巴西影史最佳超现实主义电影之一，与Joaquim Pedro de Andrade的《Macunaima》不相上下，更值得一提的是这么NB的无政府主义电影居然出自一个女导演之手，那个时代巴西的女导演还真不多见，Ana Carolina属于巴西新浪潮一代中的特例了，此片又是由我最爱的巴西女星Norma Bengell主演的。找这片已经很久了，今日终于拿到。。。：D 　　http://www.ejumpcut.org/archive/onlinessays/JC22folder/BrazilFilmUpdate.html 　　Anarchist film with surrealistic touches, fine actors and delightfully wacky dialog.A Weird and Surrealistic Dramatic Story. 　　Ana Carolina surprised everybody when, after many documentary shorts and a hit documentary feature about Brazilian dictator Getúlio Vargas, she jumped into anarchist, surrealist crazy drama/black comedy with her first fiction film "Mar de Rosas". A non-sequitur, iconoclast portrait of middle-class family life, her protagonist Betinha (Cristina Pereira, perfectly cast) is a sort of teenage Mafalda (Quino's comic book anti-heroine): rambunctious, naughty, irrepressible, eager to be evil. She's on the run with her mother Felicidade (Norma Bengell, returning to Brazilian films after a long sojourn in European cinema and theater), who has killed husband Sergio (Hugo Carvana) in a hotel bathroom. Betinha and Felicidade are followed by suspicious character Bardi (Otávio Augusto) and, after terrible "accidents" -- Betinha sets fire on her mother at a gas station, Felicidade is hit by a bus while trying to escape from Bardi -- the 3 of them end up being "helped" by wacky couple Dirceu (Ary Fontoura) and Niobi (hilarious, wreck-voiced Myriam Muniz). 　　"Mar de Rosas" has some major lulls (especially toward the end) and is technically precarious, but the acting is inspired and, despite being ultimately a tragic film, you'll find yourself cracking with the loony dialog which is rather difficult to translate, as Ana Carolina uses a lot of Brazilian jeux de mots, adages and figures of speech in her trademark style of "free association". "Mar de Rosas" is refreshingly anti-cliché, and its critical and commercial success paved the way to Ana Carolina's very individual oeuvre that combines anti- conformism, feminism and social criticism with a delightful touch of surrealistic (black) humor. 　　The antagonism portrayed in this explosive black comedy makes a dysfunctional family seem like the Brady bunch. Director Ana Carolina has her leads play it straight, allowing the absurdity of their situations to speak for itself. Felicidade (Norma Benguel) has just slashed her husband with a razor blade in a violent argument, and she and her offensive daughter (Cristina Pereira) run away together. They are caught by Orlande (Otavio Augusto) who was sent out after them by the injured husband. Instead of bringing them back, Orlande takes off with them and a series of misadventures results. Long periods of dialogue are well-written and maintain interest in this maladjusted trio.

