In a future where human memory is recorded on cards and biomechanical bodies are replaced by biological ones, anyone can change appearance following their mood, as long as they can afford it. But people who can not continue to rent their expensive bodies and are forced to abandon them. This is what threatens Emma Beaufort.

In a future where human memory is recorded on cards and biomechanical bodies are replaced by biological ones, anyone can change appearance following their mood, as long as they can afford it. But people who can not continue to rent their expensive bodies and are forced to abandon them. This is what threatens Emma Beaufort.

天主教、巫术和酷儿欲望在 3D 动画场景中相互碰撞。 在这个临界空间中，语言慢慢展开，并悬于欲望与传统、温柔与暴力之间。

亚努什并不是一个容易被惊吓的男人。作为一个法医他进行精密的研究，分析每分钟的犯罪场景。尽管这种极端的场面让他抗拒，但他仍然努力工作。也许太努力了。面对他患有厌食症的女儿，仍旧处于母逝悲痛之中的奥尔加，感到无能为力。因害怕女儿自杀，亚努什将她送到精神病医生安娜的诊所治疗。多年前，安娜失去了她的孩子，现在和他的狗独自住在一所偏远的公寓里，与世隔绝，并与逝去的亡灵沟通… 　　玛高扎塔•施莫夫兹卡以带有黑色喜剧元素的作品去讲述人们遭遇到的困难，在失去所爱人之后挣扎面对的痛苦。电影展示了人们对亲密关系的恐惧与渴望。因为精神上的痛苦，妄图从秘密中逃离的自我伤害。在理性和对超自然宇宙信仰之间的冲突，以及心在孤独之中纷繁的冥想。

住在郊外新兴住宅区的高野医师（村井克行 饰），突然收到一封电子邮件。还在上小学的儿子高野生（神木隆之介 饰），遭遇绑架事件。多摩东警察署刑事课长绪泽(生濑胜久 饰)接获绑架通报后，马上命令主任白砂(内藤刚志 饰)潜入高野家进行搜查。警视厅搜查一课管理官莲见(龙雷太 饰)于是安排掳人绑架事件处理专家的桐子薰(财前直见 饰)参与办案。高野家每天都会收到犯人自电脑上所发出的猜谜信件，唯有破解谜题才能找出线索，找出犯人才能顺利的救出人质。犯人到底是谁？ 　　『电子情迷 QUIZ』是在日本播出之后就造成话题的精彩悬疑剧。紧张的剧情，紧凑的节奏，令人百思不解的谜题，喜欢悬疑推理剧的朋友不容错过。

住在郊外新兴住宅区的高野医师（村井克行 饰），突然收到一封电子邮件。还在上小学的儿子高野生（神木隆之介 饰），遭遇绑架事件。多摩东警察署刑事课长绪泽(生濑胜久 饰)接获绑架通报后，马上命令主任白砂(内藤刚志 饰)潜入高野家进行搜查。警视厅搜查一课管理官莲见(龙雷太 饰)于是安排掳人绑架事件处理专家的桐子薰(财前直见 饰)参与办案。高野家每天都会收到犯人自电脑上所发出的猜谜信件，唯有破解谜题才能找出线索，找出犯人才能顺利的救出人质。犯人到底是谁？ 　　『电子情迷 QUIZ』是在日本播出之后就造成话题的精彩悬疑剧。紧张的剧情，紧凑的节奏，令人百思不解的谜题，喜欢悬疑推理剧的朋友不容错过。

威尼斯电影节非竞赛特别展映

威尼斯电影节非竞赛特别展映

E-Ticket is a frantic re-cataloguing of a personal archive and a vehicle for the re-birth of forgotten images. 35mm still photographs are obsessively tape-spliced together, one frame at a time, in evolving rhythmic patterns – views shift between a school trip to India and culminate in documentation of a violent 2005 protest at a World Trade Organization summit in Hong Kong. A re-telling of Dante's Inferno for the streaming age; freedom of movement reserved for the modern cloud. (Simon Liu)

E-Ticket is a frantic re-cataloguing of a personal archive and a vehicle for the re-birth of forgotten images. 35mm still photographs are obsessively tape-spliced together, one frame at a time, in evolving rhythmic patterns – views shift between a school trip to India and culminate in documentation of a violent 2005 protest at a World Trade Organization summit in Hong Kong. A re-telling of Dante's Inferno for the streaming age; freedom of movement reserved for the modern cloud. (Simon Liu)