该片根据村田真优的同名漫画改编，讲述帅气不良少年与害羞女孩的酸甜恋爱故事。内向而不善表达的羽花，初中时期甚至被戏称作“石头”，这令她忘了什么是哭和笑。但她一直憧憬着偶然遇见的柠檬发色的男生三浦，而选择和他进入了同所高中。但是……用你的魔法，改变我的世界——如汽水般甜蜜奔放的青春，就此展开。

该片根据村田真优的同名漫画改编，讲述帅气不良少年与害羞女孩的酸甜恋爱故事。内向而不善表达的羽花，初中时期甚至被戏称作“石头”，这令她忘了什么是哭和笑。但她一直憧憬着偶然遇见的柠檬发色的男生三浦，而选择和他进入了同所高中。但是……用你的魔法，改变我的世界——如汽水般甜蜜奔放的青春，就此展开。

累计发行量突破1300万册的少女漫画 青春恋爱故事金字塔「蜂蜜柠檬苏打」终于迎来动画化！ 这份恋情会将你改变 初中时期被称作“石头”的石森羽花， 为了改变自己，进入了校风自由的八美津高中。 同班并且同桌的人，是拥有柠檬色头发的， 英俊又自由奔放的「柠檬苏打男生」三浦界。 其实羽花在初中时期与界见过一面，并以对方的一句话为契机，决定了自己要上的高中。 对羽花来说，界身为人气王是遥不可及的存在。 但不知为何，界却开始关照起了羽花。 因为界的支持，羽花逐渐融入了班级，但是…… 羽花的世界，因为界的存在而逐渐发生改变――― 在无边无际的光芒正中央，现在，我就在这里

一部以西部风情为题材且妙趣横生的意大利卡通片，传统的美国西部的模仿。 　　一个年轻人来到了一个小镇，喜欢上了一个漂亮的姑娘，然后发生了一系列的事情。 　　入列英国《视与听》杂志评选的电影史上被忽略的75部佳作榜单。

墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 　　A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. 　　Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. 　　Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. 　　MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

迪亚娜·库里导演首作，具有强烈的自传性质，讲一个12岁女孩跟她15岁姐姐在1963年秋天开始发生的故事。这一年，姐妹俩刚刚跟父亲从海边避暑回来，跟已经离婚的母亲在巴黎共同生活。开学之后，姐姐面对她的第一次真正恋爱，跟年长的男人也有了亲吻的经历，友情也因为价值观的矛盾而生变。而妹妹面对的是另一些问题，例如第一次跟男孩子说话，对抗不公平的老师，陪不开心的母亲修理东西等。