墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 　　A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. 　　Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. 　　Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. 　　MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......

李梦觉和谢景殊分别收到鹿溪儿和景晏送来的一封密信，任务虽均是要求夺取海波图，但谢景殊的密信要求其诛杀持图者，李梦觉则是活捉。竹林里，李梦觉率先夺图，谢景殊得知图已被夺便展开追踪。谢景殊发现黑衣人，本欲杀之，李梦觉为活捉黑衣人阻拦了谢景殊的飞箭，谢景殊因此将其误认为贼党同伙出手。李梦觉受伤后回想起一个月前的事，当时李梦觉为人追杀，躲入花朝楼。谢景殊发现后不惜以身犯险搭救。躲在巷中的谢景殊认出李梦觉是自己牵挂多时一见钟情的心上人，于是他有意挽留，两人遂达成一致，谢景殊借口需要成亲拒绝身边莺莺燕燕，设法将李梦觉留在身边，李梦觉亦为躲避仇家借机避险谢府。二人约定以百日为期，百日期满后，两人便再无瓜葛。

李梦觉和谢景殊分别收到鹿溪儿和景晏送来的一封密信，任务虽均是要求夺取海波图，但谢景殊的密信要求其诛杀持图者，李梦觉则是活捉。竹林里，李梦觉率先夺图，谢景殊得知图已被夺便展开追踪。谢景殊发现黑衣人，本欲杀之，李梦觉为活捉黑衣人阻拦了谢景殊的飞箭，谢景殊因此将其误认为贼党同伙出手。李梦觉受伤后回想起一个月前的事，当时李梦觉为人追杀，躲入花朝楼。谢景殊发现后不惜以身犯险搭救。躲在巷中的谢景殊认出李梦觉是自己牵挂多时一见钟情的心上人，于是他有意挽留，两人遂达成一致，谢景殊借口需要成亲拒绝身边莺莺燕燕，设法将李梦觉留在身边，李梦觉亦为躲避仇家借机避险谢府。二人约定以百日为期，百日期满后，两人便再无瓜葛。

In the spring of 2005, an old mother living in Hanoi receives a diary. The diary carries the notes of a young woman doctor who worked at a national liberation front hospital for two years starting in 1968 until her death. The diary was first discovered by a US military officer, who kept it for 35 years. The diary was then published in Vietnam and caused a sensation. The long moving journey linking Vietnam with the US is depicted through a true story adapted by Dan Nyat Minh, one of Vietnam's top film directors. Written by Fukuoka International Film Festival

末世顶级大佬风浅浅，因为世界毁灭，在系统的帮助下，穿到一本古早玛丽苏漫画中，成为被所有人狂虐，最后被四个男主喜欢上的女主。风浅浅表示，这样的剧情走不了一点，她可以接受四个出身顶级贵族的男主，但受虐，不存在的。按照剧情规定，风浅浅成为F4公寓的管家，料理四个男主的衣食住行，也开启了她的驯狗文学。