The film depicts the Lumière Brothers discussing and examining their Cinématographe machine. The sequence was filmed by the Paris-based cameraman Frédéric Fesneau in the Lumière's laboratory in Lyon, France, on July 14, 1925. A portion of the film was used for a Fox News story on the Lumières, which would have been screened as part of a longer newsreel program shown before a silent feature in 1925-6. Over the 93 years since it was first shot, this film has been stored in several facilities. Since the early 1980s, the film has been archived at the Moving Image Research Collections at the University of South Carolina, as MVTN A8398 8399 Lumiere Brothers. During that time, the nitrate film stock originally used to record the Lumières has begun to deteriorate. All the degradation to the image seen here has been caused organically as a result of its natural decomposition.

本片以电影剧照、电影宣传照、导演工作照和演员照片等引来夸张搞笑的动画，道尽一部优秀电影的出炉是何其艰难，其中的一把辛酸泪只有电影人自己才知。 　　编剧要通过不断地与稍纵即逝的灵感做斗争，才能写出自己和导演都满意的剧本；可是他们满意的剧本，相关审查部门总能找出各种各样的问题，于是最终到达他们手上的剧本，可能已与原来的大相径庭；之后，导演开始与摄影师、美工、场记等人员一遍遍地沟通，敲定细节，找寻合适的演员；拍摄中，问题会一个接一个出现，有些镜头要重复拍摄许多次；拍完剪完，要再送有关部门审查，如果他们提出修改意见，有些镜头必须重拍；好不容易电影上映了，该电影的所有工作人员又要忐忑不安地等待观众的检验。

Three movie genres of the 1930s, boxing films, WWI aviation dramas, and backstage Broadway musicals, are satirized using the same cast.

艺术家遇到安娜，以为是曾经的模特，后发现是安娜的生命来自自己的作品，艺术家想收回模特生死的权利，最终连同自己的生死一同败给了神灵。

该系列微电影共分为四辑，分别为第一辑《遇见你》 、第二辑：《陪伴你》、第三辑：《温暖你》、第四辑：《谢谢你》。用竖屏的方式，分开呈现四组身份地位各异、社会关系各不相同的人物故事，选取他们生活中的暖心一幕进行呈现，鼓励观众从关注身边人，观察身边事开始，释放善意，汲取温度。

在一个宁静的夜晚，女主人和男主人正端坐在客厅读书看报。狡猾的汤姆趁主人未留意，偷偷钻进厨房，打开冰箱门端出烤鸡大快朵颐。就在此时，那主人突然起身来到厨房，当他打开冰箱门后发现被啃过的烤鸡大为震惊。他怀疑不是猫就是狗干了这等勾当。生怕遭到处罚的汤姆想出妙计，用面包蘸上墨水伪装成狗爪子印按在房间各个角落，并将吃剩下的烤鸡塞到正睡觉的史派克的怀中。他太专心干这样的事，却没发现他的行径早被杰瑞用相机拍了下来。 　　不久，恼怒的主人将史派克扔出门外。而杰瑞也将照片洗了出来，洋洋得意的汤姆终于迎来手忙脚乱的时刻……

CINEMATOGRAPHER STYLE is about the Art and Craft of Cinematography. It is about how everything, from life experiences to technology, influences and shapes an individual's visual style. Because of the powerful impact that the visual style of a movie can have, this documentary may offer contemporaries valuable insights into the dramatic choices Cinematographers make. And, it is expected that the material will have significant historic value as well.

纪念摄影师布罗克·布伦纳哈塞特以其在维多利亚时代的爱尔兰为已故者拍摄照片的技巧而闻名。 　　当一系列谋杀威胁玷污布洛克的声誉时，一名侦探把他拖进了对都柏林犯罪集团的调查。