日本には、100年を越える歴史を持つ長寿企業が数万社ある、という。実は、日本は知られざる「長寿企業大国」なのである。なぜ日本ではこんなに企業が長生きするのか―。研究者たちの調査から浮かび上がってきたのは、「決して“本業”をはずれない」「世の中が変わったら、“本業”からはずれない中で、社会のニーズに合わせていく」「危機は何十年かに一度襲ってくるもの。そこから逃げずに企業そのものを変革する」、という共通の特徴である。グローバル化、急成長、シェアNO.1主義がもてはやされる中、地味だがしたたかに、社会に合わせて、“細く長く”経営を続ける長寿企業。“技術”をムダにしない経営哲学。作家の幸田真音さんが、長寿企業を訪ね、長く続く秘密とエッセンスを、解き明かしていく。 日本是尽人皆知的世界第一国民长寿国家，但或许你还不知道，其实日本也是世界第一的长寿企业大国。拥有两百年以上历史的企业，在亚洲中国有九家，台湾有七家，印度有三家，在欧洲德国有八百家，荷兰近两百家，诺大的美国仅有十四家，而在日本却有三千多家，要说到有一百年历史的企业，那更是多达五万多家。日本的企业为何能历经萧条与战祸的考验而长盛不衰，众多长寿企业有什么共同之处.....本片为你解开日本企业长寿之谜。

日本には、100年を越える歴史を持つ長寿企業が数万社ある、という。実は、日本は知られざる「長寿企業大国」なのである。なぜ日本ではこんなに企業が長生きするのか―。研究者たちの調査から浮かび上がってきたのは、「決して“本業”をはずれない」「世の中が変わったら、“本業”からはずれない中で、社会のニーズに合わせていく」「危機は何十年かに一度襲ってくるもの。そこから逃げずに企業そのものを変革する」、という共通の特徴である。グローバル化、急成長、シェアNO.1主義がもてはやされる中、地味だがしたたかに、社会に合わせて、“細く長く”経営を続ける長寿企業。“技術”をムダにしない経営哲学。作家の幸田真音さんが、長寿企業を訪ね、長く続く秘密とエッセンスを、解き明かしていく。 日本是尽人皆知的世界第一国民长寿国家，但或许你还不知道，其实日本也是世界第一的长寿企业大国。拥有两百年以上历史的企业，在亚洲中国有九家，台湾有七家，印度有三家，在欧洲德国有八百家，荷兰近两百家，诺大的美国仅有十四家，而在日本却有三千多家，要说到有一百年历史的企业，那更是多达五万多家。日本的企业为何能历经萧条与战祸的考验而长盛不衰，众多长寿企业有什么共同之处.....本片为你解开日本企业长寿之谜。

In the not too distant future, a very smoggy and overpopulated Earth government makes it illegal to have children for a generation. One couple, unsatisfied with their substitute robot baby, breaks the rules and gets in a lot of trouble. (Z.P.G. stands for Zero Population Growth).

In the not too distant future, a very smoggy and overpopulated Earth government makes it illegal to have children for a generation. One couple, unsatisfied with their substitute robot baby, breaks the rules and gets in a lot of trouble. (Z.P.G. stands for Zero Population Growth).

他穿越成了紫云峰峰主，一睁眼居然就觉醒了软饭系统，只要让女人满意过后就可以增长自己的修为，有了这个系统后他的的身体直接成为了至阳至刚的阳刚擎天体，只因为他有七个实力强劲的女徒弟，为了感谢这些徒弟，他开始帮助他们变得更强大。

侯麦任技术顾问

侯麦任技术顾问

At the Mosaik art studio in Berlin, artists with disabilities are absorbed in their work. Sabine Herpich observes the artists in the course of creation and directs her gaze at the institution itself: its processes, staff and spaces. The film succeeds in maintaining its focus on the art itself rather than the handicaps of its creators. It is around these works that the institution takes form, thus coming into view first and foremost as an institution for art, not one for people with disabilities. The idea of art becomes holistic, encompassing the people who make it as well as the places where it is created; it means looking at the works, and talking about them, but also art as work, complete with working hours and wage. The filmmaker herself is not invisible. She asks the artists about their thoughts, ideas, methods. As the artists before the camera meet the gaze of the filmmaker, a heightened sense of attention and sensitivity is produced – for the moods of the works, their creators and observers, as well as for this film about art itself, with its gentle, yet not timid, precise yet non-restrictive form.

At the Mosaik art studio in Berlin, artists with disabilities are absorbed in their work. Sabine Herpich observes the artists in the course of creation and directs her gaze at the institution itself: its processes, staff and spaces. The film succeeds in maintaining its focus on the art itself rather than the handicaps of its creators. It is around these works that the institution takes form, thus coming into view first and foremost as an institution for art, not one for people with disabilities. The idea of art becomes holistic, encompassing the people who make it as well as the places where it is created; it means looking at the works, and talking about them, but also art as work, complete with working hours and wage. The filmmaker herself is not invisible. She asks the artists about their thoughts, ideas, methods. As the artists before the camera meet the gaze of the filmmaker, a heightened sense of attention and sensitivity is produced – for the moods of the works, their creators and observers, as well as for this film about art itself, with its gentle, yet not timid, precise yet non-restrictive form.

湖南IPTV 2019“萌仔成长盛典”立足湖南全省，旨在为14个地州市4-13岁的阳光少年提供一个秀才艺、秀自信、秀成长的全方位才艺梦想展示平台。