乔治·史威兹贝尔(Georges Schwizgebel)1944年生于瑞士，是世上极为重要的实验动画导演。1966年成立GDS工作室，制作数部极为重要的动画影片。他的作品形式具有强烈的实验性及音乐性，影像流动的美学形式是其一大特色。曾在东京、罗马、纽约、安锡、蒙特娄地等举办回顾展。

The city today is as rationalised and regulated as a production process. The images which today determine the day of the city are operative images, control images. Representations of traffic regulation, by car, train or metro, representations determining the height at which mobile phone network transmitters are fixed, and where the holes in the networks are. Images from thermo-cameras to discover heat loss from buildings. And digital models of the city, portrayed with fewer shapes of buildings or roofs than were used in the 19th century when planned industrial cities arose, amongst them the Lille agglomeration. Despite their boulevards, promenades, market places, arcades and churches, these cities are already machines for living and working. I too want to "remake" the city films, but with different images. Limited time and means themselves demand concentration on just a few, archetypal chapters. Fragments, or preliminary studies. (Harun Farocki)

The city today is as rationalised and regulated as a production process. The images which today determine the day of the city are operative images, control images. Representations of traffic regulation, by car, train or metro, representations determining the height at which mobile phone network transmitters are fixed, and where the holes in the networks are. Images from thermo-cameras to discover heat loss from buildings. And digital models of the city, portrayed with fewer shapes of buildings or roofs than were used in the 19th century when planned industrial cities arose, amongst them the Lille agglomeration. Despite their boulevards, promenades, market places, arcades and churches, these cities are already machines for living and working. I too want to "remake" the city films, but with different images. Limited time and means themselves demand concentration on just a few, archetypal chapters. Fragments, or preliminary studies. (Harun Farocki)

Few are aware that even before Huszárik’s Elegy, a similar poetic film was made in Balázs Béla Studio, in which János Tóth was also the cinematographer. This pioneering work was Fascination, the product of István Bácskai Lauró who later became known for his popular movies. Imagery of the heavy physical labour conducted in a steelworks contrasted with creative activity lends a tension to the structure, but the appearance of Miklós Mészöly also serves to make the film interesting for the modern viewer

天才画家陆黎为查父母血案，潜入式伦集团接近私生女秦月白。两人互相利诱合作，一步步发现彼此秘密与真实身份。从交手到交心，从相互利用到患难与共，以爱治愈彼此的不完美。

天才画家陆黎为查明父母遇害真相，潜入式伦集团，与式伦集团继承人秦月白携手合作，两人在前有狼后有虎的局面下，不同寻常的事件里似乎暗藏着有关彼此的秘密，陆黎的真实身份被揭晓，二人如宿命般的关系在暗流涌动的任务中逐渐生出暧昧情愫。从“交手”到“交心”，两人从相互利用到坠入爱河，在互相救 赎中，以爱治愈彼此的“不完美”。

弗兰茨（赖纳•维尔纳•法斯宾德 Rainer Werner Fassbinder 饰）所工作的巡回展览团被非法取缔后他便无处可去。通过古董商马克思的介绍他接触了一个富人同性恋团体。在这里他认识了家里经营印刷产业的欧根（Peter Chatel 饰），两人逐渐坠入爱河。不久，弗兰茨竟然神奇的中了50万的彩票，欧根得知后彻底抛弃了以前的朋友菲利普，而弗兰茨也为欧根身上的贵族气息深深迷恋而不能自拔。他用中奖得来的钱买了套房子和欧根同居，买奢侈用品，出入高档场所玩乐。此时欧根父亲经营的印刷厂遭遇破产危机，欧根诱使弗兰茨拿出10万入注救急，弗兰茨慷慨相助却没想欧根父亲在契约上做了手脚......

弗兰茨（赖纳•维尔纳•法斯宾德 Rainer Werner Fassbinder 饰）所工作的巡回展览团被非法取缔后他便无处可去。通过古董商马克思的介绍他接触了一个富人同性恋团体。在这里他认识了家里经营印刷产业的欧根（Peter Chatel 饰），两人逐渐坠入爱河。不久，弗兰茨竟然神奇的中了50万的彩票，欧根得知后彻底抛弃了以前的朋友菲利普，而弗兰茨也为欧根身上的贵族气息深深迷恋而不能自拔。他用中奖得来的钱买了套房子和欧根同居，买奢侈用品，出入高档场所玩乐。此时欧根父亲经营的印刷厂遭遇破产危机，欧根诱使弗兰茨拿出10万入注救急，弗兰茨慷慨相助却没想欧根父亲在契约上做了手脚......

2014 年，住了十年的老家忽然被房東賣掉，一夕之間遭驅逐，四散家人欲歸無巢，讓她從此疑惑家在何方。2019 年，弟弟買了預售屋，她提著攝影機與弟弟、父親一起，歡喜參觀新屋裝潢，但這會是他們的家嗎？以私紀錄形式，從長期租屋不安感出發，進出不同形式的家，尋思家為何物。