It's the start of the 20th century, and Tuccio, resident playwright of a theatre repertory company offers the owners of the company his new play, "Illuminata". They reject it, saying it's not finished, and intrigue starts that involves influential critic Bevalaqua, theatre star Celimene, young lead actors and other theatre residents.

深巷的尽头，一间“照明商店”长年亮着灯，神秘的老板（刘奕君 饰）细心擦拭着每一个灯泡，形形色色的客人络绎不绝。护士许念（章若楠 饰）和男友郑满（白宇帆 饰）新搬进了商店附近的公寓。她渐渐发现，这里的每一个人，心底都有一个不可言说的秘密。暴风雨之夜，她走进了巷尾的照明商店，答案渐渐被揭开……

深巷的尽头，一间“照明商店”长年亮着灯，神秘的老板（刘奕君 饰）细心擦拭着每一个灯泡，形形色色的客人络绎不绝。护士许念（章若楠 饰）和男友郑满（白宇帆 饰）新搬进了商店附近的公寓。她渐渐发现，这里的每一个人，心底都有一个不可言说的秘密。暴风雨之夜，她走进了巷尾的照明商店，答案渐渐被揭开……

该剧改编自姜草的同名漫画，讲述在售卖照明灯具的商店里，连接阳间和阴间的生者和亡者的故事。 　　一群素昧平生的人，努力与过去和解。试图抚平过往伤痛的陌生人们，在因缘际会下，被吸引到一间在幽暗巷子尽头的照明商店。 　　“照明商店”由一名警戒心极高的老板独自看守，这间店成为串联这群陌生人的过去、现在和未来的关键。

该剧改编自姜草的同名漫画，以一家开设在小巷深处的灯具店为背景，讲述了五位徘徊在生与死之间的“顾客”的故事，剧情看似惊悚诡异，实则洋溢着满满的亲情、爱情，看来令人不忍释卷。朱智勋饰演商店的主人公引领故事发展。金雪炫饰演和贤敏是恋人的智英，因为贤敏遭遇不义事故，智英被贤敏的母亲暴言然后选择自我了断的人物。黑暗笼罩的小巷尽头，有一家人际罕至的照明商店，这里每天都会出现一些奇怪的人。商店的老板对于他们的到来一点都不惊讶，只是不停地擦着灯泡。但是他却告诫一位经常来店里买灯泡的少女要“小心陌生人”……指甲长在指腹上的女子，耳朵流出沙子的男人，全身湿透的司机，走不出胡同的小男孩……在这些人身上到底发生了什么事情？亮着的灯泡和坏掉的灯泡，这里就是分辨生命与死亡的《照明商店》。

在列车进站、烟火闪灭的片刻，人们以快门测量世界皱起的边缘。所有经过的时间都随着黑洞沉睡而去，成为静止、单色的壁画。记忆并不成为任何影像，只是偶然的照明，像是相纸上的局部反光、暗房裡的静电火花。这是一部仅由静照组成的电影，翻摄着光线照射照片表面的过程，重新探照关于影像的记忆。

Andrzej Wajda's film about the Polish Film School is personal look at the Polish cinematography and an analysis of the phenomenon. He mentions the creators of Polish cinema - directors, actors and operators. Analyzes the reasons for foreign interest in Polish cinema audiences and critics. "Lesson" is illustrated with excerpts from the beginnings of the postwar Polish school of film and newsreel films. The film is dedicated to "Film Discussion clubs were, faithful viewers of Polish cinema."

The film depicts the Lumière Brothers discussing and examining their Cinématographe machine. The sequence was filmed by the Paris-based cameraman Frédéric Fesneau in the Lumière's laboratory in Lyon, France, on July 14, 1925. A portion of the film was used for a Fox News story on the Lumières, which would have been screened as part of a longer newsreel program shown before a silent feature in 1925-6. Over the 93 years since it was first shot, this film has been stored in several facilities. Since the early 1980s, the film has been archived at the Moving Image Research Collections at the University of South Carolina, as MVTN A8398 8399 Lumiere Brothers. During that time, the nitrate film stock originally used to record the Lumières has begun to deteriorate. All the degradation to the image seen here has been caused organically as a result of its natural decomposition.

本片以电影剧照、电影宣传照、导演工作照和演员照片等引来夸张搞笑的动画，道尽一部优秀电影的出炉是何其艰难，其中的一把辛酸泪只有电影人自己才知。 　　编剧要通过不断地与稍纵即逝的灵感做斗争，才能写出自己和导演都满意的剧本；可是他们满意的剧本，相关审查部门总能找出各种各样的问题，于是最终到达他们手上的剧本，可能已与原来的大相径庭；之后，导演开始与摄影师、美工、场记等人员一遍遍地沟通，敲定细节，找寻合适的演员；拍摄中，问题会一个接一个出现，有些镜头要重复拍摄许多次；拍完剪完，要再送有关部门审查，如果他们提出修改意见，有些镜头必须重拍；好不容易电影上映了，该电影的所有工作人员又要忐忑不安地等待观众的检验。

Three movie genres of the 1930s, boxing films, WWI aviation dramas, and backstage Broadway musicals, are satirized using the same cast.