Finally released with a copyright date of 1976, this film shows the much earlier 1961-1962 Tour de France races. An early project of Louis Malle who only later would become known as a major International film director. This "Essay" comes complete with a voice-over narration - dubbed into English in this version. 　　Some commercial sponsor vehicles were almost transformed into parade floats with large figures promoting their products mounted on the roof tops. This 18 minutes of footage mainly reveals some of the seldom seen drama of the race. 　　Riders grab bulging musettes at the food station stops along the routes. Lower rank team racers also dash into roadside cafés to stock up on food and anything at all which they can carry off to drink including glass bottles of wine and beer stuffed into their 3 rear jersey pockets or even tuckes into the backs of the jersey necks. Food and drink is even seen shared between riders of opposing teams along the road! Many riders even stop to fill water bottles from public fountains and all are happy to be doused with cool water by fans from buckets or hoses or at roadside fountains... Inevitably, riders stop to urinate by the roadside or even from their saddle while a teammate riding alongside helps to push that bike along. 　　Riders talk like mad to reporters when they stop, and all continually complain about their pain which is increasing daily... Reporters race over to phone "cabins" - tiny sheltered hooded tabletop booths where they can sit to call in their reports. Others hammer away at paper in their portable manual typewriters to compose their news copy... 　　Ambulances carry off riders to awaiting helicopters after a serious crash or staff in team support cars even reach out to bandage messy head wounds on some riders with heads covered with blood while they continue riding after a crash... The racers continue to deny the charges of amphetamine use... One rider is shown as he refuses to abandon although he is past exhaustion - he collapses falling over with his bike repeatedly at the roadside until finally hauled off, unconscious. 　　Racers climb slowly up sections of the gravel paved Alps... some riders still carry extra spare tires slung over their shoulders.... Center-pull brakes squeal noisily along the sharp turns in the misty muddy gravel roads during dangerous mountain descents. 　　Jacques Anquetil is seen riding for the St.Raphael-Helyett team and other now legendary team names are easily identified on the bright wool jerseys (Mercier-Hutchinson, Pelforth-Sauvage-Lejeune, Legnano-Pirelli, Peugeot, Philco, Leroux-Gitane, Faema-Flandria, Weil's etc.). The Peugeot team riders still wear blue & yellow jerseys... and absolutely nobody ever wears a helmet.

非洲裔作家塞巴斯蒂安·克莱恩在前往德国东部的普利特维茨参加读书会时，意外收到了当地新纳粹的一份“大礼”——刻在头上的纳粹标志。不仅如此，他还失去了记忆，成了新纳粹的一份子。他的女友尼娜察觉有异，于是驱车前往普利特维茨，和乡村警察萨沙一起寻找男友。另 一方面，新纳粹小头目斯万为了赢得同为新纳粹的多琳的爱不惜试图重演历史，挑起德国与波兰之间的战争。作家的爱情和一个国家的未来都面临着巨大挑战。（小易甫字幕组）

1949年10月1日新中国开国大典当晚，欢庆的游行队伍高呼着“毛主席万岁”经过天安门城楼时，扩音器里不断传来毛泽东洪亮的声音：“人民万岁”！这一声朴实而又充满感恩的回应，凝固成永恒的历史音符。 影片在毛泽东同志诞辰130周年之际，用别具情感力量与温情脉络的经典光影描绘出一幅感人至深的历史画卷，弘扬了中国共产党第一代领袖的崇高精神，彰显出"人民万岁"的铮铮誓言。

1949年10月1日新中国开国大典当晚，欢庆的游行队伍高呼着“毛主席万岁”经过天安门城楼时，扩音器里不断传来毛泽东洪亮的声音：“人民万岁”！这一声朴实而又充满感恩的回应，凝固成永恒的历史音符。 影片在毛泽东同志诞辰130周年之际，用别具情感力量与温情脉络的经典光影描绘出一幅感人至深的历史画卷，弘扬了中国共产党第一代领袖的崇高精神，彰显出"人民万岁"的铮铮誓言。

