onto Kajaki where he joins the Royal Marines on their winter tour.

A filmmaker's investigation into the destruction of giant Buddha statues in Afghanistan. 　　在2001年二月，塔利班政权下令摧毁阿富汗境内所有非伊斯兰的雕像，其中包括已经一千六百年历史的巴米扬山谷Bamiyanvalley巨佛。千餘年来，巴米扬巨佛见证了阿富汗地带的历史变迁，从阿拉伯、波斯、成吉思汗的蒙古大军等，不管历将多少死亡与破坏，没有一个政权大胆地将其毁灭；如今这两尊见证千年历史变迁的巴米扬巨佛被塔利班政权炸毁，之所以让全世界关心政治、历史、宗教的专家学者痛心。 　　曾获奥斯卡最佳纪录片提名的瑞士导演克里斯钦佛瑞Christian Frei，在事件发生后，四度造访巴米扬，并开始拍摄《阿富汗巨佛生死劫》一片。纪录片採取多重叙事手法製作，追溯几世纪前拜访巨佛的中国玄奘大师的脚步，巴米扬巨佛被摧毁及重建过程，如何影响当地居民、阿富汗移民...并将之与自己前往阿富汗的行程并置，全片挑战不同文化、政治观点呈现。 　　曾经应邀来台的导演克里斯钦佛瑞表示：「看待巨佛被毁又重建本就有很多观点和争议，所以才要以多线进行的方式，来以对抗基本教义派非黑即白的绝对态度。 　　《阿富汗巨佛生死劫》这支精彩的纪录片，因为片长的缘故，『观点360°』节目特地安排以两个小时的特集型式，在本季的最后一集(2006/9/22)播出。经过五季65集来自全球各地优秀纪录片，透过来自不同的主题，『观点360°』尽可能的在制式的传媒声音之外，让公视观眾可以看看世界还有许多人事物值得凝视，如今藉由这支《阿富汗巨佛生死劫》划下个完美的句点，也谢谢观眾长时间来的支持及指教，希望未来的日子里，能再次提供更精彩的『观点360°』，与大家见面。

纽约制片动态──阿富汗纪录片，小兵立大功 以军事政治情况，人文背景为题材，一向是美国纪录片的重要类型。尤其是911恐怖攻击事件发生后，许多纪录片都是以中东及阿拉伯世界为背景。而在七年前伊拉克战争爆发之后，数以百计的纪录片以该战事及伊拉克为主题。从2004年到去年，几乎每年日舞影展、翠贝卡影展、及各个独立制片平台都至少有5部的影片是关於伊拉克战争的。许多纪录片工作者拿起轻巧的数位摄影机就千里迢迢前往中东研究、拍摄，只要能够深入当地的政治情况，找到一些具有人道精神的主题及角色，通常就可以刻画出有意思的故事。而因为这类型受到大众关注而成为“显学“，也因此具有某种程度的商业价值。然而，随著伊拉克战争的迈向尾声，阿富汗战争的情势高涨，战争类纪录片的题材渐渐转向，也有愈来愈多电影工作者到阿富汗去”取经“了。这类战争纪录片事实上对美国社会大众的影响力是很深远的。他们长期在当地观察、拍摄，对实际情况的了解比起决定政策的政府官员有过之而无不及。同时，这些纪录片也提供了不同的观点，让不同意见的大众可以多加了解并讨论甚或辩论。这些影片的存在正展现了一个多元及成熟民主的社会。

This two-part series tells the story of the conflict in Afghanistan and asks what has been achieved and whether the British have the will to fight in distant lands again.