皮特金一直希望可以像自己的父亲那样成为一名真正的警察，但他却因为没有继承父亲的高大身材而屡屡被警察局拒之门外。现在他只是一名警察局停车场的管理员，每天的工作就是为警察局长擦车。但皮特金还是为能在警察局里工作而感到自豪。 　　一天皮特金救了为逃婚而自杀的少女罗萨娜，并将罗萨娜接到自己家中居住。罗萨娜的未婚夫是以发型师身份为掩护的犯罪头目朱利奥，现在警方也正在对他暗中调查。罗萨娜因无法忍受这桩为了利益而结合的婚姻才选择了自杀。现在有皮特金的陪伴，罗萨娜的心情好了许多。 　　警方经过照片对比，忽然发现皮特金和朱利奥长相酷似，于是决定让皮特金在警察传唤朱利奥期间冒充朱利奥到他的公寓中进行调查。皮特金很高兴地接受了这个任务，但他却有一个条件：任务结束后，他要成为一名真正的警察。为了保证案件侦破，警察局长暂时接受了他的要求。

皮特金一直希望可以像自己的父亲那样成为一名真正的警察，但他却因为没有继承父亲的高大身材而屡屡被警察局拒之门外。现在他只是一名警察局停车场的管理员，每天的工作就是为警察局长擦车。但皮特金还是为能在警察局里工作而感到自豪。 　　一天皮特金救了为逃婚而自杀的少女罗萨娜，并将罗萨娜接到自己家中居住。罗萨娜的未婚夫是以发型师身份为掩护的犯罪头目朱利奥，现在警方也正在对他暗中调查。罗萨娜因无法忍受这桩为了利益而结合的婚姻才选择了自杀。现在有皮特金的陪伴，罗萨娜的心情好了许多。 　　警方经过照片对比，忽然发现皮特金和朱利奥长相酷似，于是决定让皮特金在警察传唤朱利奥期间冒充朱利奥到他的公寓中进行调查。皮特金很高兴地接受了这个任务，但他却有一个条件：任务结束后，他要成为一名真正的警察。为了保证案件侦破，警察局长暂时接受了他的要求。

Sitcom about a small-time dope dealer and his strange collection of acquaintances.

冰球是令加拿大举国疯狂的体育项目，电视上，多伦多与蒙特利尔两地的评论员唇枪舌剑，电视前，分处两地的警员马丁（Colm Feore 饰）与大卫（Patrick Huard 饰）却同样面对和子女沟通的障碍。一起发生在州界上的凶杀案让两人走到了一起，但法语区和英语区的差异为他们貌合神离的合作增加了不少佐料。以死者身上的纹身以及现场的直升机为线索，两人逐渐接近事情的真相，但那位纹身杀人狂的动作始终快他们一步，甚至在电视节目中直接向二人挑衅。在办案过程中，马丁和大卫求同存异增进了了解，幕后那位视出卖球队为叛国行为的狂热冰球爱好者也浮出了水面…… 　　本片获2007年加拿大吉尼奖最佳动作电影、最佳全片配乐奖，加拿大喜剧电影节最佳剧本奖。2008年朱特奖最佳国际动作电影、剪辑奖。

Lou和Henry是太平洋西北地区一个小警队中的姐弟侦探组合，他们必须面对各式各样的居民、严重缺乏的资源，以及二人彼此之间、二人与警局局长Big Hank之间非常复杂的关系，而Hank恰好是他们的父亲。

This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. 　　At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. 　　One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.

This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. 　　At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. 　　One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.

Charlie is released from prison and immediately swindled by a fake parson. A fellow ex-convict convinces Charlie to help burglarize a house, but Edna, the house's owner, catches them and calls the police. Charlie, however, manages to charm his way out of trouble .... at least for the moment.

查理从监狱释放，立即被骗做假牧师。一位有前科的人说服查理帮助夜盗一个房子，但是埃德娜，房子的主人抓住了他们并报警。

Man到不行的特警亚隆相信纪律，相信个人得为团体牺牲；他与队友们兄弟情深，却面临出状况时得找个替死鬼扛责任的尴尬局面。富家女希拉加入左派团体、朗读口号，相信为了理想，必须压抑小情小爱。当看似毫无关连的两人命运交会时，他们对各自的立场，是否仍如此肯定？