In 1953, Mamadou Touré directed Mouramani, a film considered as the first ever made by a black French-speaking director. However, the mystery remains. No one knows where to find a print, neither if one even exists. Au cimetière de la pellicule is the search for that film, and an ode to cinema, both the kind we watch and the kind we make. A road movie from east to west, north to south, a film full of love, humour and tenderness towards his peers and the new generation to come, but also a quest as Souleymane marches with a sign demanding the return of Mouramani. A filmmaking act in itself. 　　源自：https://doclisboa.org/2023/en/filmes/the-cemetery-of-cinema/

In 1953, Mamadou Touré directed Mouramani, a film considered as the first ever made by a black French-speaking director. However, the mystery remains. No one knows where to find a print, neither if one even exists. Au cimetière de la pellicule is the search for that film, and an ode to cinema, both the kind we watch and the kind we make. A road movie from east to west, north to south, a film full of love, humour and tenderness towards his peers and the new generation to come, but also a quest as Souleymane marches with a sign demanding the return of Mouramani. A filmmaking act in itself. 　　源自：https://doclisboa.org/2023/en/filmes/the-cemetery-of-cinema/

在宾西法尼亚山深处，为那些在驱魔仪式中死去的人提供的墓地仍然是教会的一个黑暗秘密。在1671年，成百上千的男人、女人和孩子在无法控制被魔鬼附魔的牧师的手中遭受了血腥的、折磨人的仪式。这些东西是真实的吗?或者这个故事是一场骗局，用来掩盖那些为人类流血而饥渴的神父们的罪恶?比尔和他的愤世嫉俗的超自然调查员小组计划找出真相。作为电视真人秀节目《追梦人》的制作人和主持人，比尔和他的团队已经看到了一切:废弃的监狱、闹鬼的房子、破旧的精神病院。夜复一夜，无聊的跑到空无一人的建筑物，让他们确信死者是死的，而鬼魂是最不真实的。他们缺乏信心很快就会得到回报。带着教会的历史记录，他们出发到荒野去揭露这一系列被遗忘的暴行。过去的魔鬼……

With striking images and meticulous sound work, Burial reminds us of the paradoxical relationship between scientific development and the destruction of nature. Questioning the effects of human activity on the planet we inhabit and which we have put at risk, the film focuses on the unsolved issues of nuclear plants and nuclear activity.

With striking images and meticulous sound work, Burial reminds us of the paradoxical relationship between scientific development and the destruction of nature. Questioning the effects of human activity on the planet we inhabit and which we have put at risk, the film focuses on the unsolved issues of nuclear plants and nuclear activity.

在宾西法尼亚山深处，为那些在驱魔仪式中死去的人提供的墓地仍然是教会的一个黑暗秘密。在1671年，成百上千的男人、女人和孩子在无法控制被魔鬼附魔的牧师的手中遭受了血腥的、折磨人的仪式。这些东西是真实的吗?或者这个故事是一场骗局，用来掩盖那些为人类流血而饥渴的神父们的罪恶?比尔和他的愤世嫉俗的超自然调查员小组计划找出真相。作为电视真人秀节目《追梦人》的制作人和主持人，比尔和他的团队已经看到了一切:废弃的监狱、闹鬼的房子、破旧的精神病院。夜复一夜，无聊的跑到空无一人的建筑物，让他们确信死者是死的，而鬼魂是最不真实的。他们缺乏信心很快就会得到回报。带着教会的历史记录，他们出发到荒野去揭露这一系列被遗忘的暴行。过去的魔鬼……

电视台制作人杰瑞•哈尔福德与信心满满的青年兰斯•普雷斯顿（辛恩·罗格斯 Sean Rogerson 饰）合作，制作了一档名为《墓地邂逅》的灵异纪实节目，他自称年少时曾遭遇超自然现象，所以长久以来一直致力于揭示灵魂的真面目。此次，他和他的团队来到了一家始建于1893年的医院——科林伍德精神病院，该医院曾受纳上千名病患，1963年因闹鬼被迫关闭。兰斯团队决定将自己反锁在医院8小时，通过摄像机以及其他高精仪器寻找鬼魂的蛛丝马迹。 　　为了制造恐怖氛围，兰斯不惜弄虚作假，可是他很快发现这座医院真的有什么东西存在，他们将面临最为恐怖与难熬的不眠之夜……

电视台制作人杰瑞•哈尔福德与信心满满的青年兰斯•普雷斯顿（辛恩·罗格斯 Sean Rogerson 饰）合作，制作了一档名为《墓地邂逅》的灵异纪实节目，他自称年少时曾遭遇超自然现象，所以长久以来一直致力于揭示灵魂的真面目。此次，他和他的团队来到了一家始建于1893年的医院——科林伍德精神病院，该医院曾受纳上千名病患，1963年因闹鬼被迫关闭。兰斯团队决定将自己反锁在医院8小时，通过摄像机以及其他高精仪器寻找鬼魂的蛛丝马迹。 　　为了制造恐怖氛围，兰斯不惜弄虚作假，可是他很快发现这座医院真的有什么东西存在，他们将面临最为恐怖与难熬的不眠之夜……

Obituary is a cartoon series about June Crocker, a girl who was raised by ghosts, and her life among the living and deceased.

Obituary is a cartoon series about June Crocker, a girl who was raised by ghosts, and her life among the living and deceased.