Expressing desire, pursuing dreams, loving oneself, questioning the oppressive confines of patriarchy. Farida Baqi takes us on a lyrical and emotional journey through the life of a young woman from birth to adulthood in an unnamed Arab city.

Expressing desire, pursuing dreams, loving oneself, questioning the oppressive confines of patriarchy. Farida Baqi takes us on a lyrical and emotional journey through the life of a young woman from birth to adulthood in an unnamed Arab city.

Created by the very talented director, Piotr Szulkin of Poland, this film, whose title translates literally into "Everyday Life", is a simple artistic experimental film made early in his career. The film is reminiscent of some of Jean-Luc Godard's early works. In the artistic manner of a director experimenting with filmaking, Szulkin details the basic tedious tasks in the daily life of a man and his wife. From awaking in the morning, to laying down to rest in the evening, the director weaves together scenes of everyday life with diegetic insertions of the time of day, allowing us to empathize with the working class man and his life of mediocrity. This is a decent little short by the director who went onto make some amazing Polish films such as "O-bi, O-ba: The End of Civilization", a story of a post apocalyptic society living underground. But sadly his films have yet to be translated into English (or any other language to my knowledge), so he continues to go unnoticed and unappreciated. This film has no dialogue so it can be enjoyed by all. 7 out of 10.

Created by the very talented director, Piotr Szulkin of Poland, this film, whose title translates literally into "Everyday Life", is a simple artistic experimental film made early in his career. The film is reminiscent of some of Jean-Luc Godard's early works. In the artistic manner of a director experimenting with filmaking, Szulkin details the basic tedious tasks in the daily life of a man and his wife. From awaking in the morning, to laying down to rest in the evening, the director weaves together scenes of everyday life with diegetic insertions of the time of day, allowing us to empathize with the working class man and his life of mediocrity. This is a decent little short by the director who went onto make some amazing Polish films such as "O-bi, O-ba: The End of Civilization", a story of a post apocalyptic society living underground. But sadly his films have yet to be translated into English (or any other language to my knowledge), so he continues to go unnoticed and unappreciated. This film has no dialogue so it can be enjoyed by all. 7 out of 10.

The Art of Vision is an experimental film directed by Stan Brakhage. This colour silent films reuses footage from Brakhage's Dog Star Man but edited it into a much longer film. 　　A presentation for retrospective screening of the film explains this difference of treatment of the same material: "The rarely screened magnum opus by Stan Brakhage, an expanded version of his "cosmological epic" Dog Star Man. That film was made with multilayered superimpositions; in The Art of Vision, each layer is shown separately."

布莱凯吉在他的《狗星人》中延展了抒情形式，这个五个部分的作品集，试图融合自然、人类日常生活、死亡的必要性与宇宙的律动等主题。布莱凯吉并且将这部影片的所有片段区分开来，剥去层层的重叠影像，进而完成另外一部长达四个半钟头，他称之为《视觉的艺术》（The Art of Vision，1965）的作品。

该纪录片考察了未识别的空中现象。 在高级政府官员和美国宇航局宇航员的证词下，哈里·里德参议员说，这“使令人难以置信的可信度”。

该纪录片考察了未识别的空中现象。 在高级政府官员和美国宇航局宇航员的证词下，哈里·里德参议员说，这“使令人难以置信的可信度”。

法国著名女星朱丽叶·比诺什加盟日本导演河濑直美的新片《视觉》（Vision），影片将于本月在奈良开始为期两周半的拍摄工作，并在11月进行第二阶段的拍摄。除了朱丽叶·比诺什的加盟外，日本男星永濑正敏确定也将出演本片，这也是永濑正敏第三次与河濑直美合作，此前他们合作的影片《澄沙之味》、《光》均入围了戛纳电影节的竞赛单元，这部新片也有望再次入围戛纳。 　　影片由法国Slot Machine公司与河濑直美自己的Kumie公司联合制作，故事讲述比诺什扮演的法国女作家来到奈良，将与永濑正敏饰演的当地人开始一段跨越文化与语言的故事。影片计划在2018年上映，但具体上映日期还有待确定。

故事讲述比诺什扮演的法国女作家来到奈良，将与永濑正敏饰演的当地人开始一段跨越文化与语言的故事。