PIEMULE is a film about an ethnic group of Czechs which settled over a hundred and fifty years ago in the hills not far from Timisoara. The ancestors of today's inhabitants, craftsmen and farmers came to the Romanian highlands around the year 1822 with their families, work and livelihood. Director Jana Sevikova went to Romania for the first time in the early 1980's and under very difficult conditions, she succeeded over a period of several years in capturing the way of life of one remote village fused with the changing seasons represented by religious ceremonies or social and work rituals (Christmas, carnivals, Easter, weddings, harvests, the ploughing of the land). She presents individual people their customs, behavior and opinions. Employing a complex structure of composition, the film depicts the social aspects of this small enclave foreign to Romania, its history as well as the moral depth of the people . Isolated from a foreign world this community has kept it's language , culture and also a feeling for national identity. The film does not have a factual, explicit commentary in the ordinary sense of the word. It contains the testimonies of individual people and a few essential historical facts: a song depicting the biblical story of the original sin threads it's way through the whole film. The song represents the religious character of these people and how they bear their lot. They live in relative material poverty , they are left to their own resources and the whim of Ceaucescu's regime. The film reminds us of life values which have long disappeared and only exceptionally are they found today. Jana Hadkova, film critic. In 1993, the filmmaker returned to the same place in Romania, ten years after she had completed filming. To her surprise, nothing had changed, life in Rovensko had remained unmarked, not even by Romania's revolution and other changes in the country ruled by a former Communist dictatorship. Time had already stopped during the last century.

PIEMULE is a film about an ethnic group of Czechs which settled over a hundred and fifty years ago in the hills not far from Timisoara. The ancestors of today's inhabitants, craftsmen and farmers came to the Romanian highlands around the year 1822 with their families, work and livelihood. Director Jana Sevikova went to Romania for the first time in the early 1980's and under very difficult conditions, she succeeded over a period of several years in capturing the way of life of one remote village fused with the changing seasons represented by religious ceremonies or social and work rituals (Christmas, carnivals, Easter, weddings, harvests, the ploughing of the land). She presents individual people their customs, behavior and opinions. Employing a complex structure of composition, the film depicts the social aspects of this small enclave foreign to Romania, its history as well as the moral depth of the people . Isolated from a foreign world this community has kept it's language , culture and also a feeling for national identity. The film does not have a factual, explicit commentary in the ordinary sense of the word. It contains the testimonies of individual people and a few essential historical facts: a song depicting the biblical story of the original sin threads it's way through the whole film. The song represents the religious character of these people and how they bear their lot. They live in relative material poverty , they are left to their own resources and the whim of Ceaucescu's regime. The film reminds us of life values which have long disappeared and only exceptionally are they found today. Jana Hadkova, film critic. In 1993, the filmmaker returned to the same place in Romania, ten years after she had completed filming. To her surprise, nothing had changed, life in Rovensko had remained unmarked, not even by Romania's revolution and other changes in the country ruled by a former Communist dictatorship. Time had already stopped during the last century.

安雅和娜迪娅·弗多维娜是一对双胞胎姐妹，她们在孤儿院长大。意志坚定的安雅习惯于保护妹妹免受任何危险。然而，她们的人生轨迹却发生了改变：安雅成为了一名职业综合格斗选手，而娜迪娅则厌倦了姐姐的教导，跑到日本寻找自己的道路和自由。分别多年后，安雅收到了妹妹发来的一条令人震惊的信息，她在信息中请求帮助。安雅试图获得一些信息，但一切努力都徒劳无功。于是，安雅决定前往日本，在那里，她将不得不与把她妹妹卖为性奴隶的黑帮展开一场不平等的斗争。

安雅和娜迪娅·弗多维娜是一对双胞胎姐妹，她们在孤儿院长大。意志坚定的安雅习惯于保护妹妹免受任何危险。然而，她们的人生轨迹却发生了改变：安雅成为了一名职业综合格斗选手，而娜迪娅则厌倦了姐姐的教导，跑到日本寻找自己的道路和自由。分别多年后，安雅收到了妹妹发来的一条令人震惊的信息，她在信息中请求帮助。安雅试图获得一些信息，但一切努力都徒劳无功。于是，安雅决定前往日本，在那里，她将不得不与把她妹妹卖为性奴隶的黑帮展开一场不平等的斗争。

拍摄里《威士忌》的导演胡安-帕罗·里贝拉、帕罗·斯托号称去年国际影坛的大发现，郭利斯马基式的冷调幽默。2001年，两位年轻导演曾以三个无所事事的年轻人一天生活为题材，拍摄了黑白片《25瓦》，当时在包括鹿特丹电影节等欧美数个影展引起注目。

男孩J的少年时代几乎在变装酒吧里度过，因为缺乏父爱，长期帮表演者梳妆理发，想成为变装皇后的憧憬也愈加强烈。男孩终于站上舞台的一刻，15年未见的拳击手父亲A却从人群中冲出，狠揍了他一顿。父子间从未平复的伤口和悔恨是否能为两人的生命带来和解呢？

拍摄里《威士忌》的导演胡安-帕罗·里贝拉、帕罗·斯托号称去年国际影坛的大发现，郭利斯马基式的冷调幽默。2001年，两位年轻导演曾以三个无所事事的年轻人一天生活为题材，拍摄了黑白片《25瓦》，当时在包括鹿特丹电影节等欧美数个影展引起注目。

Flashback story of an escape from the lonely, high-security Dartmoor Prison. A jealous barber's assistant is enraged by the attentions that his manicurist girlfriend pays to a customer. He threatens the customer with an open razor and lands in gaol.

Flashback story of an escape from the lonely, high-security Dartmoor Prison. A jealous barber's assistant is enraged by the attentions that his manicurist girlfriend pays to a customer. He threatens the customer with an open razor and lands in gaol.