十二年来，玛丽塞拉和伊莱夫妇一直在美国和墨西哥边境的沙漠中漫游，他们的目标是寻找在徒步穿越时不幸遇难的移民遗体，并将其归还给家人。美墨边境线西部的索诺拉沙漠，长期充当非法移民的“走线”通道，尽管近年来美国的边境墙亦延伸至此，但仍挡不住以生命为赌注的人们。这部纪录片从搜救志愿者的视角，揭露美墨边境非法移民的现状。我们将跟随片中主人公的经历，透过日益增多的搜救请求和他们精神上的无力疲惫，直面这场看不到尽头的灾难。

十二年来，玛丽塞拉和伊莱夫妇一直在美国和墨西哥边境的沙漠中漫游，他们的目标是寻找在徒步穿越时不幸遇难的移民遗体，并将其归还给家人。美墨边境线西部的索诺拉沙漠，长期充当非法移民的“走线”通道，尽管近年来美国的边境墙亦延伸至此，但仍挡不住以生命为赌注的人们。这部纪录片从搜救志愿者的视角，揭露美墨边境非法移民的现状。我们将跟随片中主人公的经历，透过日益增多的搜救请求和他们精神上的无力疲惫，直面这场看不到尽头的灾难。

苏白玉原名苏枕月，和墨君彦是青梅竹马，墨君彦曾经在苏白玉母亲坟前承诺，会守护苏白玉一辈子。后来苏白玉出国留学，与墨君彦网恋十年。苏白玉在国外出车祸毁容后换了容貌，回国后怀了墨君彦的孩子，却在陈娇娇的陷害下，墨君彦不再相信苏白玉就是苏枕月，导致身患癌症的苏白玉怀孕死去，墨君彦知道真相后悔莫及。

女主：圆圆，男主：莫谨言。莫谨言携商业帝国强势归来，逼迫女主圆圆成为贴身女仆。他的未婚妻苏静暗中设局，妄图操控这段关系。朝夕相处间，圆圆逐渐被莫谨言的体贴入微所打动，他熟知她的每一个喜好。当爱情萌芽时，阴谋却悄然逼近。在各方势力的算计下，这段感情终究难逃悲剧收场。

高中一年级的白石纯太， 是一个零存在感的“路人”男生。 同班的“女主角级”美少女·久保同学居然是唯一能找到他的人，并且总是戏弄他。 无法成为特别存在的“路人”男生，和出现在他面前的“女主角”女生。 在教室的一角，青春的色彩开始逐渐丰富——。 无论是谁，都可以成为某个人“特别”的存在。但是这份感情对尚且稚嫩的两人来说，还不能被称为“爱”。 距离“恋爱喜剧”两步之遥，女主角女生×路人男生的青春期甜蜜喜剧拉开序幕。

墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 　　A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. 　　Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. 　　Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. 　　MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......