墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 　　A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. 　　Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. 　　Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. 　　MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 　　A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. 　　Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. 　　Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. 　　MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

娃娃的父母在一次交通事故中双双去世，两人的生前好友朱妈妈收留了孤苦伶仃的娃娃，初来乍到的娃娃带着她的宠物迷你猪芭乐，它是她最好的朋友和心灵的慰藉。娃娃和芭乐的到来在朱妈妈家上下引起了不小的骚动，朱妈妈带娃娃十分亲切，将她视作是自己的亲生孩子。 　　娃娃就连上学也带着芭乐，这给学校带来了困扰，却也令校园里增添了快乐。娃娃结识了一群侠肝义胆的好朋友们，某日，芭乐走丢了，心急如焚的娃娃决定独自踏上寻找芭乐的旅途。娃娃的哥哥朱皮带来了自己的一干好友协助娃娃，一群小伙伴笑笑闹闹的上路了，在路上等待着他们的会是什么呢？

娃娃是来自山地的一个小女孩，活泼可爱。由于父母亡故，举目无亲，遂由亲友把她送到台北交给其父母生前挚友朱妈妈照顾。由于生活环境的差异及生活习惯的不同，娃娃和她的玩伴迷你猪芭乐初到台北就给朱家上下的生活带来了极大的变化且惹出一连串的惊险趣事。朱家对娃娃疼爱有加视如己出，对待芭乐亦是尽其能事地照料；朱家独子——朱皮每天陪着娃娃上下学，由于娃娃一窍不通带着芭乐作伴，给学校增加了许多困扰及骚动。朱皮有几位要好的同班同学，他们是搞怪、廖多、廖豪、蓝天使、肉粽等，这些同学，一个比一个调皮，平时他们除了一起上课之外，剩下的时间总是在一起打闹嬉戏，当他们得知朱皮突然又多了一位妹妹和芭乐迷你猪时，他们的生活变得列多采多姿起来。一天，朱爸爸带芭乐上班，不小心将它遗失了，娃娃得知芭乐走失的消息，心里非常难过，他决心离家寻找芭乐，朱皮为了帮助娃娃，乃号召死党陪娃娃外出寻找芭乐，一群小孩遂展开了一场令人既兴奋，又担心的寻猪旅程。

基本信息 　　剧名：大娃娃小娃娃 　　集数：25 　　题材：现代儿童 　　出品：鲁商传媒集团（山东）文化产业有限公司 　　娃娃文化传媒有限公司 　　刚刚从舞蹈专业本科毕业的女大学生小雪，在陪同闺蜜笑笑去幼儿园面试时，受到孩子的喜欢，幼儿园园长因此希望小雪来幼儿园做老师，一向喜欢孩子的小雪也动了心。三个月的实习期中，小雪分别照顾了大班、小班、中班的孩子们，用日记记录了和孩子在一起的欢声笑语，也成功挑战了一个又一个工作，以及感情上遇到的困难，最终迎来了实习期的圆满结束，并被幼儿园录用，成为正式员工。 　　演员表： 　　张明：张一山 　　马亮：尤浩然 　　笑笑：郭静文

暂无简介

暂无简介

本片讲述的是三位主人公，因为神秘的“抹大拉的玛丽亚”而相互认识的故事。声名狼藉的导演托尼正在拍摄一部关于耶稣的电影，这部电影极端地描写了教士们的阴暗和狠毒，所以在上映的时候备受指责。电影中的女主人公玛丽在扮演完抺大拉的玛丽之后，被这个角色所感染，并前往耶路撒冷开始了一段启迪灵魂之路。同时在纽约，一个叫泰德的电视记者正在准备一支探索耶稣精神的纪录片。这三个人物的命运就戏剧性地走到了一起。