本剧是2005年英国和澳大利亚合拍的两集迷你剧，每集九十分钟，改编自真实事件， 讲述了十八世纪末澳洲第一代移民的艰辛逃亡之旅。 　　在澳大利亚新南威尔士殖民地建立之初就不断有囚犯想方设法逃出去，虽说他们普遍没有什么地理知识，甚至都不知道自己究竟身处何处。很多囚犯虽然暂时成功逃离殖民地的定居点，但是从长远来看并算不上成功：有些人因为没有办法在澳大利亚的荒蛮的土地上生存，在饥饿的驱使之下不得不返回定居点，还有些人则永远消失在茫茫原野之上。 　　所有第一批到达澳洲的数百名囚犯当中，目前知道的仅有一人最终成功逃离定居点并返回英国，她就是Mary Bryant。Mary出生于英格兰康沃尔郡，她的逃亡故事比传奇小说还要精彩百倍， 她的丈夫， William Bryant也是同批到达澳洲的一名囚犯，两人在殖民地注册结婚。一七九一年早些时候，他们夫妇二人，带着两个年幼的孩子和另外七名囚犯一起偷了殖民地当局的一艘小船逃走，在随后的六十九天当中，他们成功沿着澳大利亚东海岸航行五千多公里，最终抵达荷兰人控制的帝汶岛（今分属印尼与东帝汶）。 　　然而他们最后真的能顺利回到遥远的故乡吗？

《柯南·奥布莱恩深夜秀》是一部由柯南·奥布莱恩主持的美国深夜脱口秀节目，在1993年至2009年间，在NBC电视台播出了共2725集。节目中包含了各种喜剧素材、名人访谈、音乐表演和喜剧小品。作为NBC深夜秀系列节目的第二代版本，奥布莱恩版《深夜秀》于1993年首播，当时第一代深夜秀主持人大卫·莱特曼转投CBS，开始主持与《今晚秀》打对台的《大卫·莱特曼深夜秀》。2004年，作为签订新合约的一部分，NBC宣布奥布莱恩将于2009年离开《柯南·奥布莱恩深夜秀》，接替杰·雷诺成为《今晚秀》的新任主持人。吉米·法伦则在2009年3月2日开始主持他的版本的《深夜秀》。

BRIAN AND MARGARET, a tv series to be directed by Stephen Frears, is #filming in July.

随着NBC电视台临时撤掉了由柯南·奥布莱恩主持的脱口秀节目《扣扣今夜秀》，他在经历了大肆宣扬的高调之后，最终决定辗转美国的32座城市，进行音乐喜剧节目的巡演活动，单纯的为了磨练自己的表演技巧，可以说经历的是有如魔鬼训练营一样残酷、繁重的舞台表演任务。

In 1960 a young Irish woman named Edna O'Brien wrote a sexually frank debut novel, The Country Girls. She became a literary sensation, writing for The New Yorker, delivering provocative interviews, and authoring screenplays. Her success enraged her writer husband and made her a pariah in her native Ireland, where her books were banned and burned. She would make her home in London, where she conducted numerous love affairs, hosted star-studded parties, and made and lost a fortune. In July 2024, Edna passed away and this film provides a final testimony from her, aged 93, as she reflects upon her extraordinary life for filmmaker Sinéad O'Shea's camera. Granting the director access to her personal journals - read aloud in the film by the Oscar-nominated Irish actress Jessie Buckley - and with additional perspectives offered from Gabriel Byrne, Walter Mosley and an array of renowned writers, Edna does not shy from any subject. Blue Road is as candid, dark, and enchanting as O'Brien's wonderful novels.

An experimental, semi-narrative portrait of the immortal composer, from the ages of seven to twenty, filmed on authentic locations and with the original instruments of the era. Entire soundtrack is composed of Mozart's music. In German with English subtitles.

墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 　　A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. 　　Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. 　　Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. 　　MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......