Foča is a municipality in eastern Bosnia and Herzegovina where women were raped and abused on a large scale during the Bosnian war. Women, and girls as young as 12 years old, were imprisoned at various locations to be gang-raped, mostly by Serbian fighters. This was cause for the Yugoslavia Tribunal to designate “systematic rape” and “sexual slavery”—war crimes that frequently went unprosecuted—as torture and crimes against humanity. As a result, these crimes can now be universally prosecuted. 　　The so-called Foča case called on great courage from the countless women who testified about their horrific experiences. To preserve their anonymity the women were identified using numbers or letters. In this forensic video essay, filmmaker Kumjana Novakova uses mostly written testimonies by the women to explore the collective memory of the rape camps. In grainy video footage, the camera explores the places where these inhuman crimes took place, while the women speak about the unspeakable. 　　源自：https://festival.idfa.nl/en/film/c925f7a5-aa96-42aa-a222-4f9276df0821/silence-of-reason/

Foča is a municipality in eastern Bosnia and Herzegovina where women were raped and abused on a large scale during the Bosnian war. Women, and girls as young as 12 years old, were imprisoned at various locations to be gang-raped, mostly by Serbian fighters. This was cause for the Yugoslavia Tribunal to designate “systematic rape” and “sexual slavery”—war crimes that frequently went unprosecuted—as torture and crimes against humanity. As a result, these crimes can now be universally prosecuted. 　　The so-called Foča case called on great courage from the countless women who testified about their horrific experiences. To preserve their anonymity the women were identified using numbers or letters. In this forensic video essay, filmmaker Kumjana Novakova uses mostly written testimonies by the women to explore the collective memory of the rape camps. In grainy video footage, the camera explores the places where these inhuman crimes took place, while the women speak about the unspeakable. 　　源自：https://festival.idfa.nl/en/film/c925f7a5-aa96-42aa-a222-4f9276df0821/silence-of-reason/

Is it rational that the dead can communicate with the living and give sound advice on how they should live their lives? What about sticking pins into your body to free the flow of Chi energy and cure your illness? Or the bending of spoons using your mind alone? Is that rational? Richard Dawkins doesn’t think so, and feels it is his duty to expose those areas of belief that exist without scientific proof, yet manage to hold the nation under their spell. He will take on the world’s leading proponents in their field of expertise, meet the victims who have used them and expose the history of the movements – from the charlatans who have milked these practices to the experiments and testing that have failed to produce conclusive results.

Is it rational that the dead can communicate with the living and give sound advice on how they should live their lives? What about sticking pins into your body to free the flow of Chi energy and cure your illness? Or the bending of spoons using your mind alone? Is that rational? Richard Dawkins doesn’t think so, and feels it is his duty to expose those areas of belief that exist without scientific proof, yet manage to hold the nation under their spell. He will take on the world’s leading proponents in their field of expertise, meet the victims who have used them and expose the history of the movements – from the charlatans who have milked these practices to the experiments and testing that have failed to produce conclusive results.

Anand Patwardhan's passionate, detailed chronicling of injustices in India has made him the filmmaking conscience of his nation. In The Name of God, Jai Bhim Comrade, and Father, Son, and Holy War stand not only as first-rate documentaries, but as direct interventions on behalf of justice and compassion. After years of work, Patwardhan is back with perhaps his most urgent and thorough film yet. 　　Divided into eight chapters, Reason sets out to chart what Patwardhan sees as India's slide away from the complex tumult of a secular democracy towards hardening divisions of power, caste, and religious belief — lines that are enforced increasingly by violence.

Anand Patwardhan's passionate, detailed chronicling of injustices in India has made him the filmmaking conscience of his nation. In The Name of God, Jai Bhim Comrade, and Father, Son, and Holy War stand not only as first-rate documentaries, but as direct interventions on behalf of justice and compassion. After years of work, Patwardhan is back with perhaps his most urgent and thorough film yet. 　　Divided into eight chapters, Reason sets out to chart what Patwardhan sees as India's slide away from the complex tumult of a secular democracy towards hardening divisions of power, caste, and religious belief — lines that are enforced increasingly by violence.

매주 다양한 분야에서 자신의 삶을 살고 있는 '한 사람'의 명사와 함께, 사석에서 만난 듯 편안한 대화의 시간을 가지는 토크 프로그램。（每周邀请一位在自己领域出众的嘉宾一起，如同四席对话一样，进行有趣舒适的脱口秀。）

The movie is a story told quickly through a series of stills, as in , with quavery synth music and dry French narration..

The movie is a story told quickly through a series of stills, as in , with quavery synth music and dry French narration..