影片原名叫《玛拉与小孩、麦克风和饥饿的撒旦》。电影的主人公是一个拥有一支麦克风的小男孩。他游走于曼谷不同地方来搜集录像所需的声音。拍摄期间，声音成为了指向他下一个目的地的元素，同时也展示了小男孩的兴趣所在。导演负责影像的拍摄，而拍摄完全取决于小男孩的位置。影片的文字叙述来自于一本在拍摄现场发现的泰国连环画。

影片原名叫《玛拉与小孩、麦克风和饥饿的撒旦》。电影的主人公是一个拥有一支麦克风的小男孩。他游走于曼谷不同地方来搜集录像所需的声音。拍摄期间，声音成为了指向他下一个目的地的元素，同时也展示了小男孩的兴趣所在。导演负责影像的拍摄，而拍摄完全取决于小男孩的位置。影片的文字叙述来自于一本在拍摄现场发现的泰国连环画。

Lumière Film Catalog no. 144

影片故事讲述犯罪心理学家凯特(欧嘉·柯瑞兰寇饰)被指控在她睡梦期间谋杀了自己丈夫，而唯一的目击者是他们年仅八岁的女儿。然而当凯特挖掘出深入睡梦的古老面纱后，她更是经历此前受害者经历过的状况，一些恐怖即将袭来。

影片故事讲述犯罪心理学家凯特(欧嘉·柯瑞兰寇饰)被指控在她睡梦期间谋杀了自己丈夫，而唯一的目击者是他们年仅八岁的女儿。然而当凯特挖掘出深入睡梦的古老面纱后，她更是经历此前受害者经历过的状况，一些恐怖即将袭来。

15岁的塔玛拉被她的圆润身材所困扰，在进入二年级时，她决定摆脱她的“肥胖”标签。她和她最好的朋友打赌，她会和第一个从教室门口经过的男孩约会。不幸的是，这个男孩竟然是迭戈，学校里最漂亮的人。对塔玛拉来说，赌注变得复杂了。塔玛拉将迎来难忘的一年！

15岁的塔玛拉被她的圆润身材所困扰，在进入二年级时，她决定摆脱她的“肥胖”标签。她和她最好的朋友打赌，她会和第一个从教室门口经过的男孩约会。不幸的是，这个男孩竟然是迭戈，学校里最漂亮的人。对塔玛拉来说，赌注变得复杂了。塔玛拉将迎来难忘的一年！

塔玛拉，一个不太引人注意的女孩，死而复活后被她的同事选中，作为一个性感的风尘女子去实施报复。

Taratoa Stappard’s brooding debut feature plunges us into the dour moors of 1859 North Yorkshire, where the British Empire’s reach casts long and twisted shadows. Mary Stevens (Ariāna Osborne), a young Māori teacher from Aotearoa (New Zealand), arrives in search of family truths, only to find the man who summoned her already dead and no clear path home. 　　Stranded in an unfamiliar and unwelcoming land, Mary accepts work at Hawkser Manor under the seemingly benevolent Sir Nathaniel Cole (Toby Stephens), a wealthy landowner who made his fortune as a South Seas whaler. But within the manor’s cold stone walls — where stolen Māori taonga line the shelves and ancestral whispers echo through dark corridors — Mary’s unease curdles into dread. 　　Haunted by visions and memories that are not her own, she begins to unravel a horrifying truth. As the sinister nature of Cole’s intentions comes into focus, Mārama transforms into a blood-tinged reckoning that never shies from the grotesque. What begins as a search for identity becomes a fight for freedom, dignity, and spiritual survival.

Taratoa Stappard’s brooding debut feature plunges us into the dour moors of 1859 North Yorkshire, where the British Empire’s reach casts long and twisted shadows. Mary Stevens (Ariāna Osborne), a young Māori teacher from Aotearoa (New Zealand), arrives in search of family truths, only to find the man who summoned her already dead and no clear path home. 　　Stranded in an unfamiliar and unwelcoming land, Mary accepts work at Hawkser Manor under the seemingly benevolent Sir Nathaniel Cole (Toby Stephens), a wealthy landowner who made his fortune as a South Seas whaler. But within the manor’s cold stone walls — where stolen Māori taonga line the shelves and ancestral whispers echo through dark corridors — Mary’s unease curdles into dread. 　　Haunted by visions and memories that are not her own, she begins to unravel a horrifying truth. As the sinister nature of Cole’s intentions comes into focus, Mārama transforms into a blood-tinged reckoning that never shies from the grotesque. What begins as a search for identity becomes a fight for freedom, dignity, and spiritual survival.