巴西影史最佳超现实主义电影之一，与Joaquim Pedro de Andrade的《Macunaima》不相上下，更值得一提的是这么NB的无政府主义电影居然出自一个女导演之手，那个时代巴西的女导演还真不多见，Ana Carolina属于巴西新浪潮一代中的特例了，此片又是由我最爱的巴西女星Norma Bengell主演的。找这片已经很久了，今日终于拿到。。。：D 　　http://www.ejumpcut.org/archive/onlinessays/JC22folder/BrazilFilmUpdate.html 　　Anarchist film with surrealistic touches, fine actors and delightfully wacky dialog.A Weird and Surrealistic Dramatic Story. 　　Ana Carolina surprised everybody when, after many documentary shorts and a hit documentary feature about Brazilian dictator Getúlio Vargas, she jumped into anarchist, surrealist crazy drama/black comedy with her first fiction film "Mar de Rosas". A non-sequitur, iconoclast portrait of middle-class family life, her protagonist Betinha (Cristina Pereira, perfectly cast) is a sort of teenage Mafalda (Quino's comic book anti-heroine): rambunctious, naughty, irrepressible, eager to be evil. She's on the run with her mother Felicidade (Norma Bengell, returning to Brazilian films after a long sojourn in European cinema and theater), who has killed husband Sergio (Hugo Carvana) in a hotel bathroom. Betinha and Felicidade are followed by suspicious character Bardi (Otávio Augusto) and, after terrible "accidents" -- Betinha sets fire on her mother at a gas station, Felicidade is hit by a bus while trying to escape from Bardi -- the 3 of them end up being "helped" by wacky couple Dirceu (Ary Fontoura) and Niobi (hilarious, wreck-voiced Myriam Muniz). 　　"Mar de Rosas" has some major lulls (especially toward the end) and is technically precarious, but the acting is inspired and, despite being ultimately a tragic film, you'll find yourself cracking with the loony dialog which is rather difficult to translate, as Ana Carolina uses a lot of Brazilian jeux de mots, adages and figures of speech in her trademark style of "free association". "Mar de Rosas" is refreshingly anti-cliché, and its critical and commercial success paved the way to Ana Carolina's very individual oeuvre that combines anti- conformism, feminism and social criticism with a delightful touch of surrealistic (black) humor. 　　The antagonism portrayed in this explosive black comedy makes a dysfunctional family seem like the Brady bunch. Director Ana Carolina has her leads play it straight, allowing the absurdity of their situations to speak for itself. Felicidade (Norma Benguel) has just slashed her husband with a razor blade in a violent argument, and she and her offensive daughter (Cristina Pereira) run away together. They are caught by Orlande (Otavio Augusto) who was sent out after them by the injured husband. Instead of bringing them back, Orlande takes off with them and a series of misadventures results. Long periods of dialogue are well-written and maintain interest in this maladjusted trio.

In a forest in the mountains, a little girl makes a mysterious encounter.

In a forest in the mountains, a little girl makes a mysterious encounter.

故事聚焦在一位母亲的身上。一次在外游玩的过程中，她的孩子和丈夫被黑帮悉数杀害。原本遵纪守法的她希望借助于法律的力量制裁这些罪犯，但整个城市的警察和司法系统已经完全腐败。最后，这位失去一切的母亲，只好自己拿起了枪和武器，展开了复仇。

莱莉（珍妮弗·加纳饰）作为三口之家的女主，本来就该幸福快乐的和丈夫女儿一同度过天伦之乐。但现实却极其残酷甚至血腥。正当一家三口在游乐园享受难得…

南桑宁在一系列的作死行为下，成为了病娇反派江佑安的掌中雀，两人同归于尽后，南桑宁意外获得了无限重生系统，得到了自我救赎的机会。与此同时，她拥有一个神奇的能力——看到江佑安头上的数字。每当这个数字变成100后，江佑安就会和她同归于尽。为了活下去，南桑宁不得不踏上漫漫拯救反派大佬之路。

老任独自坐在村边的大水坑旁，享受着钓鱼的乐趣，不料却意外感知到水下有一个巨大的黑影掠过，瞬间激起了他的好奇心与探险欲。[老任内心独白：“就等你上钩了！”] 然而，当一条看似普通实则力量惊人的大鱼猛然上钩，不仅拉断了老任的鱼竿，还让他与大海共同踏上了一场惊心动魄的捕鱼之旅

11岁的男孩小杰（于坤杰 饰）自幼便和经营公路旅店的大舅（孙心福 饰）一家共同生活。小杰为了完成学校作业——制作一副“大海”主题剪贴画，渴望得到一本《海洋百科》图书。表姐（李蔓瑄 饰）原本答应为弟弟买书，然而大舅突遭车祸，真凶拒不赔偿，全家陷入麻烦之中。 小杰不忍为家人再添烦忧，决心通过自己努力得到图书。他穿行在城镇和乡村之间，游荡在现实与幻想边缘，少年与海的秘密翻涌浮现……

11岁的男孩小杰（于坤杰 饰）自幼便和经营公路旅店的大舅（孙心福 饰）一家共同生活。小杰为了完成学校作业——制作一副“大海”主题剪贴画，渴望得到一本《海洋百科》图书。表姐（李蔓瑄 饰）原本答应为弟弟买书，然而大舅突遭车祸，真凶拒不赔偿，全家陷入麻烦之中。 小杰不忍为家人再添烦忧，决心通过自己努力得到图书。他穿行在城镇和乡村之间，游荡在现实与幻想边缘，少年与海的秘密翻涌浮现……