在2022年初期的隔离时期，一位新来的防疫人员每天重复着压抑的工作。直到某天，他听见了来自房间隔壁的钢琴声。为了和孤独的女孩在隔离中建立联系，防疫人员拿起了吉他，模仿着钢琴的音乐，他们的关系也由此建立。最后，防疫人员随着疫情的结束而消失，并不知情的女孩最后一次试着用琴声与他交流，吉他的琴声却意外地响起了...

子辰被敌家追杀，狼狈逃跑。突然被开着车准备下班回家的男二江晨意外撞飞。因为担心花钱，江晨只好把子辰带去家中，但没想到子辰醒来忘记了自己的身份。江晨误打误撞变成了子辰的救命恩人，还要求蹭吃蹭喝的子辰帮助自己打工。自此之后，子辰跟随江晨成为了一名遗物整理师。 在第一次的清扫工作中，子辰细腻的心思和敏感的洞察力，发现了逝者未说出的秘密。逝者是一位七旬老人，而来领取遗物的却是一个只有七岁的小女孩。女孩告诉

子辰被敌家追杀，狼狈逃跑。突然被开着车准备下班回家的男二江晨意外撞飞。因为担心花钱，江晨只好把子辰带去家中，但没想到子辰醒来忘记了自己的身份。江晨误打误撞变成了子辰的救命恩人，还要求蹭吃蹭喝的子辰帮助自己打工。自此之后，子辰跟随江晨成为了一名遗物整理师。 在第一次的清扫工作中，子辰细腻的心思和敏感的洞察力，发现了逝者未说出的秘密。逝者是一位七旬老人，而来领取遗物的却是一个只有七岁的小女孩。女孩告诉

The field of anthropology goes under the magnifying glass in this fiery investigation of the seminal research on Yanomami Indians. In the 1960s and ’70s, a steady stream of anthropologists filed into the Amazon Basin to observe this "virgin" society untouched by modern life. Thirty years later, the events surrounding this infiltration have become a scandalous tale of academic ethics and infighting. 　　The origins of violence and war and the accuracy of data gathering are hotly debated among the scholarly clan. Soon these disputes take on Heart of Darkness overtones as they descend into shadowy allegations of sexual and medical violation. 　　Director José Padilha brilliantly employs two provocative strategies to raise unsettling questions about the boundaries of cultural encounters. He allows professors accused of heinous activities to defend themselves, and the Yanomami to represent their side of the story. As this riveting excavation deconstructs anthropology’s colonial legacy, it challenges our society’s myths of objectivity and the very notion of “the other.”

The field of anthropology goes under the magnifying glass in this fiery investigation of the seminal research on Yanomami Indians. In the 1960s and ’70s, a steady stream of anthropologists filed into the Amazon Basin to observe this "virgin" society untouched by modern life. Thirty years later, the events surrounding this infiltration have become a scandalous tale of academic ethics and infighting. 　　The origins of violence and war and the accuracy of data gathering are hotly debated among the scholarly clan. Soon these disputes take on Heart of Darkness overtones as they descend into shadowy allegations of sexual and medical violation. 　　Director José Padilha brilliantly employs two provocative strategies to raise unsettling questions about the boundaries of cultural encounters. He allows professors accused of heinous activities to defend themselves, and the Yanomami to represent their side of the story. As this riveting excavation deconstructs anthropology’s colonial legacy, it challenges our society’s myths of objectivity and the very notion of “the other.”

秋千性格强硬的惠珍像往常一样骑着摩托车去学校，差点出了事故，也因此结识了英文系讲师镇友，惠珍对镇友一见钟情。惠珍主动接近镇友，然而却发现后者是自己异母姐姐的爱人，她陷入了极度痛苦中。对一直和家庭格格不入的惠珍来说，姐姐智爱是十分重要的亲人，所以于情于理她都不能伤害背信智爱。然而，镇友却并不明白惠珍的苦衷，这段复杂的关系陷入了紧张与痛苦中。

职员易楠因维修董事长张益达电脑时替他解围，躲过了老婆的群追猛打，至此之后，易楠就成了他老婆的眼中钉，并找弟弟跟踪易楠......

职员易楠因维修董事长张益达电脑时替他解围，躲过了老婆的群追猛打，至此之后，易楠就成了他老婆的眼中钉，并找弟弟跟踪易楠......

宋清妍为了给疯癫的母亲治病而不得已在顾霆轩身边装了六年的乖情人，等到顾霆轩订婚之后她便洒脱离开，任顾霆轩使尽手段让她留下，她也无动于衷，得知自己怀孕之后留下了孩子，诈死从顾霆轩的掌控之下逃走，却在后来机缘巧合继承了亿万财产，再次和顾霆轩相会，已是顶峰相见，后续发生了一系列的事情，她最终得到了自己的幸福。

宋清妍为了给疯癫的母亲治病而不得已在顾霆轩身边装了六年的乖情人，等到顾霆轩订婚之后她便洒脱离开，任顾霆轩使尽手段让她留下，她也无动于衷，得知自己怀孕之后留下了孩子，诈死从顾霆轩的掌控之下逃走，却在后来机缘巧合继承了亿万财产，再次和顾霆轩相会，已是顶峰相见，后续发生了一系列的事情，她最终得到了自己的幸福。