迪恩（威尔 史密斯 Will Smith 饰）是一个家庭生活和美、前途一片光明的黑人执业律师。圣诞节前夕，迪恩遇到了一位久未谋面的朋友。从此，迪恩的生活发生了天翻地覆的变化。　　原来这位友人将一张记录了某个位高权重的人谋杀国会议员整个过程的光盘放进了迪恩的袋子！可怜的迪恩在毫不知情的情况下，被NSA中的害群之马严密监视，并被施加了各种各样的压力，甚至无端遭到了谋杀前女友雷切尔的起诉。　　迪恩迫于无奈之下，只得只身展开了逃亡、追查幕后真凶之路。

1848, Paris under Siege: Victor Hugo is torn between his family, his mistresses and political turmoil - never mind finally completing his classic novel Les Miserables. Although Hugo is a confirmed Royalist, he supports the Republic and Louis Napoléon Bonaparte, who is soon to become president, convinced that he will initiate social reforms. But when the new government is formed and Hugo is overlooked for office, he realizes that he has been used. Furious at the deception, he and his sons launch a daily newspaper to give the people a voice. Nor is it less chaotic on the home front, as he is juggling his love life between two mistresses and his long-suffering wife and mother of his children. When Napoléon seizes power and his sons are jailed for insurrection, Hugo insists that his wife and daughter leave Paris, where he remains, devoting himself wholeheartedly to the resistance. Openly denouncing repression, he is declared Enemy of the State and has to face disgrace and exile.

Dan Duryea and his cronies rob a fake spiritualist and then take it on the lam to Atlantic City.

卡利在格林兰东部的塔西伊拉克镇展开了一场紧张的寻找，决心找到他失踪的雪橇犬。在与一群年轻恶霸的冲突后，他找回了狗，但却面临失去唯一朋友的风险。

卡利在格林兰东部的塔西伊拉克镇展开了一场紧张的寻找，决心找到他失踪的雪橇犬。在与一群年轻恶霸的冲突后，他找回了狗，但却面临失去唯一朋友的风险。

IMDB：Joe, who is busy running an old roadside petrol station, decides to take a break and have a beer. His efforts at enjoying his beer fail because someone is robbing him right under his nose. 加油站大叔遇到失去了啤酒，获得了……

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face... 　　Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught. 　　The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence. 　　This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.

男爵遭到了歹徒的绑架，绑匪向男爵夫人卡洛琳（奥黛丽·赫本 Audrey Hepburn 饰）索要赎金，要求卡洛琳将三只价值连城的复活节蛋带给他们。为了解救丈夫，聪明伶俐的卡洛琳设计从旧金山博物馆中顺利的偷到了彩蛋，坐上了前往拉丁美洲拉德拉市的飞机。 　　卡洛琳要去寻找一个名叫麦克（罗伯特·瓦格纳 Robert Wagner 饰）的男人，这是她的接头人。她一直以为麦克是绑匪中的一份子，然而，当卡洛琳遭到了陌生人的袭击，而麦克出面将她救了下来之后，卡洛琳才明白，麦克是清白的。之后，卡洛琳和麦克双双被墨西哥土匪俘虏了，这终将是一段不太平的旅途。

一位充满热情却缺乏天赋的艺术家从当地博物馆偷走了一幅画，随后卷入了现代史上最大的艺术品盗窃案。灵感来自真实事件。