喜剧明星兼演员珍妮·斯蕾特的第一部 Netflix 原创喜剧特辑《怯场》让观众得以一窥这位喜剧演员的内心世界。在这令人捧腹的单口喜剧节目中，穿插着珍妮童年的个人片段和对其家人的采访，近距离审视了她的人生。本特辑于 10 月 22 日面向全球上线，珍妮将讲述自己参加午夜天主教弥撒的经历，以及童年时家里闹鬼的故事；经历了这些也就不怯场了。

喜剧明星兼演员珍妮·斯蕾特的第一部 Netflix 原创喜剧特辑《怯场》让观众得以一窥这位喜剧演员的内心世界。在这令人捧腹的单口喜剧节目中，穿插着珍妮童年的个人片段和对其家人的采访，近距离审视了她的人生。本特辑于 10 月 22 日面向全球上线，珍妮将讲述自己参加午夜天主教弥撒的经历，以及童年时家里闹鬼的故事；经历了这些也就不怯场了。

斯蕾特证明，为爱勇敢是值得的——无论是应对意外怀孕、寻求治疗师，还是信任伴侣。

斯蕾特证明，为爱勇敢是值得的——无论是应对意外怀孕、寻求治疗师，还是信任伴侣。

火车旅途中，艾瑞尔与保罗以素描彼此内心最深恐惧来消磨时间。当神秘乘客吉尔达突然介入这场游戏时，事态开始失控。然而她与恐惧的关系，远比两人玩笑般的涂鸦来得危险。

火车旅途中，艾瑞尔与保罗以素描彼此内心最深恐惧来消磨时间。当神秘乘客吉尔达突然介入这场游戏时，事态开始失控。然而她与恐惧的关系，远比两人玩笑般的涂鸦来得危险。

Mérette is a pretty child, living within a patrician, strictly Calvinist family in the Switzerland of the 19th century. She is happy, until her mother dies, and she blames God, and gives up her religion. Her family turns against her, the villagers reject her, and her priest drives her into isolation.

Mérette is a pretty child, living within a patrician, strictly Calvinist family in the Switzerland of the 19th century. She is happy, until her mother dies, and she blames God, and gives up her religion. Her family turns against her, the villagers reject her, and her priest drives her into isolation.

Jenny" inaugurates the famous series of movies which made Marcel Carné one of the most brilliant directors of the era.From 1936 to 1946,with scenarist Jacques Prévert (and once with Henri Jeanson)he created what the critics called the "réalisme poétique".One should note that Carné himself used to hate this label.But who cares when you deal with such works as "quai des brumes" "le jour se lève " and "les enfants du paradis" ,to name but three? 　　Jenny (Françoise Rosay) is a madam,and when her daughter comes back from England,she does not want her to find out what her job is really like.The plot is rather melodramatic and a bit cheesy,but the cast,including Jean-Louis Barrault,Charles Vanel and Robert Le Vigan is first-rate .A dirty world ,which is compared to the silt at the bottom of muddy waters.And as Jenny's final line says :"when you're at the bottom,you've got to stay at the bottom".

Jenny" inaugurates the famous series of movies which made Marcel Carné one of the most brilliant directors of the era.From 1936 to 1946,with scenarist Jacques Prévert (and once with Henri Jeanson)he created what the critics called the "réalisme poétique".One should note that Carné himself used to hate this label.But who cares when you deal with such works as "quai des brumes" "le jour se lève " and "les enfants du paradis" ,to name but three? 　　Jenny (Françoise Rosay) is a madam,and when her daughter comes back from England,she does not want her to find out what her job is really like.The plot is rather melodramatic and a bit cheesy,but the cast,including Jean-Louis Barrault,Charles Vanel and Robert Le Vigan is first-rate .A dirty world ,which is compared to the silt at the bottom of muddy waters.And as Jenny's final line says :"when you're at the bottom,you've got to stay at the bottom".