影片描写迦本在杀了他的情妇后，从水路乘船偷渡来到意大利；他到达热那亚后，证件和钱被当地小偷洗劫一空，他在寻找牙医时，偶尔结识了一个小女孩，后来又认识了她的母亲，而且两人互相吸引。女儿对母亲产生妒忌，但更大的麻烦是警察也追来了…… 　　影片是导演雷内·克莱芒以战后意大利新现实主义风格和法国的浪漫情调相结合的尝试之作；影片问世后，得到多方面的肯定，获第3届戛纳电影节最佳导演、女主角奖，在1951年的奥斯卡颁奖中又获得了特别荣誉（外语片）奖。但随着时光的流逝，影片被人们渐渐的遗忘了。

影片描写迦本在杀了他的情妇后，从水路乘船偷渡来到意大利；他到达热那亚后，证件和钱被当地小偷洗劫一空，他在寻找牙医时，偶尔结识了一个小女孩，后来又认识了她的母亲，而且两人互相吸引。女儿对母亲产生妒忌，但更大的麻烦是警察也追来了…… 　　影片是导演雷内·克莱芒以战后意大利新现实主义风格和法国的浪漫情调相结合的尝试之作；影片问世后，得到多方面的肯定，获第3届戛纳电影节最佳导演、女主角奖，在1951年的奥斯卡颁奖中又获得了特别荣誉（外语片）奖。但随着时光的流逝，影片被人们渐渐的遗忘了。

影片故事讲述犯罪心理学家凯特(欧嘉·柯瑞兰寇饰)被指控在她睡梦期间谋杀了自己丈夫，而唯一的目击者是他们年仅八岁的女儿。然而当凯特挖掘出深入睡梦的古老面纱后，她更是经历此前受害者经历过的状况，一些恐怖即将袭来。

影片故事讲述犯罪心理学家凯特(欧嘉·柯瑞兰寇饰)被指控在她睡梦期间谋杀了自己丈夫，而唯一的目击者是他们年仅八岁的女儿。然而当凯特挖掘出深入睡梦的古老面纱后，她更是经历此前受害者经历过的状况，一些恐怖即将袭来。

15岁的塔玛拉被她的圆润身材所困扰，在进入二年级时，她决定摆脱她的“肥胖”标签。她和她最好的朋友打赌，她会和第一个从教室门口经过的男孩约会。不幸的是，这个男孩竟然是迭戈，学校里最漂亮的人。对塔玛拉来说，赌注变得复杂了。塔玛拉将迎来难忘的一年！

15岁的塔玛拉被她的圆润身材所困扰，在进入二年级时，她决定摆脱她的“肥胖”标签。她和她最好的朋友打赌，她会和第一个从教室门口经过的男孩约会。不幸的是，这个男孩竟然是迭戈，学校里最漂亮的人。对塔玛拉来说，赌注变得复杂了。塔玛拉将迎来难忘的一年！

塔玛拉，一个不太引人注意的女孩，死而复活后被她的同事选中，作为一个性感的风尘女子去实施报复。

Taratoa Stappard’s brooding debut feature plunges us into the dour moors of 1859 North Yorkshire, where the British Empire’s reach casts long and twisted shadows. Mary Stevens (Ariāna Osborne), a young Māori teacher from Aotearoa (New Zealand), arrives in search of family truths, only to find the man who summoned her already dead and no clear path home. 　　Stranded in an unfamiliar and unwelcoming land, Mary accepts work at Hawkser Manor under the seemingly benevolent Sir Nathaniel Cole (Toby Stephens), a wealthy landowner who made his fortune as a South Seas whaler. But within the manor’s cold stone walls — where stolen Māori taonga line the shelves and ancestral whispers echo through dark corridors — Mary’s unease curdles into dread. 　　Haunted by visions and memories that are not her own, she begins to unravel a horrifying truth. As the sinister nature of Cole’s intentions comes into focus, Mārama transforms into a blood-tinged reckoning that never shies from the grotesque. What begins as a search for identity becomes a fight for freedom, dignity, and spiritual survival.

Taratoa Stappard’s brooding debut feature plunges us into the dour moors of 1859 North Yorkshire, where the British Empire’s reach casts long and twisted shadows. Mary Stevens (Ariāna Osborne), a young Māori teacher from Aotearoa (New Zealand), arrives in search of family truths, only to find the man who summoned her already dead and no clear path home. 　　Stranded in an unfamiliar and unwelcoming land, Mary accepts work at Hawkser Manor under the seemingly benevolent Sir Nathaniel Cole (Toby Stephens), a wealthy landowner who made his fortune as a South Seas whaler. But within the manor’s cold stone walls — where stolen Māori taonga line the shelves and ancestral whispers echo through dark corridors — Mary’s unease curdles into dread. 　　Haunted by visions and memories that are not her own, she begins to unravel a horrifying truth. As the sinister nature of Cole’s intentions comes into focus, Mārama transforms into a blood-tinged reckoning that never shies from the grotesque. What begins as a search for identity becomes a fight for freedom, dignity, and spiritual survival.

宁静乡间，博里与德米特过着平静生活，直到德米特的兄弟带着神秘女孩特玛拉突然造访——她的到来彻底撕裂了这对夫妻的安宁。