故事发生在一个极普通的大院里。田玉敏（黄宏 饰）和妻子离婚后，独自一人带8岁的女儿妞妞（黄豆豆 饰）生活，每当女儿问到妈妈，田玉敏谎称妈妈出差去了国外，因为妞妞不知道父母已经离婚。为了女儿感觉到家庭的完整，田玉敏央求同事耿梅（江珊 饰）帮助，一时相安无事，不料一次电话露怯，妞妞识破了大人的诡计，田玉敏只好与耿梅假扮夫妻，从此笑料迭出。因政府规划，大院一片须搬迁，天井院里没有了往日的熙嚷，只剩下80岁孤老头李爷爷（朱旭 饰）和8岁的妞妞朝夕相伴……

一年一度的海盗节即将举行的前夕，黛兹瑞带着她的新婚丈夫瑞德回到了阔别十几年的家乡——迪勒那海滩。和以居住白人为主的林肯海滩一样，迪瑞那海滩不仅是大西洋海岸线上风景最为优美的海滩之一，也是当地黑人心中的一块圣地，因为，据生活在这里的长者说，早在一百多年前，是他们的祖辈把曾经的沼泽建造成今天这样一个美不胜收的圣地。 　　尽管离开家乡已有十几年的时间，但当初因为未婚先孕的旧事依然在熟悉的几个朋友之间被再次提起。然而，与不堪回忆的未婚先孕这件往事相比，一件更为重大的事情正在整个迪勒那海滩悄悄地进行。 　　为了开发迪勒那的旅游资源，并继而把迪勒那建成富人居住的风景区，圣地地产公司在政府的帮助下，开始不顾当地黑人意愿地规划迪勒那开发用地。尽管老一点的居民积极组织抗议聚会，但隆隆的推土机并没有因此而放慢前进的速度。 　　直到有一天，在被推土机锨开的地下发现一堆后来被证实是早期印地安人的头颅遗骨时，地产商才暂时停下继续推进的步伐。但尽管如此，多年以后，当现代文明的步伐一步步吞噬着迪勒那海滩时，一个“我们能为印地安人做些什么？”的诘问，仍然萦绕在当地长者和黛兹瑞的心头。

这天，从台湾来的债主突然闯到阳光打工的食堂，要阳光的父母现身还钱，就不用拿奶奶的老房子抵债。父母落跑已经好几个月没回家，阳光根本不知他们的去向，债主不得已拿出「女佣契约」，要阳光父债子还，阳光为了报答奶奶的养育之恩，答应去当女佣 ·······

这天，从台湾来的债主突然闯到阳光打工的食堂，要阳光的父母现身还钱，就不用拿奶奶的老房子抵债。父母落跑已经好几个月没回家，阳光根本不知他们的去向，债主不得已拿出「女佣契约」，要阳光父债子还，阳光为了报答奶奶的养育之恩，答应去当女佣 ·······

Several young girls were killed. Policeman Matthaei travels to the region where it happened and searches a child that looks similar to the ones that were murdered. He finds one and stays with her and her mother, not telling them that he is waiting for the killer to start his bloody work one more time ...

Daring Daylight Burglary (1903) was a fast-paced crime thriller that was the first of many chase films with which the Sheffield Photo Company established an international reputation. 　　Compared with other British films of the period, the pacing is unusually rapid and the narrative is surprisingly sophisticated - particularly its use of a revenge motive (the policeman avenging his badly injured comrade), which viewers of just about any current action thriller will immediately recognise as a key ingredient of the genre. 　　Admittedly, this in itself is not much of an advance on William Haggar's Desperate Poaching Affray (made the same year), but this and other elements, such as the use of a wide range of contrasting locations, show that director Frank Mottershaw was keen to make his film as visually and dramatically appealing as he could given the limitations of the basic story. 　　While R.W.Paul was making use of the jump cut as the main focus of films like Extraordinary Cab Accident (1903), here it's just one technique among many, as the policeman is quickly substituted by a dummy as he's hurled off the roof by the burglar. Camera placement and editing are consistently intelligent, with Mottershaw often cutting on action to ensure maximum dramatic impact. 　　The film was shot in three days at a cost of £25, and the British rights were sold to the Charles Urban Company for £50. It was enormously successful both in Britain and abroad: between 500 and 600 copies were sold, including an American order for 100 copies (it was extensively pirated in the US). It was also a major influence on Edwin S Porter's classic The Great Train Robbery (1903), the film said to have originated the American action movie.

杰夫主谋一项雄心勃勃的计划，盗取堆放在伦敦交易所的银行地下储藏室数百万的现金，布莱克伍德等四人组成劫匪。他们的计划开始后，他们绑架20个人质并和警方对峙两个半小时之后，他们乘坐飞机离开，并盗得700万现金。

《城市裏的光天化日》是圍繞著「我」每次回母校香港城市大學的定點觀察。這份影像日記在聖誕節當天開展，為期三個月。 　　後來，「我」始終沒有把關鍵幀寫進日記。 　　日常生活中潛移默化的暴力經常被忽視且無人言說。影片以閉路電視畫面為媒介，呈現個人視覺日記，模糊了公共監視和私人反思之間的界線。