The vast, unspoiled Valley of the Wild Roses, in the Canadian Rocky Mountains, is the scenery for separate stories of Western life, family drama and romance. People arrive, leave, return in search of love(rs), riches, redemption, revenge...

孙泰镇、申成、闵秀贤、Enok在江原道旌善经营民宿。 　　30日MBN方面表示:"去年孙泰镇-申成-闵秀贤-Enok出演的《玫瑰花开时》将以第二季《欢迎来到玫瑰谷》回归","将于6月4日晚9点10分首播" 　　《欢迎来到玫瑰谷》是给来到"燃烧的韩国演歌 Man"四人帮山清水秀的玫瑰谷的故事者们带来心动特别回忆的治愈民宿综艺节目。 　　韩国演歌 Man们不仅用细腻的手艺准备了三顿饭,还公开了亲自跑来寻找的隐藏的热门场所等,传达了在24小时都不到的玫瑰谷忙碌的日常生活。 　　通过第一季《玫瑰花开时》辗转全国各地与粉丝见面的孙泰镇、申成、Enok从第二季开始与作为固定成员加入的闵秀贤一起变身为民宿知己,开启了世界上唯一的韩国演歌 Man4人帮的治愈民宿。

孙泰镇、申成、闵秀贤、Enok在江原道旌善经营民宿。30日MBN方面透露，去年孙泰镇、申成、闵秀贤、Enok出演的《玫瑰花开时》将以第二季《欢迎来到玫瑰谷》回归，该剧将于6月4日晚9点10分首播。 《欢迎来到玫瑰谷》是一档治愈系民宿综艺节目，讲述了“燃烧的韩国演歌男士”四人帮在风景秀丽的玫瑰谷，为前来的故事讲述者们留下心动特别回忆的故事。韩国演歌男士们不仅用精湛的厨艺准备三餐，还分享亲自探寻到的小众热门景点，展现了在不到24小时的玫瑰谷里忙碌的日常生活。在第一季《玫瑰花开时》中辗转各地与粉丝见面的孙泰镇、申成、Enok，从第二季起与新加入的固定成员闵秀贤一起，变身为民宿行家，开启了独一无二的韩国演歌男士四人帮的治愈民宿之旅。

叁叁是一位居住在上海的苗族女孩，热爱写诗、绘画等各种艺术形式。她长期患有抑郁症，在疫情的末期，她萌生了给自己举办葬礼的念头。然而，就在她开始整理自己的遗物时，奶奶却突然离世。在回到贵州凯里的老家参加奶奶葬礼，并筹备自己葬礼的过程中，叁叁陷入了抑郁症复发，原生家庭创伤重现 ，以及现实与梦想两难全的困境。 　　San, a young Miao woman residing in Shanghai, immerses herself deeply in poetry, painting, and various forms of art. She has wrestled with depression for an extended period. As the post-pandemic era approached, San briefly entertained a provocative idea: the concept of orchestrating her own funeral. However, just as she started sorting through her belongings, her grandmother passed away unexpectedly. Upon returning to her hometown in Kaili, Guizhou, to attend her grandmother's funeral and make arrangements for her own, San found herself in a dilemma of relapsed depression, resurfacing family traumas, and the conflict between reality and dreams. 　　入围西宁first电影节纪录片实验室 　　入围CNEX社会影响力工作坊

雨宫家老父亲（奥村公延 饰）因病去世，正在外地拍广告的女儿千鹤子（宫本信子 饰）和女婿井上佗助（山崎努 饰）带着两个儿子连忙赶回老家奔丧。虽然有葬礼负责人海老原（江户家猫八 饰）的帮助，但佗助夫妇仍需临时抱佛脚，学习葬礼礼仪。三天的葬礼，品味生死百态，万般不舍与依恋，俱化作火葬场上空的一缕轻烟…… 　　本片荣获1984年日本学院奖最优秀作品、最佳导演、最佳男主角、最佳剧本和最佳女配角多项大奖，及1985年蓝丝带最佳导演和最佳男主角奖。

雨宫家老父亲（奥村公延 饰）因病去世，正在外地拍广告的女儿千鹤子（宫本信子 饰）和女婿井上佗助（山崎努 饰）带着两个儿子连忙赶回老家奔丧。虽然有葬礼负责人海老原（江户家猫八 饰）的帮助，但佗助夫妇仍需临时抱佛脚，学习葬礼礼仪。三天的葬礼，品味生死百态，万般不舍与依恋，俱化作火葬场上空的一缕轻烟…… 　　本片荣获1984年日本学院奖最优秀作品、最佳导演、最佳男主角、最佳剧本和最佳女配角多项大奖，及1985年蓝丝带最佳导演和最佳男主角奖。

在南印度的一个偏远村庄，101岁的Century Gowda去世了，他的三代子孙们有着不同的反应。儿子Gadappa是一位老头子，总是抽着便宜的烟，喝着白兰地，每天无所事事地穿梭在田野间；同时孙子Thamanna是个见钱眼开的小贩，筹划着非法卖掉Century Gowda的五英亩地；曾孙Abhi是个阳光自信的青年，不屈不挠地追求着一个牧羊女孩。三条故事线索交织着，聚合在Century Gowda死后第十一天的葬礼上。

The heroine of this drama about injustice during the collectivization of the Czech countryside is a proud widow, who arranges a magnifi cent funeral for her recently deceased husband. The funeral ceremony for this honourable farmer who had resisted the state-sanctioned liquidation of farmers and landholders is transformed into a manifestation of resistance against the Communist overlords. This story of the struggle against injustice was based on a novel by the dissident writer Eva KantÛrková, whose official publication was also prohibited during “normalization”. Sirov˘’s best film has the outline of a Classical tragedy and is framed by suggestive shots of the countryside. The film’s long-delayed premiere in 1990 was broadcast on television and attended by President Václav Havel. During “normalization” the director Zdenek Sirov˘ (1932-1995) primarily made his living doing film dubbing. He did make a number of quite ordinary adventure films and after the fall of Communism he shot an adaptation of the popular satire The Black Barons about conditions in the Communist military in the 1950s. During the final years of his life, cut short by disease, he was a respected teacher at Prague’s Film and TV School of the Academy of Performing Arts.

The heroine of this drama about injustice during the collectivization of the Czech countryside is a proud widow, who arranges a magnifi cent funeral for her recently deceased husband. The funeral ceremony for this honourable farmer who had resisted the state-sanctioned liquidation of farmers and landholders is transformed into a manifestation of resistance against the Communist overlords. This story of the struggle against injustice was based on a novel by the dissident writer Eva KantÛrková, whose official publication was also prohibited during “normalization”. Sirov˘’s best film has the outline of a Classical tragedy and is framed by suggestive shots of the countryside. The film’s long-delayed premiere in 1990 was broadcast on television and attended by President Václav Havel. During “normalization” the director Zdenek Sirov˘ (1932-1995) primarily made his living doing film dubbing. He did make a number of quite ordinary adventure films and after the fall of Communism he shot an adaptation of the popular satire The Black Barons about conditions in the Communist military in the 1950s. During the final years of his life, cut short by disease, he was a respected teacher at Prague’s Film and TV School of the Academy of Performing Arts.