该剧讲述了父亲老曾在昏迷醒来后，面对曾经幸福现在暗流汹涌的家庭，他用自己独特的方式介入到四个子女的生活，在不停的碰撞中改变了子女，也改变了他自…

在中国的角落里，有着这样十四组普通的中国人，他们是在亡妻坟前朗诵朴素情书的抗战老英雄，是上海卖油墩子替儿子还债的老年夫妇，是宁夏固守乡村小学的年轻教师，是重庆夜场美丽泼辣的失恋舞蹈演员，是武汉带着女儿开出租车的单身妈妈，是深圳兼职单车猎人的快递小哥，是荆州街头唱歌相濡以沫的老年盲人夫妇，是北京父亲重病卧床还在致力传统文化研究的中年导游，是广州夜市卖田螺供女儿上学的明哥，是大兴安岭父亲患心脏病在家的青年护林员，是上海自身患了癌症还在给病重孩子扮小丑逗乐的青年医生，是广州等待接受心脏移植手术的中年女子，是上海高空擦玻璃的“蜘蛛人”，是拉萨蹬人力三轮车的老大爷。生活或艰辛，或无奈，或也带着些许苦涩，但他们每个人都在默默坚持着，热爱着这样的生活 。2008年，任长箴和程工合作了一部同名电视纪录片《生活万岁》，拍下了45个生活在上海的普通人，和他们聊了聊平凡而闪光的生活况味。十年间，他们又合作了《舌尖上的中国》第一季、《极地》等多部纪录片，游走于山河湖海，网罗天南地北的美食美景，但内核还是写人，捕捉人与人之间的珍贵情感和日常生活的渺小痕迹。因此拍一部以普通人为主角的电影是他们绵延已久的念想 。从2017年夏天到2018年春天，摄制组辗转北京、广州、重庆、西藏、宁夏等中国近20个城市，寻找想要的人物和故事。整个拍摄团队分为三组，每组三到四人，有导演、摄影、录音、制片，每个人物只有五到七天的拍摄周期，整部片子的拍摄进行了三个多月 。他们前后采样了100多个故事，拍下了40个人物的生活片段，最后将14组故事剪辑成了一部94分钟的纪录片 。拍完之后，导演程工自己剪了第一个版本让大家看。一段时间后，任长箴剪了第二版，把程工版本里的八九个人物故事拿掉，替换了一些之前素材中没剪进去的人物。等第三版剪辑的时候，又根据大家的意见进行了调整，替换了一些人物，成片中在亡妻坟前朗诵情书的抗战老英雄在前两个版本中都没有 。直至剪至第四版时，才拿到公映的龙标 。

在中国的角落里，有着这样十四组普通的中国人，他们是在亡妻坟前朗诵朴素情书的抗战老英雄，是上海卖油墩子替儿子还债的老年夫妇，是宁夏固守乡村小学的年轻教师，是重庆夜场美丽泼辣的失恋舞蹈演员，是武汉带着女儿开出租车的单身妈妈，是深圳兼职单车猎人的快递小哥，是荆州街头唱歌相濡以沫的老年盲人夫妇，是北京父亲重病卧床还在致力传统文化研究的中年导游，是广州夜市卖田螺供女儿上学的明哥，是大兴安岭父亲患心脏病在家的青年护林员，是上海自身患了癌症还在给病重孩子扮小丑逗乐的青年医生，是广州等待接受心脏移植手术的中年女子，是上海高空擦玻璃的“蜘蛛人”，是拉萨蹬人力三轮车的老大爷。生活或艰辛，或无奈，或也带着些许苦涩，但他们每个人都在默默坚持着，热爱着这样的生活 。2008年，任长箴和程工合作了一部同名电视纪录片《生活万岁》，拍下了45个生活在上海的普通人，和他们聊了聊平凡而闪光的生活况味。十年间，他们又合作了《舌尖上的中国》第一季、《极地》等多部纪录片，游走于山河湖海，网罗天南地北的美食美景，但内核还是写人，捕捉人与人之间的珍贵情感和日常生活的渺小痕迹。因此拍一部以普通人为主角的电影是他们绵延已久的念想 。从2017年夏天到2018年春天，摄制组辗转北京、广州、重庆、西藏、宁夏等中国近20个城市，寻找想要的人物和故事。整个拍摄团队分为三组，每组三到四人，有导演、摄影、录音、制片，每个人物只有五到七天的拍摄周期，整部片子的拍摄进行了三个多月 。他们前后采样了100多个故事，拍下了40个人物的生活片段，最后将14组故事剪辑成了一部94分钟的纪录片 。拍完之后，导演程工自己剪了第一个版本让大家看。一段时间后，任长箴剪了第二版，把程工版本里的八九个人物故事拿掉，替换了一些之前素材中没剪进去的人物。等第三版剪辑的时候，又根据大家的意见进行了调整，替换了一些人物，成片中在亡妻坟前朗诵情书的抗战老英雄在前两个版本中都没有 。直至剪至第四版时，才拿到公映的龙标 。

该剧讲述了父亲老曾在昏迷醒来后，面对曾经幸福现在暗流汹涌的家庭，他用自己独特的方式介入到四个子女的生活，在不停的碰撞中改变了子女，也改变了他自己的故事。

Na-mi and Sun-woo, who have been suffering from bullying and school violence throughout their school days, attempt suicide while their classmates go on a school trip. The story makes us anticipate unbearable tragedies, but the story of Hail to Hell is somehow lively and unpredictable. After the silly yet ridiculous suicide failure, the two try to take revenge on Chae-rin, who bullied them most and now lives happily in Seoul. However, their plans go awry. Ridiculously, Chae-rin, the worst bully ever, has found religion and has turned into a genuinely good person. What should they do now? Hail to Hell is a fascinating adventure story and an ironic moral drama created by a storyteller who combines outlandish planning and imagination.

A look at the intersection of religion and activism, tracing the rise of The Satanic Temple: only six years old and already one of the most controversial religious movements in American history. The Temple is calling for a Satanic revolution to save the nation’s soul. But are they for real?