Loosely based on the Italian comic book character Isabella - the first of the long series of erotic comic books that were published in Italy during the late Sixties - this is a so-so adventure-comedy, full of naked women, showing mostly their breasts, and full of clownish fight scenes, bad jokes and bad music. Zenabel discovers that she is the heiress of a duke killed by the evil Don Alonso and so she forms an army of women - a mix between Brancaleone's army and the women from Aristoteles comedy Lisistrata - to claim back her title. She will get what she wants, gaining also the love of a brigand in the meantime. Almost potable, for what is worth, and a good rendition of the original comic book on which it is based.

Loosely based on the Italian comic book character Isabella - the first of the long series of erotic comic books that were published in Italy during the late Sixties - this is a so-so adventure-comedy, full of naked women, showing mostly their breasts, and full of clownish fight scenes, bad jokes and bad music. Zenabel discovers that she is the heiress of a duke killed by the evil Don Alonso and so she forms an army of women - a mix between Brancaleone's army and the women from Aristoteles comedy Lisistrata - to claim back her title. She will get what she wants, gaining also the love of a brigand in the meantime. Almost potable, for what is worth, and a good rendition of the original comic book on which it is based.

Jenny" inaugurates the famous series of movies which made Marcel Carné one of the most brilliant directors of the era.From 1936 to 1946,with scenarist Jacques Prévert (and once with Henri Jeanson)he created what the critics called the "réalisme poétique".One should note that Carné himself used to hate this label.But who cares when you deal with such works as "quai des brumes" "le jour se lève " and "les enfants du paradis" ,to name but three? 　　Jenny (Françoise Rosay) is a madam,and when her daughter comes back from England,she does not want her to find out what her job is really like.The plot is rather melodramatic and a bit cheesy,but the cast,including Jean-Louis Barrault,Charles Vanel and Robert Le Vigan is first-rate .A dirty world ,which is compared to the silt at the bottom of muddy waters.And as Jenny's final line says :"when you're at the bottom,you've got to stay at the bottom".

Jenny" inaugurates the famous series of movies which made Marcel Carné one of the most brilliant directors of the era.From 1936 to 1946,with scenarist Jacques Prévert (and once with Henri Jeanson)he created what the critics called the "réalisme poétique".One should note that Carné himself used to hate this label.But who cares when you deal with such works as "quai des brumes" "le jour se lève " and "les enfants du paradis" ,to name but three? 　　Jenny (Françoise Rosay) is a madam,and when her daughter comes back from England,she does not want her to find out what her job is really like.The plot is rather melodramatic and a bit cheesy,but the cast,including Jean-Louis Barrault,Charles Vanel and Robert Le Vigan is first-rate .A dirty world ,which is compared to the silt at the bottom of muddy waters.And as Jenny's final line says :"when you're at the bottom,you've got to stay at the bottom".

简（罗西·麦克尤恩 Rosy McEwen 饰）白天在学校过着需要隐藏真实自我的生活，扮演社会期望的角色。这种双重生活让她在白天与夜晚拥有完全不同的体验和身份。只有在夜晚，她才能放下面具，与朋友们体验她真正想要的生活，追求她内心真正渴望的自由和表达。 　　然而，简的生活在与一名学生（凯莉·海斯 Kerrie Hayes 饰）在夜店相识后发生了转变。这位学生意外地发现了简的夜间生活和真实身份，两人因此分享了彼此的秘密。尽管他们之间建立了一种特别的联系，但简仍无法在学校公开为这名学生在学校遭受的不公平行为表示抗议，这让她深感自责和无力。面对这种情况，简决定开始做一些改变。她开始尝试寻求改变自己在学校的处境的方法，以及开始勇敢地面对和解决她内心的冲突。

简（罗西·麦克尤恩 Rosy McEwen 饰）白天在学校过着需要隐藏真实自我的生活，扮演社会期望的角色。这种双重生活让她在白天与夜晚拥有完全不同的体验和身份。只有在夜晚，她才能放下面具，与朋友们体验她真正想要的生活，追求她内心真正渴望的自由和表达。 　　然而，简的生活在与一名学生（凯莉·海斯 Kerrie Hayes 饰）在夜店相识后发生了转变。这位学生意外地发现了简的夜间生活和真实身份，两人因此分享了彼此的秘密。尽管他们之间建立了一种特别的联系，但简仍无法在学校公开为这名学生在学校遭受的不公平行为表示抗议，这让她深感自责和无力。面对这种情况，简决定开始做一些改变。她开始尝试寻求改变自己在学校的处境的方法，以及开始勇敢地面对和解决她内心的冲突。

1968年，无论是芝加哥还是整个美国都处于政治动荡期。乔伊是一名家庭主妇，她与丈夫和女儿居住在郊区，过着平凡的生活。乔伊偶因怀孕而面临生命危险，她…

热爱竞争的建筑学大一学生Jenkhwan和好朋友Pod打赌输了。因此，Jenkhwan在高中毕业典礼上必须打扮成女人。一次偶然的机会，Jenkhwan从一个醉汉手中救了comm arts freshy Pin。Jenkhwan很快就喜欢上了她，但两人在互相了解之前就分开了。然而， 命运在令人困惑的情况下让他们再次相遇:Jenkhwan的名字出现在女孩们的名字上宿舍名单和他的室友不是别人，正是针。起初，Jenkhwan打算把事情搞清楚，把他的名字移到男生宿舍名单上。然后波德提出一个新的赌注；他认为Jenkhwan没有成功击中Pin的机会。作为一个从不投降的人，Jenkhwan的下一步是成为Jenny，并在女生宿舍占据他的位置。

热爱竞争的建筑学大一学生Jenkhwan和好朋友Pod打赌输了。因此，Jenkhwan在高中毕业典礼上必须打扮成女人。一次偶然的机会，Jenkhwan从一个醉汉手中救了comm arts freshy Pin。Jenkhwan很快就喜欢上了她，但两人在互相了解之前就分开了。然而， 命运在令人困惑的情况下让他们再次相遇:Jenkhwan的名字出现在女孩们的名字上宿舍名单和他的室友不是别人，正是针。起初，Jenkhwan打算把事情搞清楚，把他的名字移到男生宿舍名单上。然后波德提出一个新的赌注；他认为Jenkhwan没有成功击中Pin的机会。作为一个从不投降的人，Jenkhwan的下一步是成为Jenny，并在女生宿舍占据他的位置。

放棄如日中天的事業，告別深愛男友，舞者波比珍史密夫毅然離開效力十年的國際著名以色列巴舒化舞團，回歸祖家美國重新開始，只為編出屬於自己的舞蹈和人生。導演艾維拉蓮追蹤兩年，將她與知名編舞家奧哈納哈林的知遇啟蒙、與舞蹈員男友的赤誠愛戀、與母親朋友的坦白交心一一細現。史密夫赤裸與自己的靈魂獨舞，將對生命的熱情與對藝術的執着，燃燒成激烈躁動的肢體語言，呈現深沉孤獨感、對愛與慾的渴望。打破性別禁忌，忠於自我，堅持「去到那無力隱藏自己的境地」，引領觀眾進入一個自我發現的旅程，激動人心又發人深省。